Tag: Blue Mitchell
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Horace Silver Quintet, Silver’s Serenade, 1963 on Blue Note
The quintent here is Silver joined by Blue Mitchell (trumpet), Junior Cook (tenor sax), Gene Taylor (bass), and Roy Brooks (drums). Recorded by Rudy Van Gelder in Englewood Cliffs, with Alfred Lion producing. My copy—via Amazon—is another Blue Note Tone Poet Series reissue from 2024. Yes, I realize there are other jazz labels and other…
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Freddie Roach, Good Move!, 1964 on Blue Note
Freddie Roach’s third album as a leader, recorded by Rudy Van Gelder in Englewood Cliff with Blue Mitchell (trumpet), Hank Mobley (tenor sax), Eddie Wright (guitar), and Clarence Johnston (drums). Tunes include “It Ain’t Necessarily So” (Gerswhin) and Pastel (Garner) as well as “T’Ain’t What You Do (It’s The Way That You Do It).” Great…
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Lou Donaldson, Midnight Creeper, 1968 on Blue Note
Donaldson joined here by Leo Morris (drums), George Benson (guitar), Lonnie Smith (organ) and Blue Mitchell (trumpet). Very groovy soul-jazz LP from late sixties Blue Note. Recorded by Rudy Van Gelder in Englewood Cliffs and produced by Francis Wolff. My copy—via Amazon—is the Blue Note Tone Poet reissue from 2024, mastered by Kevin Gray and…
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Blue Mitchell, Down With It, 1966 on Blue Note
Another fantastic Blue Note jazz LP, this came out originally in 1966. It features Mitchell (trumpet) with Junior Cook (tenor sax), Chick Corea (piano), Gene Taylor (bass), and Aloysius Foster (drums), and was recorded at Van Gelder Studios in New Jersey. My copy- via a private sale – is the Blue Note Tone Poet reissue…
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Harold Vick, Steppin’ Out!, 1963 on Blue Note
Debut album from Harold Vick (as a leader), recorded Rudy Van Gelder’s studio in Englewood Cliffs, New Jersey, with a wonderful supporting cast: Blue Mitchell, Grant Green, John Patton, and Ben Dixon. Vick would also go on to play with folks like King Curtis and Aretha Franklin, and passed in 1987. Great album of early…
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John Mayall, Jazz Blues Fusion, 1972 on Polydor
Mayall is joined here by Larry Taylor, Freddy Robinson, Ron Selico, Clifford Solomon and Blue Mitchell – adding sax and trumpet to his traditional blues approach. Recoded in Boston (venue unstated) November 18th, 1971 and then at Hunter College in New York on December 3rd and 4th. My copy via a record fair at Mill…

