Tag: Grateful Dead
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Bob Dylan & The Grateful Dead, Dylan & The Dead, 1989 on Columbia
Recorded live in July 1987 during the six-city tour of that summer. While the shows from that tour typically had a first set of Dead material followed by a set with Dylan, this recording highlights the Dylan songs with the Dead serving as a backup band. Got some harsh critical reviews a the time as…
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The Grateful Dead, Aoxomoxoa, 1969 on Warner Bros
This was the third studio LP from The Grateful Dead, and was one of the first albums recorded in 16 tracks on an Ampex MM-1000. It was remixed by Garcia and Lesh in 1971. “China Cat Sunflower” and “St. Stephen” remain among my favorite Dead tunes, though I find it hard to get through “What’s…
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Grateful Dead, Anthem of the Sun, 1968 on Warner Bros / Seven Arts
Second LP from the Dead, assembled together by Garcia and Lesh out of a mixture of live and studio recordings to make a new hybrid. Very much a psychedelic and experimental record, as the cover and song titles would suggest. My copy is the Vinyl Me, Please reissue from 2023, which was manufactured for Rhino.…
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David Bromberg, Wanted Dead or Alive, 1974 on Columbia
I’m a huge David Bromberg fan – he’s an under-appreciated player in the universe of bluegrass/blues/folk/jazz. This was his third LP. One side was recorded with Jerry Garcia, Phil Lesh, Keith Godchaux and Bill Kreutzmann (of the Grateful Dead) and the other side was recorded live. The opener “The Holdup” was cowritten with George Harrison,…
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Grateful Dead, Wake Of The Flood, 1973 on Grateful Dead Records.
Grateful Dead, Wake Of The Flood, 1973 on Grateful Dead Records. Still working my way through the Vinyl Me, Please anthology Story of the Grateful Dead. Eyes of the World, Row Jimmy, Mississippi Half Step Uptown Toodeloo
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Grateful Dead, Terrapin Station, 1977 on Arista.
Grateful Dead, Terrapin Station, 1977 on Arista. I’ve got a 1977 pressing and this recent reissue by Vinyl Me, Please from the Story of the Grateful Dead anthology
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Grateful Dead, Europe ’72, 1972 on Warner Bros.
Grateful Dead, Europe ’72, 1972 on Warner Bros. 3xLPs of brilliance: China Cat -> I Know You Rider, Brown Eyed Women, Hurts Me Too. that closing Morning Dew, a 13 minute Truckin’. I’ve had this on tape and then CD, but this is my first vinyl copy via the Vinyl Me, Please Anthology release
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Grateful Dead, Workingman’s Dead, 1970 on Warner Bros.
Grateful Dead, Workingman’s Dead, 1970 on Warner Bros. Another classic Grateful Dead release – feels like a greatest hits compilation from 2020 POV but was just another release back in 1970: Uncle John’s Band, Dire Wolf, Cumberland Blues, Casey Jones, Speedway Boogie. My copy is from the Vinyl Me, Please Anthology: The Story of the…
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Grateful Dead, American Beauty, 1970 on Warner Bros.
Grateful Dead, American Beauty, 1970 on Warner Bros. This copy is from the Vinyl Me, Please Anthology (The Story Of The Grateful Dead) but I’ve been a huge fan of the album since I first heard it in the early eighties. So many beautiful tunes here. I also love the psychedelic jam band version of…
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Grateful Dead, Live / Dead, 1969 on Warner.
Grateful Dead, Live / Dead, 1969 on Warner. My copy is from the 2020 Vinyl Me, Please Anthology: The Story Of The Grateful Dead. Dark Star, Saint Stephen, Death Don’t Have No Mercy – so much early greatness on this 2 LP set
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Grateful Dead, Reckoning, 1981 on Arista.
Grateful Dead, Reckoning, 1981 on Arista. My copy is from the @vinylmeplease anthology, The Story Of The Grateful Dead, on red and blue vinyl. One of my two favorite albums titled Reckoning, this is the acoustic Grateful Dead from the Warfield and Radio City Music Hall taped in 1980
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Grateful Dead, Without a Net, 1990 on Arista
Grateful Dead, Without a Net, 1990 on Arista I’ve got an original 1990 vinyl copy and this Vinyl Me, Please Anthology copy from 2020. Great version of “Eyes of the World” with Branford Marsalis and a China Cat -> Rider plus a Help -> Slipknot -> Franklin’s Very much the Dead I got a chance…
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Steal your face right off of your head . . .
Steal your face right off of your head . . .
