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Beat Surrender, Foundation, 1985 on Shake Records
Beat Surrender (this one at least – there are many things by that name including the Jam’s last single) was a Boston band made up of Paul Souza, Jackson White, David Matthews, and Ted Lyon. Check out that 1985 look on the back cover! Paul Souza went on to be in The Velveteen Playboys and…
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Labelle, Nightbirds, 1974 on Epic
Labelle were a trio including Patti LaBelle, Nona Hendryx, and Sarah Dash, and grew out of Patti Labelle and the Bluebells. They are the original “Lady Marmalade” power trio – and this was their best-selling album. Allen Toussaint produced and The Meters supplement (replace?) Labelle’s usual band. My copy is the January 2024 Vinyl Me…
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The Oscar Peterson Trio, Con Alma: Live in Lugano, 1964 on Mack Avenue / Two Lions
First released in 2023, this set was recorded at Teatro Apollo in Lugano Switzerland by RSI Radiotelevisione svizzera (the Swiss Broadcasting subsidary covering Italian speaking Switzerland) on May 26, 1964. Mack Avenue Records is a Detroit label founded by Gretchen Valade who gets executive producer credit here. Two Lions is a label Peterson’s widow Kelly…
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Bessie Smith, Any Woman’s Blues, 1970 on Columbia
This is was the second in a series of five 2xLP releases on Columbia in 1970-1972 that covered Smith’s recordings for the label. These recordings were made between September 1923 and March 1930, all recorded in New York. Piano by Fletcher Henderson, Clarence Williams, Irving Johns, James Price Johnson, and Jimmy Jones. Other musicians include…
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Tinsley Ellis, Naked Truth, 2024 on Alligator Records
Tinsley Ellis has put out over 20 albums between 1982 and 2024, including more than a dozen on Chicago’s Alligator Records, one of my favorite blues labels (founded in 1971). This, his latest, Includes “Grown Ass Man” (which I think should probably be “grown-ass man” since it’s really a compound adjective, isn’t it?) as well…
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Bill Frisell, Have a Little Faith, 1993 on Elektra Nonesuch
Frisell on guitar, joined by Don Byron (clarinet, bass clarinet), Guy Klucevskek (accordion), Kermit Driscoll (bass), and Joey Baron (drums). Covers a wide variety of sounds here including some Aaron Copeland from his ballet Billy the Kid, two excepts from Charles Ive’s orchestral Three Places in New England, plus Dylan, Muddy Waters, Sonny Rollins, and…
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Squeeze, Sweets From a Stranger, 1982 on A&M
Fifth studio album from Squeeze, this one including Don Snow, John Bentley, and Gilson Lavis alongside Chris Difford and Glenn Tilbrook. and featuring “Black Coffee in Bed” with backing vocals from Elvis Costello and Paul Young. Lover the overlay flap on the front – “When it comes to Squeeze, they can’t be called ‘critics’” –…
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Nick Lowe, Labour of Lust, 1979 on Columbia
Second album released under the Nick Lowe name, recorded with the same personnel from Rockpile and in the same year as Dave Edmunds’ Repeat When Necessary. The US and UK versions have different track list – this is the US version, including “American Squirm” as track A4. This has “Cruel To Be Kind” which became…
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Grateful Dead, Anthem of the Sun, 1968 on Warner Bros / Seven Arts
Second LP from the Dead, assembled together by Garcia and Lesh out of a mixture of live and studio recordings to make a new hybrid. Very much a psychedelic and experimental record, as the cover and song titles would suggest. My copy is the Vinyl Me, Please reissue from 2023, which was manufactured for Rhino.…
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Thelonious Monk, The Unique Thelonious Monk, 1956 on Riverside
Monk recorded by Rudy Van Gelder, with Oscar Pettiford on bass and Art Blakey on drums, produced by Orrin Keepnews and Bill Grauer – originally Riverside RLP 12-209 with a different cover. My copy, via Academy Records in NYC, is the 1983 reissue in the Original Jazz Classics series, issued by Fantasy which acquired the…
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José González at the Cabot Theater, March 27th, 2025
Quick post to share a photo and some videos from seeing José González at the Cabot. He plays with no opening act and no intermission – just him on stage with two guitars (different tunings?) – I’m not sure he even had a bottle of water. Really ended up just watching the performance and not…
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Sturgill Simpson, Cuttin’ Grass Vol. 2: The Cowboy Arms Sessions, 2020 on High Top Mountain
Follow up to Cuttin’ Grass Vol. 1, released a couple of months later. More bluegrass renditions of Simpson’s catalog. The band again includes many well known bluegrass musicians: Stuart Duncan, Sierra Hull, Miles Miller, Mark Howard, Tim O’Brien, Scott Vestal,and Mike Bub. Although there isn’t an explicit recorded-at credit, The Cowboy Arms is Jack Clement’s…
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Erykah Badu, Worldwide Underground, 2003 on Motown
This was Badu’s third album, following Baduizm (1997) and Mama’s Gun (2000). It was produced by Freakquency (Badu along with Rashad Smith, James Poyser, and RC Williams) and features dead prez (Stic Man and M1) on “The Grind.” Lenny Kravitz guests on guitar, Roy Hargrove on trumpet and vocals, and Queen Latifah, Angie Stone, and…
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Townes Van Zandt, At My Window, 1987 on Sugar Hill
Van Zandt’s eighth studio album and only one recorded in the 1980s, originally released on the bluegrass label Sugar Hill. I never miss a chance to pick up a Townes Van Zandt record in good shape. Recorded at Jack Clement’s studio in Nashville (“Cowboy Arms Hotel and Recording Spa”) and produced by Clement and Jim…
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Tom Waits, Closing Time, 1973 on Asylum
Tom Waits’ debut album, after David Geffen met him performing at the Troubadour in West Hollywood. Amazing how fully-formed Waits is here, kicking off his debut album with “Ol’ 55” and “I Hope That I Don’t Fall In Love With You” – all originals. Tom Waits always feels to me like he could have come…
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Junior Wells, It’s My Life, Baby, 1966 on Vanguard
Junior Wells’ sophomore album, released on Vanguard in 1966 after Hoodoo Man Blues came out on Delmark. From the liner notes: Some of this album, Junior Wells’ first solo record for Vanguard, was recorded in Pepper’s Lounge on Chicago’s south side, to get the feeling of a blues band working with its blues audience. The…
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Sturgill Simpson, Cuttin’ Grass Vol. 1 (The Butcher Shoppe Sessions), 2020 on High Top Mountain Records
Sturgill Simpson is one of my favorite contemporary artists, who generally gets classified as a Country artist but here breaks out into bluegrass. The Butcher Shoppe is actually a studio in Nashville set up by David Ferguson and John Prine. (There’s also a Nashville studio called The Butcher Shop, operated by Butch Walker). The band…
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Camouflage, Voices & Images, 1988 on Atlantic
Camouflage were a synth-pop trio from Bietigheim-Bissingen in West Germany (near Stuttgart). Voices & Images was their debut album and included “The Great Commandment” which was a hit in Germany and broke through to the US. My copy via Pitchfork Records in Concord NH, has the gold promo stamp and a hype sticker listing the…