Tag: 1970s
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David Bowie, Hunky Dory, 1971 on RCA Victor
Bowie’s fourth full-length studio LP and one of my all-time favorites. This followed The Man Who Sold the World but all these early Bowie albums are so great they sound to me like they have just always existed. It can be hard to find decent early pressings of these but there have been many great…
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John Lennon, Rock ‘n’ Roll, 1981 on MFP/Parlophone
Originally released in the US and UK on Apple Records in 1975, these recordings were made at A&M studios (LA) in late 1973 and the Power Plant in New York in late 1974, during Lennon’s so called “lost weekend” where he was separated from Yoko Ono and doing a fair amount of drinking and drugs.…
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The Blues Project, Archetypes, 1974 on MGM
Reissue of 1969’s The Best of the Blues Project, which was on Verve Forecast. There is a whole series of releases titled Archetypes from the mid-seventies on MGM – not sure if they are all reissues or not. Other artists in the MGM Archetype Series are: Charlie Parker, Tim Hardin, Billy Holiday, Blues Project, Velvet…
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Prince, For You, 1978 on Warner Bros.
This was the debut album from his purple majesty, with all songs written, performed, and recorded by Prince himself. Recorded at the Record Plant in Sausalito CA. It’s not my favorite of his albums but it shows his early promise and he was doing it all himself. Very sexy and funky even now. My copy—via…
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Waylon Jennings, Willie Nelson, Jessi Colter, and Tompall Glaser, Wanted! The Outlaws, 1976 on RCA Victor
The album that solidified the rise of outlaw country, and was the first country album to be certified platinum. Great collection of mostly previously released songs with a few new titles, including: two songs each from Waylon, Jessi, Willie, and Tompall plus two Waylon & Willie songs and one Waylon & Jessi song. Tompall Glaser…
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Tavares, The Best of Tavares, 1977 on Capitol
Wonderful collection of disco/soul/funk from the mid-seventies, including their biggest hits “Heaven Must Be Missing an Angel” and “It Only Takes a Minute.” They ended up on the Saturday Night Fever soundtrack, doing “More Than A Woman.” But even if you don’t like disco, they are well worth checking out. They were from New Bedford…
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Mose Allison, Your Mind is On Vacation, 1976 on Atlantic
Allison’s 10th record on Atlantic and 20th overall. Of course the rest of the title couplet is “but your mouth is working overtime.” Great record, executive produced by Nesuhi Ertegun, with Jack Hannah (bass), Gerry Granelli (drums, Al Cohn & Joe Farrell (tenor sax), David Sanborn (alto sax), and Al Porcino (trumpet) – players vary…
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The Cure, I Hear No Sound: Live at De Melkweg, Amsterdam Dec 12, 1979, 2024 on Dear Boss.
Live bootleg from late 1979, right before recording Seventeen Seconds. De Melkweg – you can find some of the same show on the Internet Archive: The Cure Live – 1979-12-12 Melkweg, Amsterdam, Netherlands. Melkweg is a music venue in Amsterdam on the site of a former dairy (Melkweg means “Milky Way” in Dutch). Not sure…
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Elvis Costello and The Attractions, Armed Forces, 1979 on Columbia
Costello’s third LP and second with The Attractions (but the first to credit them on the cover). My favorites here are “Oliver’s Army” and of course “(What’s So Funny ‘Bout) Peace, Love and Understanding” (forgiving the lack of an Oxford comma). Produced by Nick Lowe, who famously wrote the latter. My copy—via Vinyl Vault in…
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The Beatles, The Beatles at the Hollywood Bowl, 1977 on Capitol
Recorded in 1964 and 1965, restored by George Martin for release in 1977, and then re-released in 2016 with four additional tracks and fully remastered by Giles Martin as Live At The Hollywood Bowl. It’s been out of print for a long time so I was happy to find a copy in the used market.…
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Ry Cooder, Into The Purple Valley, 1972 on Reprise
This was Cooder’s second studio album, with some great legacy American music, including “How Can You Keep On Moving (Unless You Migrate Too)” and Woody Guthrie’s “Vigilante Man.” You can’t go wrong with Ry Cooder. Produced by Lenny Waronker and Jim Dickinson. My copy—via a private sale—is a Pitman pressing on orange Reprise labels with…
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The Band, The Last Waltz, 1978 on Warner Bros
Album from the move documenting The Band’s “farewell concert appearance” with a stellar set of guests including Dylan but also Paul Butterfield, Eric Clapton, Dr. John, Joni Mitchell, and Neil Young (along with many others). There are songs in the soundtrack album here that are not in the film – and the soundtrack reportedly went…
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Thelonious Monk, The London Collection Volume 3, 1989 on Black Lion
Recorded at Chappell Studios in London Nov 15th, 1971 but not released until the late 80s on Black Lion, these recordings are from near the end of his recording and performing career. Monk’s joined by Al McKibbon on bass and Art Blakey on drums. There are at least 3 volumes in the London Collection as…
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Leo Kottke, Self-Titled, 1976 on Chrysalis
Kottke’s first album on Chrysalis (after six on Capitol): a fully instrumental album produced by Denny Bruce with arrangements by Jack Nitzsche My copy via the Salem Flea Marketplace is a 1977 pressing on Chrysalis labels.
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Oscar Peterson, “Motions and Emotions,” 1970 on MPS
Oscar Peterson covering “popular” tunes, including “Yesterday,” “Eleanor Rigby,” and “Ode to Billy Joe.” I know some folks will find this schmaltzy but as an Oscar Peterson fan I really enjoy it. My copy is the 2018 reissue in the Ambassadors for MPS series, on 180g vinyl pressed at Optimal GmbH and an insert reproducing…
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Nina Simone, Baltimore, 1978 on CTI
The inimitable Nina Simone recorded in Brussels in January 1978 – her first and only record with CTI (Creed Taylor Inc). Apparently she and Creed Taylor did not find good creative collaboration and she disclaimed any choice of material or creative control. “Baltimore” is the Randy Newman song from Little Criminals. Quincy Jones’ version of…
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Bobby Hutcherson, Montara, 1975 on Blue Note
Vibraphonist Bobby Hutcherson’s ~13th album on Blue Note – west coast Latin jazz. Recorded in LA (Record Plant) in August 1975 and produced by Dale Oehler. Hutcherson passed in 2016. My copy is part of the Vinyl Me Please Anthology The Story of Blue Note Records (2024 edition) which reproduces the mid-70s Blue Note labels.

