Tag: 1969
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Leo Kottke, 6-and 12-String Guitar, 1969 on Takoma
Kottke’s second album, following 12-String Blues, and what would become reportedly the best-selling LP on John Fahey’s Takoma Records. Writing his own liner notes, Kottke writes “All that is left to be said is that Kottke’s voice does not appear on this album. His guitar does.” My copy—via Salem Flea Marketplace—has the gold and tan…
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Bill Evans, Evans in England, 2019 on Resonance
Another late sixties (December 1969) set from Evans, Eddie Gomez, and Marty Morell, recorded at Ronnie Scott’s. (Live at Ronnie Scott’s, released in 2020, came from recordings made in July of 1968). Great production and packaging. My copy—via private sale—is the Record Store Day 2019 2xLP deluxe edition, numbered and limited.
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The Grateful Dead, Aoxomoxoa, 1969 on Warner Bros
This was the third studio LP from The Grateful Dead, and was one of the first albums recorded in 16 tracks on an Ampex MM-1000. It was remixed by Garcia and Lesh in 1971. “China Cat Sunflower” and “St. Stephen” remain among my favorite Dead tunes, though I find it hard to get through “What’s…
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Sarah Vaughan, Live at the Berlin Philharmonie 1969, 2021 on The Lost Recordings
Recorded in 1969, with Vaughan backed by Johnny Veith (piano), Gus Mancuso (bass), and Eddy Pucci (drums). The Berliner Philharmonie is used here as the name of the hall, not the orchestra – built in the 1960s. The Lost Recordings is a French label that, in their own words, “travel[s] the world in search of…
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Wayne Shorter, Schizophrenia, 1969 on Blue Note
Eleventh Wayne Shorter album, with Herbie Hancock, Curtis Fuller, Ron Carter, James Spaulding, and Joe Chambers. Recorded by Rudy Van Gelder, with Francis Wolff producing. This is transitional between post-bop and free jazz – looser and closer to the edge than my normal taste, but worth a listen for anyone interested in post-bop or Shorter…
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Creedence Clearwater Revival, Willy and the Poor Boys, 1969 on Fantasy
This was the fourth LP from CCR, and the third released in 1969 (one in January, one in August, and this one in November) – talk about striking while the iron is hot / saturating the market. John Fogerty, older bother Tom Fogerty, Stu Cook, and Doug Clifford are in fine form, including “Down On…
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Jim Sullivan, U.F.O., 1969 on Monnie Records
im Sullivan’s U.F.O. originally came out on Monnie back in 1969 (basically a self-funded pressing), and then was reissued with the title Jim Sullivan (with a different mix) by Century City Records in 1970. It was out of print until Light in the Attic reissued it in 2010, forty years later. Sullivan famously disappeared in…
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The Jeff Beck Group, Beck-Ola, 1969 on Epic
Beck’s second studio LP, following Truth, and credited to the Jeff Beck Group. The cover is René Magritte’s “The Listening Room.” Ron Wood on bass, Rod Stewart on vocals, Nicky Hopkins piano and Tony Newman on drums. My copy – a 1969 Epic pressing – via a private sale. Amazing record in great shape despite…
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Johnny Winter, Johnny Winter, 1969 on Columbia
Johnny Winter’s self-titled official debut album (The Progressive Blues Experiment came out the year before as a kind of unauthorized debut on Sonobeat, then sold to Imperial). Mix of blues standard covers (“Good Morning Little School Girl,” “I’ll Drown in My Own Tears,” and “Mean Mistreater”) along with Johnny Winter originals. Winter produced, and is…
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David Bowie, The Lost Sessions, Vol 1, 2020 on Parachute Recording Company
Another Parachute Recording Company release, which collects radio broadcasts subject to different copyrights in the EU. In this case, that includes appearances Bowie made on: As is not uncommon with bootlegs, some tracks are misidentified / mislabelled: C14 is not Janine but the 4:42 version of “The Width of a Circle,” and C15 is not…
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Neil Young, Neil Young, 1969 on Reprise
Young’s debut solo album. It can be tricky to keep all the chronology straight here, as someone who came to Young much later in his career – but this is following his departure from Buffalo Springfield and before the first Crosby, Stills, Nash & Young record. Everybody Knows This Is Nowhere (with Crazy Horse) was…
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Chet Baker, Albert’s House, 1969 on Beverly Hills
One of Baker’s releases following getting his teeth (allegedly) knocked out (see Born to Be Blue) – eleven songs composed by Steve Allen. Gets some pretty negative reviews – I’d agree it isn’t Baker at his prime, but I’m closer to the Rolling Stone Jazz Record Guide which gives is three out of five stars…
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Fleetwood Mac, The Pious Bird of Good Omen, 1969 on Blue Horizon
This is the earlier, Peter Green led, British Blues Fleetwood Mac, and collects their first four non-album UK singles and their B-Sides. It serves as a pretty good intro to what that first-stage Fleetwood Mac was all about. Eddie Boyd guests on “The Big Boat” and “Just the Blues” – and there are covers here…
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Lou Rawls, Come On In, Mister Blues, 1969 on Pickwick/33
One has to be careful about some of these discount releases on Pickwick/33 – they were a discount label for a reason, offering cheap compilations of previously released material – but this one is really fantastic. Lou Rawls passed in 2006 and he put out over 70 albums, so there’s a lot to collect, especially…
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Desmond Dekker, The Israelites, 1969 on Pyramid
The title track was top 10 both in the UK and in the US in 1969, making Dekker one of the most visible early stars of reggae outside Jamaica. My copy is a 2016 mono reissue through BMG, reproducing the Pyramid label from the 1969 UK release. Via Reykjavik Record Shop in Iceland.
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Muddy Waters, Otis Spann, Mike Bloomfield, Paul Butterfield, Donald “Duck” Dunn, Sam Lay, and Buddy Miles – Fathers and Sons, 1969 on Chess
Vinyl Me Please just credits the LP to Muddy Waters, but the back cover really credits everyone in the all star band. It was Waters’s biggest seller. One LP is studio recordings from Chicago (Ter Mar Studios), the other LP is a live recording from the Super Cosmic Joy-Scout Jamboree. This Vinyl Me Please reissue…
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Big Joe Williams, Hand Me Down My Old Walking Stick, 1969 on World Pacific
World Pacific was an imprint of Liberty Records. Recorded in London in 1968, when Williams was ~65 years old and was regularly touring European and American festivals. My copy must have been at some point in the collection of WRSU, the record station at Rutgers – but came to me via Academy Records in NYC.
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Wilson Pickett, Hey Jude, 1969 on Atlantic
Recorded at Fame studios in Muscle Shoals Alabama with a band that included Duane Allman as well as Jerry Jemmott and Roger Hawkins. It’s a classic late 60s Atlantic record with tinge of what would become southern rock. In addition to the title Beatles cover, there’s also “Born to Be Wild” and songs by Hayes/Porter…