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Bauhaus, In The Flat Field, 1980 on 4AD

Debut album from Peter Murphy, Daniel Ash, David Jay, and Kevin Haskins aka Bauhaus. Bauhaus and its many spinoffs (Tones on Tail, Love and Rockets, Dali’s Car) are…

The Replacements, Tim, 1985 on Sire

This was The Replacements’ fourth studio LP and their first on major label Sire as opposed to Twin/Tone. It was also the last with Bob Stinson. It’s one…

The English Beat, Special Beat Service, 1982 on IRS

On this release the spine uses the name “The Beat” but uses “The English Beat” on the cover and labels so as not to conflict with Paul Collin’s…

The Replacements, “Stink”, 1982 on Twin/Tone

This EP aka The Replacements – Stink (“Kids Don’t Follow” Plus Seven) came out in 1982, following the release of Sorry Ma. I always thought it was their…

X, Los Angeles, 1980 on Slash

Debut LP from John Doe, Exene Cervenka, DJ Bonebrake and Billy Zoom. Produced (as were the next three X albums) by The Door’s keyboardist Ray Manzarek. I was…

Billy Bragg, Help Save The Youth of America (Live and Dubious), 1988 on Elektra

Billy Bragg live six song EP released to encourage US youth to vote in the 1988 presidential election. Includes “Chile, Your Waters Run Red Through Soweto” (written by…

The Special AKA, In The Studio, 1984 on Chrysalis / 2 Tone

This was the third album from The Specials, and the only LP under the name Special AKA (early on the band had used The Special A.K.A. as well)….

The Police, Zenyatta Mondatta, 1980 on A&M

Third album in the brilliant opening set of LPs from Sting, Stewart Copeland, and Andy Summers. Side one opens with “Don’t Stand So Close To Me,” “Driven To…

Los Lobos, By the Light of the Moon, 1987 on Slash Records

Los Lobos’ follow on record to How Will The Wolf Survive?. which was produced by T-Bone Burnett. I love the Slash! records catalog from the 80s – great…

The Robert Cray Band, Don’t Be Afraid of the Dark, 1988 on Mercury

Fifth full length from Robert Cray and co – sometimes referred to as The Robert Cray Band, other places just Robert Cray from the 1980s. This was their…

Sade, Stronger Than Pride, 1988 on Epic

Third studio LP from the group Sade, named after singer Sade Adu and including (on this LP) Stuart Matthewman, Andrew Hale, and Paul Denman. What a fantastic run…

Paul Simon, Hearts and Bones, 1983 on Warner Brothers

I’d be hard pressed to make any call on what my favorite Paul Simon album is (maybe Graceland) given how great they all are – including this one,…

Kraftwerk, Tour De France, 1983 on Warner Brothers

This isn’t the full album released in 2003 but the 1983 single (recorded durig the Electric CafĂ© sessions) which charted in the UK. I guess this makes it…

Bill Monroe, Bill Monroe & Friends, 1983 on MCA Records

Bill Monroe sometimes gets called the “Father of Bluegrass” – no doubt he’s a pretty foundational figure and his Blue Grass Boys may be the source of the…

The Waterboys, Fisherman’s Blues, 1988 on Chrysalis / Ensign

The fourth studio LP from Mike Scott, Steve Wickham, Anthony Thistlehwaite, Trevor Hutchinson, Peter McKinney et al. Marked a bit of a shift toward Irish and Scottish music,…

The Long Ryders, The State of Our Union, 1985 on Island Records

Second album from LA alt-country / traditionalist rockers The Long Ryders, following up 1984’s Native Sons, and their first on a major label. The album was recorded in…

Peter Case, The Man With The Blue Postmodern Fragmented Neo-Traditionalist Guitar, 1989 on Geffen

This was Case’s sophomore album as a solo artist, follow his 1986 self-titled debut. I’m a sucker for anyone cribbing album or song titles from Wallace Stevens and…

The Woodentops, Well Well Well, 1986 on Upside Records

Collection of singles (the CD release included the subtitle “The Unabridged Singles Collection”) from UK band The Woodentops, released on Upside Records (in the US) via a license…

Emmylou Harris, Thirteen, 1986 on Warner Brothers

Harris counted this as her 13th studio album, ignoring Gliding Bird which came out on an independent label. It was produced by Harris and her then-husband Paul Kennerley…

Bob Dylan, Empire Burlesque, 1985 on Columbia

I know some people don’t love mid-eighties Dylan, but I really do. He’s working here with Mike Campbell, Benmont Tench, Howie Epstein (from the Heartbreakers) as well as…