Category: music
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Art Farmer, Portrait of Art Farmer, 1958 on Stereo Records
“Stereo Records” was a jazz label made by Contemporary Records in 1958 to push records made with the new-fangled stereo technology: Stereophonic two-channel disc recording utilizing Westrex 45-45 “StereoDisc” cutting system. To be reproduced only with stereophonic cartridge. Warning: use of conventional monaural cartridge without sufficient vertical compliance may well result in damage to this…
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David Porter, Chapter 1: Back in the Day, 2022 on MIME Records
David Porter is maybe best well-known as a songwriter and producer – the staff writer at Stax records who penned “Hold On, I’m Coming” and “Soul Man” among so many others, and who worked extensively with Isaac Hayes in the late sixties and early seventies. He’s also the found of The Consortium MMT in Memphis,…
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Michelle Shocked, The Texas Campfire Tapes, 1986 on Mercury / Cooking Vinyl
This was the debut album for Michelle Shocked, purportedly recorded by Cooking Vinyl founder Pete Lawrence on a Sony Walkman at an unplanned performance at the Kerrville Folk Festival in Texas. Shocked herself has called it a “bootleg” and says it was released without her permission: My music career began as the Bootleg Poster Child.…
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Joe Jackson, I’m the Man, 1979 on A&M
I knew Joe Jackson’s music from the early 80s – he was pretty hard to avoid on mainstream radio at that point – but I don’t think I really appreciated his unique talent until I was a bit older. This was his sophomore album, following 1978’s Look Sharp – and included the title track as…
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Joe Henderson, Mode for Joe, 1966 on Blue Note
This was Henderson’s fifth studio album (as a band leader), joined by: Lee Morgan (trumpet), Chris Fuller (trombone), Bobby Hutcherson (vibes), Cedar Walton (piano), Ron Carter (bass), and Joe Chambers (drums). Recorded by Rudy Van Gelder. Really wonderful Blue Note 60s jazz. My copy is a 2024 reissue in the Blue Note Classic Vinyl Series…
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Milt Jackson, Ballads & Blues, 1956 on Atlantic
Jackson’s most well know as the vibraphonist in the Modern Jazz Quartet but he also collaborated and recorded with many other bop musicians. Here he is joined by Lucky Thomson (sax), John Lewis (piano), Skeeter Best (guitar), Oscar Pettiford (bass), Kenny Clarke (drums), Barney Kessel (guitar), Percy Heath (bass), Lawrence Marable (drums), and Barry Gailbraith…
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Coleman Hawkins and His Orchestra, Hollywood Stampede, 1972 on Capitol
Seventies reissue – volume 5 in the Capitol Jazz Classics series – with songs taken from sessions in February and March of 1945. Players joining Hawkins on these tracks include Howard McGhee (trumpet), Sir Charles Thompson (piano), Allan Reuss (guitar), Oscar Pettiford (bass), Denzil Best (drums), Vic Dickenson (trombone), John Simmons (bass). Great classic jazz…
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Various Artists, The Endless Coloured Ways: The Songs of Nick Drake, 2023 on Chrysalis
Tribute album full of covers of Nick Drake songs, by modern artists including: Fontaines D.C., David Gray, John Parish & Aldous Harding, Ben Harper, Joe Henry & Meshell Ndegeocello, Liz Phair, and John Grant (among many others). This pressing also includes a one-sided 7″ single of Nick Drake himself covering Dylan’s “Tomorrow is a Long…
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Depeche Mode, Some Great Reward, 1984 on Sire
I’ve not shared many Depeche Mode records here, mostly because I’m sharing new additions to my collection and I don’t find many DM records I don’t already have, but also because my collection is very 80s heavy, and I’m trying to rotate through decades. That said, I have been a massive Depeche Mode fan from…
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Waylon Jennings, The Taker / Tulsa, 1971 on RCA/Victor
Love this early 70s Waylon Jennings. It’s only 30 minutes long but has great takes on some Kris Kristofferson tunes like “Lovin’ Her Was Easier (Than Anything I’ll Ever Do Again)” and “Sunday Mornin’ Comin’ Down.” It was recorded at RCA “Nashville Sound’ studio and in LA, and produced by Danny Davis and Ronny Light.…
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Commodores, All the Great Hits, 1982 on Motown
Wonderful collection of Commodores songs – their second compilation of hits, with many more to follow. “Lady.” “Sail On,” “Brick House,” “Easy,” and “Three Times a Lady” are each worth the price of admission. Solid find as I don’t have any of their original records from the 70s or 80s. My copy, via Bull Moose…
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James Taylor, One Man Dog, 1972 on Warner Bros.
This was Taylor’s fourth studio album, with “Don’t Let Me Be Lonely Tonight.” 18 tracks means lots of short bits / interludes, some of which can feel a bit unfinished but overall I like the effect. Performers include Carly Simon and Carole King on backing vocals, Danny Kortchmar, Leland Sklar, Russ Kunkel, and John McLaughlin…
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Herbie Hancock, Empyrean Isles, 1964 on Blue Note
Early jazz Herbie Hancock – this was his fourth studio LP for Blue Note, backed by Freddie Hubbard on cornet, Ron Carter on bass, and Anthony Williams on drums. Recorded on June 17th, 1964 at Rudy Van Gelder’s studio in Englewood Cliffs, NJ. The most well known track here is “Cantaloupe Island” which became something…
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Django Reinhardt, Nuages, 2017 on Jazz Images
Nuages was first issued under that name in 2002, as a reissue of The Great Artistry of Django Reinhardt, a 1953 10″ record on Norman Granz’s Clef label, plus 4 bonus tracks that had been issued as singles by Decca (also in 1953). This vinyl issue was produced in 2017 by Jazz Images, presumably a…
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The Suburbs, Poets Party, 2021 on Suburbs Music (Self-Released)
Before there was The Tortured Poets Department, there was a Poets Party – the most recent release from reliable Minneapolis art-rock stalwarts The Suburbs. I’ve been a fan since the early 80s, and happy to say they keep making great albums. Recorded and mixed at Dream Hog, which is Steve Price’s studio, and produced by…
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Screaming Blue Messiahs, Bikini Red, 1987 on Elektra
Bill Carter and the Screaming Blue Messiahs put out four major label studio albums in the 80s – this was the third, in 1987. Some great and funny songwriting here: “I Wanna Be a Flinstone” and “Jesus Chrysler Drives a Dodge” as well as “I Can Speak American.” Power rock trio of Carter on guitar…
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Eagles, The Long Run, 1979 on Asylum
Fun fact: even though virtually everyone calls them The Eagles, it’s really just Eagles. (There was already some soul band called The Eagles). This was their sixth (and penultimate) studio album, their final one for Asylum records, and the first with Timothy Schmidt on bass (replacing Randy Meisner). They wouldn’t release another studio album until…
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Sonny Boy Williamson, The Real Folk Blues, 1966 on Chess
This album was first released in the UK in 1965 as In Memorium, (Williamson died in May of 1965). In the US it was retitled to The Real Folk Blues and released in 1966. Later reissues have appeared with either title in different regions. This is one of my favorite blues albums of all time…