Tag: 1950s
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Mose Allison, Back Country Suite, 1957 on Prestige
Mose Allison’s debut album, recorded at Van Gelder’s studio in Hackensack in March 1957, with Taylor La Fargue (bass) and Frank Isola (drums). Largely instrumental. The song titled here just “Blues” was later recorded on Live at Leeds by the Who as “Young Man Blues”: Well a young man ain’t got nothing in the world…
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Sonny Rollins, Way Out West, 1957 on Contemporary
This was the first Rollins album with Ray Brown and Shelly Manne, and the first time he recorded with only bass and drums. I love this cover photo emphasizing the New York native was out west. My copy—direct from Craft Recordings—is the 2009 Original Jazz Classics reissue which was remastered back in 1988 and repressed…
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Cliff Jordan, Cliff Jordan, 1957 on Blue Note
Recorded by Rudy Van Gelder in Hackensack NJ, Jordan is joined by John Jenkins (alto sax), Art Taylor (drums), Ray Bryant (piano), Curtis Fuller (trombone) and Lee Morgan (trumpet). This is one of two Blue Note LPs he put out in 1957 (the other was Blowing in From Chicago with John Gilmore). My copy—via Amazon—is…
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Clifford Brown and Max Roach, Study in Brown, 1955 on EmArcy
Brown and Roach are joined by Harold Land (tenor), Richie Powell (piano), and George Morrow (bass). Recorded Feb 23rd and 25th of 1955. Fantastic album. My copy—via private sale—is the 2021 Acoustic Sounds Series reissue on 180g vinyl, supervised by Chad Kassem, cut by Ryan Smith, and pressed at Quality Record Pressing. As you’d expect,…
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Art Blakey and the Jazz Messengers, Drum Suite, 1957 on Columbia
Art Blakey is joined here (at least on the A-side) by Cuban drummers Candido and Sabu, with Ray Bryant, Oscar Pettiford, and Charles Wright. On the B side, Jackie McLean, Spanky DeBrest, Sam Dockery, and Bill Hardman join as the Jazz Messengers. My copy—via private sale—is a 1950s Columbia Hollywood plant pressing with the 6-eye…
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Sarah Vaughan, Sarah Vaughan, 1955 on EmArcy
Later reissued as Sarah Vaughan with Clifford Brown, this was Vaughan’s second self-titled LP, and her second studio album. The band also includes Paul Quinichette on tenor sax, Roy Haynes on drums, Herbie Mann on flute, and Jimmy Jones on piano. It was originally recorded December 18th, 1954, and released in 1955. What a masterful…
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Sarah Vaughan, Sarah Vaughan Sings George Gershwin, 1958 on Mercury
Fantastic collection of Sarah Vaughan doing Gershwin standards from the twenties and thirties, supported by Hal Mooney & His Orchestra. My copy—via a private sale—is a 2xLP gatefold reissue in mono by Verve/UMe, which reproduces the old Mercury labels.
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Bud Powell, Time Waits (The Amazing Bud Powell, Volume 4), 1958 on Blue Note
Powell joined by Sam Jones and Philly Joe Jones, recorded by Rudy Van Gelder in Hackensack NJ, and produced by Alfred Lion. Sleeve notes by Leonard Feather. My copy is the 2022 Blue Note Classic Vinyl Series reissue, pressed at Optimal GmbH and mastered by Kevin Gray at Cohearent – wonderful pressing.
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Herbie Nichols, The Prophetic Herbie Nichols Volumes 1 & 2, 1955 on Blue Note
This 2021 vinyl release in the Blue Note Classic Vinyl Series was previously issued only in Japan in 1983 in this form. It combines two 1955 10″ releases onto a single LP with a gatefold cover reproducing the covers of the separate volumes. The band is Herbie Nichols on piano, Al McKibbon on bass, and…
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Sonny Clark Trio, Sonny Clark Trio, 1958 on Blue Note
Sonny Clark with Paul Chambers on bass and Philly Joe Jones on drums – recorded by Rudy Van Gelder in 1957 in Hackensack. Liner notes by Leonard Feather, cover designed by Reid Miles. Love these renditions of “I Didn’t Know What Time It Was” and “Two Bass Hit” – and the “I’ll Remember April” with…
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Horace Silver, Horace Silver Trio, 1956 on Blue Note
BLP 1520, originally released in 1956. Horace Silver on piano with Art Blakey on drums and three different bass players on different cuts: Gene Ramey, Curly Russell, and Percy Heath. Compiles recordings from two earlier 10″ releases: 1953’s New Faces – New Sounds and 1954’s Vol. 2. Sabu Martinez joins on “Message from Kenya.” Excellent…
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Thelonious Monk, The Unique Thelonious Monk, 1956 on Riverside
Monk recorded by Rudy Van Gelder, with Oscar Pettiford on bass and Art Blakey on drums, produced by Orrin Keepnews and Bill Grauer – originally Riverside RLP 12-209 with a different cover. My copy, via Academy Records in NYC, is the 1983 reissue in the Original Jazz Classics series, issued by Fantasy which acquired the…
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Billie Holiday, Songs for Distingué Lovers, 1958 on Verve
Great set of recordings, with liner notes by Norman Granz. No real detail on the sessions on the record itself, but apparently recorded during sessions in January 1957 in Hollywood – the same sessions that yielded All or Nothing at All and Body and Soul. Wonderful versions of “Stars Fell on Alabama” and “One For…
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Ella Fitzgerald & Louis Armstrong, Ella & Louis: Complete Studio Small Group Recordings, 2015 on Waxtime
Waxtime is sometimes a controversial label. Based on some differences between US and EU copyright law, they’re releasing classic jazz recordings without explicit access o the source material. This means they might be working from a CD, or even a needle-drop on a good vinyl copy- but the source material is more or less unofficial.…
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Charlie Parker, The Mercury & Clef 10-inch LP Collection
This 2021 box collects / reproduces the 10″ LPs put out in the early 1950s: I don’t normally collect 10″ records, but got a good deal on this box, which is very well made, reproducing original covers and labels, and with an included book. Neither of the two “Charlie Parker With Strings” LPs actually has…
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Gerry Mulligan, California Concerts, 1955 on Pacific Jazz
Collection of live recordings featuring the Gerry Mulligan Quartet on the A-Side and the Gerry Mulligan Sextet on the B-Side. The quartet here is with Jon Eardley, Red Mitchell, and Chico Hamilton; the sextet with Bob Brookmeyer, Zoot Sims, and Larry Bunker with Eardly and Mitchell. The A-side was recorded at Stockton High School in…
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Gerry Mulligan Quartet featuring Chet Baker, Gerry Mulligan Quartet, 1955 on Pacific Jazz
This was a compilation of tracks previously issued on three different 10″ records issued by Pacific Jazz in 1952 and 1953: PJ LP-1, PJ LP-2, and PJ LP-5. Besides Mulligan and Baker, the musicians include Larry Bunker or Chico Hamilton (drums) and Carson Smith or Bob Whitlock (bass). The cover painting is by Keith Finch,…
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Teo Macero with the Prestige Jazz Quartet, Teo, 1957 on Prestige
Macero is likely best known as the producer of both Bitches Brew and Time Out but he was also a great saxophone player and composer. He made multiple albums with Mingus and cofounded the Jazz Composers Workshop. Here he is joined by Addison Farmer (bass), Jerry Segal (drums), Mal Waldron (piano), and Teddy Charles (vibes).…