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Flesh for Lulu, Plastic Fantastic, 1989 on Capitol / Beggar’s Banquet
This was the fourth studio LP from Flesh for Lulu, and the second on Beggar’s Banquet (in the UK) and Capitol (in the US). “Decline and Fall” from this LP was a hit on the “modern rock tracks” charts. It would also be their last studio LP. (Gigantic was later released under the Flesh for…
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Bob Marley & The Wailers, Babylon By Bus, 1978 on Island
Wonderful live album recorded (despite the maps on the inner sleeves showing the US leg of the tour) in Paris, Copenhagen, London, and Amsterdam. It’s 2xLP but not a gatefold. It’s die-cut in the front windows of the bus, so depending on the order you put the printed inner sleeves you determine what shows through.…
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John Mayall, Down The Line, 1973 on London Records
Compilation of songs previously released: First LP includes songs from Blues Breakers, A Hard Road, Crusade, The Blues Alone, Bare Wires, Blues From Laurel Canyon, and Looking Back, and the second LP is John Mayall Plays John Mayall (1965) which was never released on vinyl in the US (and had not been issued in the…
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Blues Brothers, Made in America, 1980 on Atlantic
The Blues Brothers’ second album, released the same year the film came out (1980). Lots of folks are surprised (I was) that the Blues Brothers pre-existed the film – they performed on Saturday Night Live in April 1978 and put out Briefcase Full of Blues that same year. The band on this release includes, in…
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The Alarm, Change, 1989 on I.R.S. Records
We recently lost Mike Peters of The Alarm, after a 30 year battle with cancer. He also had a lengthy solo career following the band’s breakup in the early 90s, and founded the Love Hope Strength Foundation. This album was their penultimate with the original lineup, and has NID YN CYMRU AR WERTH carved into…
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Flesh For Lulu, Big Fun City, 1985 on Statik Records
This was the sophomore studio album by Brixton’s Flesh For Lulu, released by London-based Statik Records in 1985. Nick Marsh (vocals, guitar), James Mitchell (drums), Kevin Mills (bass), Rocco Baker (guitar), with Cassell Webb (percussion). Great mid-eighties post-punk / gothic sound. They later signed to Beggars Banquet and then Capitol Records. My copy—via the now-defunct…
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The Modern Lovers, The Modern Lovers, 1976 on Beserkley
Jonathan Richman and the Modern Lovers are part of the indie rock canon, especially here in greater Boston. They formed in Natick MA in 1970, and were active from 1970 to 1974, but most of their records came out later – this one in 1976. Jerry Harrison (of Talking Heads) gets credit for piano, organ,…
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Nilsson, Pussy Cats, 1974 on RCA Victor
I first came to discover Harry Nilsson via The Point!, the fable accompanied by an animated film adaptation that aired on ABC in 1971. (I was too young for it at the time but came upon it later). I then came to realize all the songs he was responsible for and how deep and broad…
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Various Artists, The Best of Chess Blues, 1987 on Chess / MCA
Great 2xLP 80s compilation of the post-war blues that made Chess such a critical label, issued by MCA who acquired the rights to the Chess catalog in the mid-eighties. My copy—via Mel’s Record Shop in Amesbury MA—is a 1987 pressing by MCA Records’ plant in Gloversville, NY.
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Wall of Voodoo, Dark Continent, 1981 on I.R.S. Records
This was the debut album for Wall of Voodoo, before the big hit “Mexican Radio” which was on their follow-up Call of the West. In addition to the immensely talented Stan Ridgway (credited here as “Stanard Ridgway”) the band here includes Bruce Moreland, Joe Nanini, Marc Moreland, and Chas Gray. A live version of “Back…
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Stevie Ray Vaughan and Double Trouble, Texas Flood, 1983 on Epic
Hard to believe given how fully formed the sound is, but this was the debut album for Vaughan and Double Trouble. Said to have been recorded in two days with no overdubs. What a fantastic debut: “Love Struck Baby,” “Pride and Joy,” and the title track lead off side one. The band here is Vaughan…
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David Bowie, Stage, 1978 on RCA
Bowie’s second live album, following 1974’s David Live. It’s a 2xLP release, drawing on concerts from Boston, Providence, and Philadelphia. Playing with Bowie here are Carlos Alomar, Dennis Davis, George Murray, Adrian Belew, Simon House, Roger Powell, and Sean Mayes. (In essence the group that would be on Lodger). Got criticized at the time for…
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Oscar Peterson & Dizzy Gillespie, 1975 on Pablo
Pablo records, with a logo and name inspired by Picasso, was started by Norman Granz (who also produced this record) in the early seventies. There’s a ton of great Pablo jazz records—I generally pick them up whenever I see them. Recorded in 1974 in London, this release brings together two greats but it is not…
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UB40, Little Baggariddim, 1985 on DEP International / A&M
Great EP by UB40 from the mid-eighties, including a duet with Chrissie Hynde covering Sonny & Cher’s “I Got You Babe,” with a dub version on side 2. There’s also a new version of “One In Ten” from Present Arms There’s a full album called Baggariddim – this EP was only released in the US…
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Peter Gabriel, Peter Gabriel (aka Security), 1982 on Charisma
The fourth in Peter Gabriel’s self-titled set of albums, this one was labelled Security in some regions, and sometimes is referred to as Peter Gabriel 4. I love this whole quartet of albums, from 1977 to 1982 – this one includes “Shock The Monkey” as well as “They Rhythm of the Heat” and “San Jacinto”…
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The Selecter, Celebrate the Bullet, 1981 on Chrysalis
The Selecter were a Coventry band on 2 Tone; Celebrate the Bullet was their second album, following Too Much Pressure. Neol Davies, Pauline Black, and Arthur Hendrickson did most of the songwriting here, with production by Roger Lomas. My copy—via Lucky Records in Reykjavik—is a 1981 Santa Maria pressing.
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Randy Newman, Live, 1971 on Reprise
Randy Newman recorded at The Bitter End, Sept 17-19th, 1970, and released in 1971. Only his self-titled debut (1968) and “12 Songs” (April 1970) had been released at this point. Such a talented songwriter – “I Think It’s Going to Rain Today” and “Lonely at the Top” are great versions here. Produced by Larry Waronker…
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John Prine, Sweet Revenge, 1973 on Atlantic
Prine is one of my favorite songwriters of all time. This was his third full-length, and third on Atlantic. Produced by Arif Mardin, it was mostly recorded in Nashville, with one track (“Dear Abby”) recorded live at SUNY New Paltz. Musicians include Steve Goodman and many of the folks who played on Prine’s debut album.…