Tag: 2023
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Various Artists, L80s: So Unusual, 2023 on Numero Group
Really interesting package here – the sleeve is basically denim, with a pocket looking like an 80s jeans pocket, complete with lipstick mark and phone number (which actually rings Numero group). Part of a series Numero group did: “The Cabinet of Curiosities,” each of which is said to be in “lavish” packaging. The contents: Yes,…
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Japanese Breakfast, Soft Sounds From Another Planet, 2017 on Dead Oceans
First release on Dead Oceanes from Michelle Zauner, aka Japanese Breakfast, and her/their second full length LP. It’s an eclectic record but I really enjoy it. (The AV Club at the Onion called Zauner a “21st-century Björk” – though that makes me wonder why Björk isn’t a 21st-century Björk). My copy is the 2023 reissue…
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Baby Rose, Through and Through, 2023 on Secretly Canadian
Debut album on Secretly Canadian for Baby Rose (aka Jasmine Rose Wilson) and her second album. Sort of a psychelic soul throwback – her voice gets lots of comparisons to Nina Simone but as though Simone was fronting a contemporary R&B group. It’s not that she’s imitating or calling back to an older form –…
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boygenius, boygenius, 2018 on Matador
Phoebe Bridgers, Lucy Dacus, and Julien Baker are boygenius – this was their debut self-titled EP, which came out in 2018. They recorded and produced the EP in just four days at Sound City in LA. Love the nod to Crosby, Stills & Nash’s debut album in the cover photo. They’re joined here by Anna…
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Sunny War, Anarchist Gospel, 2023 on New West
Sunny War, for me, came out of nowhere – I was not familiar with her earlier work though she’s put out 6 previous full length albums (one with Micah Nelson aka Particle Kid), but I will definitely be looking to pick up those older albums now that i’ve heard this one. Her bandcamp says: Sunny…
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The Mar-Keys / Booker T. and the MGs, Back to Back, 1967 on Stax
The Mar-Keys were the backing band on lots of early Stax records, and had personnel overlap with what became the MGs & The Memphis Horns. Deanie Parker’s liner notes say “Booker T. & The MG’s . . . is the rhythm section of The Mar-Keys.” This album was recorded live on a Stax/Volt tour in…
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Kacey Musgraves, Golden Hour, 2018 on MCA Nashville
Musgrave’s fourth album on MCA Nashville, produced by Musgraves with Daniel Tashian and Ian Fitchuk, with songs co-written by Musgraves with folks like Shane McAnally, Natalie Hemby, Luke Laird, and the producers. Though still on the MCA Nashville label, it’s very much an album that starts to wander deliberately outside of contemporary country conventions, moving…
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Ray Charles, Ray Charles in Person, 1960 on Atlantic
Recorded live May 28th, 1959 at the WAOK fifth anniversary celebration, Herndon Stadium in Atlanta. Recorded from the audience, reportedly from a single microphone 100 feet from the stage. First time, according to sleeve notes from Zenas Sears, that “What I’d Say” and “Tell the Truth” were played in Atlanta. My copy is the Vinyl…
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Wednesday, Rat Saw God, 2023 on Dead Oceans
Wednesday is out of Asheville NC, and blends together shoegaze / noisy indie rock with a kind of alt. country / country rock vibe. Expect to see much more from them in the next few years. Naming your band “Wednesday” in the area of search engine optimization is delightfully perverse – though “Wednesday Band” does…
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Justin Townes Earle, Live at Grimey’s, September 4th, 2014, on BMG.
Though it was recorded in 2014, and released in 2015 on Vagrant Records, my copy is the 2023 Record Store Day reissue on BMG – two 45rpm records in blue vinyl. This was recorded the month Single Mothers was being released but also includes songs that would be on Absent Fathers My copy via Newbury…
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Shame, Food for Worms, 2023 on Dead Oceans
My membership in Secretly Society actually introduced me to shame, a post-punk band from the UK (who style their name in lower case). This was their third LP for Dead Oceans, recorded at Assault and Battery studios in London, and produced by Flood. My copy in red/blue split vinyl via Secretly Society where it was…
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Gil Evans, Gil Evans & Ten, 1957 on Prestige
My copy is the 2023 reissue by Craft Recordings for Record Store Day. Players: Recorded by Rudy Van Gelder, this was Gil Evan’s fist recording as a pianist. Not sure if Lee Konitz couldn’t appear under his own name for contractual reasons (he was recording with Gerry Mulligan Quartet and solo at this same time).…
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The Magnetic Fields, i, 2004 on Nonesuch
All the songs on the album start with the letter i, a very Stephin Merritt thing to do. (Is this also related to the “i” in his first name?). The front page of the insert lyrics and credits sheet, which shows through the die cut “i” in the cover, is Fred Tomaselli’s Gravity in Four…
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Wilson Pickett, Hey Jude, 1969 on Atlantic
Recorded at Fame studios in Muscle Shoals Alabama with a band that included Duane Allman as well as Jerry Jemmott and Roger Hawkins. It’s a classic late 60s Atlantic record with tinge of what would become southern rock. In addition to the title Beatles cover, there’s also “Born to Be Wild” and songs by Hayes/Porter…
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The Suburbs at the Icehouse, November 3rd 2023
While I was in town for my mother’s 80th birthday, I was able to pick up tickets to see The Suburbs at Icehouse. (I guess this is the time of the 80s bands for me, having seen The Violent Femmes, U2, and now The Suburbs all in the course of ~4 weeks). It’s an all-GA…
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Japandroids, Celebration Rock, 2012 on Polyvinyl
Japandroids are a duo out of Vancouver BC – while this was their second album (the first was 2009’s Post-Nothing), it was their big breakout record and was pretty unavoidable in the early 2010s. My copy is the 2023 reissue by Vinyl Me Please, on what they call Fire’s Highway vinyl.
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Various Artists, Inside Llewyn Davis (Original Soundtrack Recording), 2013 on Nonesuch
My copy is the 2023 Vinyl Me Please reissue on “Seaglass Wave” vinyl. Wonderful soundtrack from the Coen brothers movie, with lots of star Oscar Isaac but also Marcus Mumford, Punch Brothers, Chris Thile, and even Justin Timberlake, Adam Driver, and Carey Mulligan. “Please Mr. Kennedy,” a novelty song in the film that Davis misses…

