Tag: Tony Visconti
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David Bowie, Lodger, 1979 on RCA Victor
Third album in the so-called Berlin trilogy (after Low and “Heroes”) in collaboration with Brian Eno and Tony Visconti. Recorded in Switzerland and New York city, and the first Bowie album to feature Adrian Belew alongside Carlos Alomar. A remastered Lodger came out in 2017 as part of the box set A New Career In…
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T. Rex, T. Rex, 1970 on Reprise
Debut album as “T. Rex” for Marc Bolan and Mickey Finn, having previously released as Tyrannosaurus Rex, out on Reprise in 1970. Tony Visconti produced and reportedly added bass and recorder to some tracks. The electric guitar Bolan holds on the gatefold cover signals the shift into a more rock sound from the folkier early…
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T. Rex, T. Rextasy: The Best of T. Rex, 1970-1973, 1985 on Warner Bros.
Mid-eighties compilation of T. Rex. Between 1970 and 1973, the band had eleven top 10 singles in the UK – including many here. Produced by Tony Visconti. I came to T. Rex indirectly through The Replacements (who covered “20th Century Boy” on Let it Be), Bauhaus (who covered “Telegram Sam”) and The Power Station (who…
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David Bowie, The Next Day, 2013 on ISO Records / Columbia
Bowie’s penultimate release, coming three years before Blackstar and a decade after Reality. Produced by Bowie and Tony Visconti, and recorded at The Magic Shop in New York City in 2011-2012. Musicians include Earl Slick, Gerry Leonard, Sterling Campbell, Zack Alford, and Gail Ann Dorsey. I love the cover, which starts with the cover of…
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David Bowie, Young Americans, 1975 on RCA Victor
Mid-Seventies Bowie, with guests like Earl Slick, John Lennon, David Sanborn, abd Luther Vandross (who also did the vocal arrangements). Bowie called this “Plastic Soul” and he recorded in Philadelphia and New York. My copy via Todd’s Farm Flea Market in Rowley MA – as I gradually complete the full Bowie catalog up to 2016.
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David Bowie, Blackstar, 2016 on ISO Records / Columbia
Wow, what a final album. So much to say about Blackstar, recorded more or less in secret in New York with Tony Visconti and some local jazz musicians, and released two days before his death. My copy, like many I’ve seen in the used market, has a tear in the die cut cover which is…
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David Bowie, Diamond Dogs, 1974 on RCA Victor
Bowie’s eighth studio album, recorded following the disbanding of the Spiders from Mars, working (again) with producer Tony Visconti. The recording band includes Tony Newman and Aynsley Dunbar on Drums, Herbie Flowers on Bass, Mike Garson on Keyboards, and Bowie (credited only by last name) playing guitar, saxes, moog, and mellotron. The cover painting is…
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Joe Cocker, With A Little Help From My Friends, 1969 on A&M.
Joe Cocker, With A Little Help From My Friends, 1969 on A&M. Debut album from Joe Cocker, with arguably the definitive renditions of the title track, Feelin’ Alright, and Don’t Let Me Be Misunderstood. Lots of great musicians on this: Tony Visconti, Jimmy Page, Albert Lee, Steve Winwood, plus a number of great backup singers
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David Bowie, The Man Who Sold The World, 1970 on Mercury.
David Bowie, The Man Who Sold The World, 1970 on Mercury. My copy is on RCA/Victor, who reissued in 1972 with this black and white photo of Ziggy Stardust rather than the first US cover (Michael Weller’s illustration) or the initial UK cover (Bowie in the blue Michael Fish dress). This was the first Bowie…
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David Bowie, Scary Monsters, 1980 on RCA Victor.
David Bowie, Scary Monsters, 1980 on RCA Victor. Bowie working with Tony Visconti, guests include Robert Fripp, Pete Townshend, Carlos Alomar, Andy Clark Transitional album between the Berlin Trilogy and Let’s Dance. (I know some folks think of it as his last great album, and see LD as a falling off – I don’t, but…