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Fleshtones, Roman Gods, 1981 on IRS Records
Debut album from Queens New York’s own The Fleshtones (credited as just Fleshtones here). This included the song – “Shadow-line (to J. Conrad)” – that was included in Urgh, a Music War!. Artwork by Carl Grasso. Produced by Richard Mazda and recorded (mostly) in New York at Skyline Studios. I.R.S. was one of my favorite…
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David Bromberg, My Own House, 1978 on Fantasy
Bromberg’s 9th album as a solo artist, from 1978 – his first on Fantasy after three great Columbia records in the seventies. Bromberg is one of my favorite musicians I feel doesn’t get enough attention. Fewer guest stars here than some of his other albums, but still excellent music from Bromberg, including a number of…
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Jim Sullivan, U.F.O., 1969 on Monnie Records
im Sullivan’s U.F.O. originally came out on Monnie back in 1969 (basically a self-funded pressing), and then was reissued with the title Jim Sullivan (with a different mix) by Century City Records in 1970. It was out of print until Light in the Attic reissued it in 2010, forty years later. Sullivan famously disappeared in…
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Sonny Clark Trio, Sonny Clark Trio, 1958 on Blue Note
Sonny Clark with Paul Chambers on bass and Philly Joe Jones on drums – recorded by Rudy Van Gelder in 1957 in Hackensack. Liner notes by Leonard Feather, cover designed by Reid Miles. Love these renditions of “I Didn’t Know What Time It Was” and “Two Bass Hit” – and the “I’ll Remember April” with…
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Tinsley Ellis, Devil May Care, 2022 on Alligator Records
Blues traditionalist Tinsley Ellis continues to put out great records, this time (once again) on Alligator Records. This one is all originals, recorded at the Rock House in Nashville and produced by studio ower Kevin McKendree who also plays organ and piano. My signed copy on red vinyl direct from the artist at a show…
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The Rave-Ups, Chance, 1990 on Epic
The Rave-Ups are likely best known as the band in Pretty in Pink. (Molly Ringwald’s sister Beth was in a relationship with Jimmer Podrasky, and Ringwald brought John Hughes to see the band). This was their third and last studio album of the first go ’round (they put out a new album in 2022 on…
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Squeeze, East Side Story, 1981 on A&M
Squeeze’s fourth studio LP, between 1980’s Argybargy and 1982’s Sweets from a Stranger. This was the first album after Jools Holland departed, replaced by Paul Carrack, who provided lead vocals on “Tempted.” Produced by Elvis Costello and Roger Bechirian, except for “In Quintessence” which was produced by Dave Edmunds. My copy, via Academy Records in…
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Supertramp, Breakfast in America, 1979 on A&M.
Though I imagine it’s the one Supertramp album most folks could name, this was their sixth LP. It’s got “The Logical Song” “Goodbye Stranger” and “Take the Long Way Home” – all Billboard Top 100 singles. Love the iconic cover with the twin towers of the World Trade Center and Kate Murtagh in statue-of-liberty-as-waitress pose.…
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The Jeff Beck Group, Beck-Ola, 1969 on Epic
Beck’s second studio LP, following Truth, and credited to the Jeff Beck Group. The cover is René Magritte’s “The Listening Room.” Ron Wood on bass, Rod Stewart on vocals, Nicky Hopkins piano and Tony Newman on drums. My copy – a 1969 Epic pressing – via a private sale. Amazing record in great shape despite…
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Horace Silver, Horace Silver Trio, 1956 on Blue Note
BLP 1520, originally released in 1956. Horace Silver on piano with Art Blakey on drums and three different bass players on different cuts: Gene Ramey, Curly Russell, and Percy Heath. Compiles recordings from two earlier 10″ releases: 1953’s New Faces – New Sounds and 1954’s Vol. 2. Sabu Martinez joins on “Message from Kenya.” Excellent…
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Marvin Gaye, What’s Going On Live, 2019 on Tamla / Motown / UMe
Recorded in 1972 but not released until 2019. More of an album for completists, this is the first time Gaye had performed in a number of years (since the death of Tammi Terrell). It’s a bit uneven – sort of like a live rehearsal bootleg – but worth picking up if you’re a big fan…
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Cat Power, Jukebox, 2008 on Matador
Eighth studio album from Cat Power, mostly covers with two originals mixed in. Pretty eclectic selection of tunes to cover, from Kander & Ebb’s “New York” through Hank Williams and The Highwaymen, to Dylan, Janis Joplin, and Joni Mitchell – plus Billie Holiday’s “Don’t Explain.” Chan Marshall is joined by Erik Paparazzi, Jim White, Judah…
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Tori Amos, Unde the Pink, 1994 on Atlantic
Amos’ sophomore album every bit as compelling and memorable as her debut Little Earthquakes. Very much also on repeat throughout the Eckman household in the 1990s – I can still sing every word of many of these songs: Pretty Good Year, God, Past the Mission, The Waitress, Cornflake Girl. Whenever I find myself in an…
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Fleshtones, Up Front, 1980 on I.R.S. Records
First EP Fleshtones issued, before the release of Roman Gods. Fleshtones were Bill Milhizer, Jan Marek Pakulski, Keith Streng, and Peter Zaremba. Miles Copeland signed them to IRS Records, and got them on Urgh! A Music War. Zaremba may be better known to some as the host of I.R.S. Records Presents the Cutting Edge on…
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Herbie Hancock, Sextant, 1973 on Columbia
1973’s Sextant was the last LP with the so-called Mwandishi-era sextet: Bennie Maupin, Eddie Henderson, Julian Priester, Buster Williams, and Billy Hart. It was also his debut on Columbia after Blue Note and Warner Bros. Columbia would also release Head Hunters later the same year. Great, funky collection – side 2 is one track, the…
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Johnny Winter, Johnny Winter, 1969 on Columbia
Johnny Winter’s self-titled official debut album (The Progressive Blues Experiment came out the year before as a kind of unauthorized debut on Sonobeat, then sold to Imperial). Mix of blues standard covers (“Good Morning Little School Girl,” “I’ll Drown in My Own Tears,” and “Mean Mistreater”) along with Johnny Winter originals. Winter produced, and is…
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Brandy Clark, Your Life is a Record, 2020 on Warner Records / Slate Creek
Clark’s third studio LP, produced by Jay Joyce. Includes “Bigger Boat” (a duet with Randy Newman) and “Who You Thought I Was.” I think Clark is a fantastic modern songwriter rooted in classic country storytelling and worldplay. This is a bit more aimed at mainstream pop audiences, but I think it’s very successful. We’re either…
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Tori Amos, Little Earthquakes, 1992 on Atlantic
Tori Amos’ debut album from 1992. I had this CD (and Under the Pink) on constant repeat through graduate school – happy to finally get a copy on vinyl. What an amazing album – still gives me chills 30+ years later. “Me and a Gun” of course, but also “Silent All These Years,” “China,” “Precious…