Tag: Billie Holiday
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Billie Holiday, Songs for Distingué Lovers, 1958 on Verve
Great set of recordings, with liner notes by Norman Granz. No real detail on the sessions on the record itself, but apparently recorded during sessions in January 1957 in Hollywood – the same sessions that yielded All or Nothing at All and Body and Soul. Wonderful versions of “Stars Fell on Alabama” and “One For…
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M. Ward, Think of Spring, 2020 on Anti-
One of my favorite recent buys. M. Ward redoes Billie Holiday’s 1958 Lady in Satin. I loved his cover of Bowie’s Let’s Dance, and these standards take well to his vocal style, perhaps especially “I’m a Fool to Want You” and “You Don’t Know What Love is.” These are all more of less voice and…
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Billie Holiday, Ella Fitzgerald, Lena Horne, and Sarah Vaughan; Billie, Ella, Lena, Sarah; 1958 compilation on Harmony.
Billie Holiday, Ella Fitzgerald, Lena Horne, and Sarah Vaughan; Billie, Ella, Lena, Sarah; 1958 compilation on Harmony. Harmony was a “budget” sub-label of Columbia, revived in 1957,selling LPs for $1.98, often reissuing material from other Columbia LPs I picked this one up in a lot of LPs from Everything But The House – a great…
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Billie Holiday, Lady Sings The Blues, 1956 on Verve
Billie Holiday, Lady Sings The Blues, 1956 on @ververecords Classic Billie – first on Clef in 1956, then on Verve My copy is a 2020 Vinyl Me, Please reissue pressed by Record Technology and artwork by Laura Tinald
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Billie Holiday, Music For Torching With Billie Holiday, 1955 on Clef, 1957 on Verve
Billie Holiday, Music For Torching With Billie Holiday, 1955 on Clef, 1957 on Verve. Originally on Clef, then released on Verve (which absorbed Clef in 1956 – both were founded by Norman Grantz). My copy is actually a 1979 reissue by the Book of the Month Club, which had an audio offshoot for a time.…
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Carmen McRae, Carmen McRae Sings Lover Man and Other Billie Holiday Classics, 1962 on Columbia.
Carmen McRae, Carmen McRae Sings Lover Man and Other Billie Holiday Classics, 1962 on Columbia. My copy is a 1981 reissue as part of the Jazz Odyssey Series. McRae recorded these two years after Holiday’s death in 1959 – her greatest influence