Tag: 1987
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The Cure, Wake Me In the Dark, 2023 on Mind Control
Another live vinyl bootleg from The Cure (said to be an FM radio broadcast), this one from November 1st, 1987 at Forest National in Brussels Belgium. Many tracks from the then-new Kiss Me Kiss Me Kiss Me album. This has also been bootlegged as Belgian Kisses on Casino Records. You can find audio from the…
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Colin James Hay, Looking for Jack, 1987 on Columbia
Solo debut from the man more well known (to me at least) as the lead singer of Men At Work, which he fronted from 1978 to 1986. He’s actually had quite a lengthy solo career and done a lot of really interesting work. This album may not be the pinnacle of that work, but it…
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Bob Dylan & The Grateful Dead, Dylan & The Dead, 1989 on Columbia
Recorded live in July 1987 during the six-city tour of that summer. While the shows from that tour typically had a first set of Dead material followed by a set with Dylan, this recording highlights the Dylan songs with the Dead serving as a backup band. Got some harsh critical reviews a the time as…
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The Replacements, The Pleasure’s All Yours: Pleased to Meet Me Outtakes & Alternates, 2021 on Sire
Released as part of Record Store Day 2021, these are outtakes and alternate versions of songs from Pleased To Meet Me released on vinyl for the first time. Some (most?) of these tracks have been released elsewhere: the expanded CD edition of Pleased To Meet Me or the All for Nothing / Nothing for All…
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Lloyd Cole and the Commotions, Mainstream, 1987 on Capitol
Third and last studio LP under the name Lloyd Cole and the Commotions, released by Polydor in the UK and Capitol in the US. Fared better in the UK than in the US, where it failed to chart. One track produced by Stewart Copeland, the rest by Ian Stanley. Well worth a listen if you…
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The Housemartins, Me and the Farmer, 1987 on Go! Discs
Released as a 12″ single from The People Who Grinned Themselves To Death, including the b-side of the 7″ single “I Bit My Lip” but also “He Will Find You Out” and “Step Outside.” Norman Cook (who later became Fatboy Slim among many aliases), Dave Hemingway (also later in The Beautiful South), Stan Cullimore, and…
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X, See How We Are, 1987 on Elektra
This was the sixth studio album from Exene Cervenka, John Doe, and D.J. Bonebrake, and the first after the departure of Billy Zoom. He was replaced by Dave Alvin and then Tony Gilkyson, both of whom are credited on the LP. Benmont Tench also contributes on the Hammond organ. The standout for me is “4th…
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The Smiths, The World Won’t Listen, 1987 on Rough Trade
This is a compilation album—the second of three—including singles and b-sides from 1985-1987. Most of these tracks also appear on Louder Than Bombs (a 2xLP), but two are different versions and two are edits. Fantastic collection of songs, including “Panic,” “Ask,” “Bigmouth Strikes Again,” “There Is a Light That Never Goes Out,” “That Joke Isn’t…
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The Smiths, Strangeways Here We Come, 1987 on Rough Trade.
Fourth (and final) studio album from The Smiths, produced by Stephen Street, Morrissey, and Johnny Marr and recorded at The Wool Hall in Beckington, Somerset. On constant repeat in my late 80s experience. Strangeways was a prison in Manchester (now Manchester Prison) – The Smiths had previously used the Salford Lad’s Club for the cover…
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John Hiatt, Bring the Family, 1987 on A&M
John Hiatt’s eighth studio album and his first on A&M. What a fantastic songwriter! Actually paid for by Demon Records in the UK, but picked up after being completed by A&M in the US. Guests include Ry Cooder (doing harmony vocals on “Have a Little Faith in Me” as well as electric guitar and sitar…
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The Triffids, Calenture, 1987 on Island Records
This was actually the fourth LP for the Australian alt-rock (post-punk?) band The Triffids, but likely their best known to US audiences (like me). The literary-ness of being named after The Day of the Triffids and using (and defining on the sleeve – this was well before google) a word like Calenture appeared to the…
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Jonathan Richman & The Modern Lovers, Modern Lovers ’88, 1987 on Rounder
Although the Modern Lovers formed in Natick MA, this incarnation formed in California and recorded this album in Grass Valley CA. This became the final album for Richman with the Modern Lovers, as a trio, with Brennan Totten and Johnny Avila. My copy—via Electric Fetus in Minneapolis MN—is the Craft Recordings’ 2022 Record Store Day…
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Steve Earle, Someday, 1987 on MCA
12-inch single with a presskit from 1987 – after the March 1986 release of Guitar Town. This was the second single from the debut album – including a live cover of Bruce Springsteen’s “State Trooper.” My copy—via the Record Exchange in Salem MA—also included a one page Rolling Stone feature on Earle, but not I’m…
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Los Lobos, By the Light of the Moon, 1987 on Slash Records
Los Lobos’ follow on record to How Will The Wolf Survive?. which was produced by T-Bone Burnett. I love the Slash! records catalog from the 80s – great Americana tinged but contemporary music – and this is no exception. My copy—via Slipped Disc at a record fair at Mill No. 5—is an Allied pressing from…
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Bruce Cockburn, Waiting for a Miracle: Singles 1970-1987, 1987 on True North
Collection of singles from Canada’s Bruce Cockburn, whose career ranged widely from folk to what we might call world music to rock. Cockburn was a Berklee School of Music dropout before being a dropout from Berkelee was de rigeur. I first found Cockburn via “If I Had A Rocket Launcher” and his association with various…
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Various Artists, The Best of Chess Blues, 1987 on Chess / MCA
Great 2xLP 80s compilation of the post-war blues that made Chess such a critical label, issued by MCA who acquired the rights to the Chess catalog in the mid-eighties. My copy—via Mel’s Record Shop in Amesbury MA—is a 1987 pressing by MCA Records’ plant in Gloversville, NY.
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Townes Van Zandt, At My Window, 1987 on Sugar Hill
Van Zandt’s eighth studio album and only one recorded in the 1980s, originally released on the bluegrass label Sugar Hill. I never miss a chance to pick up a Townes Van Zandt record in good shape. Recorded at Jack Clement’s studio in Nashville (“Cowboy Arms Hotel and Recording Spa”) and produced by Clement and Jim…
