Tag: 1980s
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Elvis Costello and the Attractions, Get Happy!!, 1980 on Columbia
Yes, that’s “Get Happy!!” with not one but two exclamation marks. Fourth Costello studio LP and the third with The Attractions, following after Armed Forces. More influence here from R&B, soul, and even Ska. My copy—via the Vinyl Vault in Littleton MA—is a Pitman pressing with (like most releases of this LP) the sides reversed…
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Bruce Springsteen, Born in the USA, 1984 on Columbia
Having recently seen Deliver Me From Nowhere, which covers the period where Springsteen wrote and recorded Nebraska, it was interesting to come back to this album, which included some of the songs that came out of that era but did not fit that record. It was so unavoidable, and so associated (so much for any…
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Depeche Mode, People Are People, 1984 on Sire / Mute
Compilation album for North America put out by Sire in 1984, pulling the title track single and a combination of album cuts, and b-sides. This song was such a key to the soundtrack of my life in the early 80s: “People are people so why should it be / you and I should get along…
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Leo Kottke, Guitar Music, 1981 on Chrysalis
Eleventh (?) LP from Kottke, a solo outing instrumental style. Recorded at Sound 80 in the Seward neighborhood of Minneapolis. Includes a cover of Ry Cooder’s Available Space” as well as “Tumbling Tumbleweeds” and eight originals. My copy—via Salem Flea Marketplace—is a Santa Maria pressing on blue Chrysalis labels.
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Dexy’s Midnight Runners, Too-Rye-Ay, 1982 on Mercury
Credited on the cover to “Kevin Rowland & Dexys Midnight Runners,” this was their second LP, the first with Mercury Records and the one with the massive hit “Come on Eileen.” Wonderful album – also includes “Jackie Wilson Said.” There were plans for a 40th anniversary reissue of Too-Rye-Ay “As It Could Have Sounded” (a…
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Sir Douglas Quintet, Live From Austin TX, 2006 on New West
Doug Sahm’s Sir Douglas Quintet recorded in 1981 but released in 2006 (on CD/DVD) / 2018 (vinyl) – live on Austin City Limits. (In 1981 that means the old Studio 6A at UT Austin, not the new Moody Theater). This was part of a reunion tour after the quintet split up in the early 70s…
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Katie Webster, The Swamp Boogie Queen, 1988 on Alligator Records
Webster started out as a session musician behind lots of Louisiana artists but then came back as a solo artist in the 1980s. This was her first album as a leader with distribution in the US on Alligator Records. Guests include The Memphis Horns, Kim Wilson, Robert Cray, and Bonnie Raitt. Great album. My copy…
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Abbey Lincoln, Golden Lady, 1981 on Inner City
Originally issued by Blue Marge in France under the name Painted Lady (Abbey Lincoln in Paris), the first US issue was on Inner City Records under the name Golden Lady. Aminata Moseka, the name she adopted in the mid seventies, also appears in a parenthetical on the cover, along with Archie Shepp who accompanies her.…
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Joe Jackson’s Jumpin’ Jive, Jumpin’ Jive, 1981 on A&M
Joe Jackson always seemed to me a bit like someone out of the wrong time – though I loved his new wave / new romantic era and azz inflected records, on this one he went full on 1940s, covering songs from the swing and jump blues era. Some people feel like it is a gimmick…
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The Replacements, The Pleasure’s All Yours: Pleased to Meet Me Outtakes & Alternates, 2021 on Sire
Released as part of Record Store Day 2021, these are outtakes and alternate versions of songs from Pleased To Meet Me released on vinyl for the first time. Some (most?) of these tracks have been released elsewhere: the expanded CD edition of Pleased To Meet Me or the All for Nothing / Nothing for All…
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Lloyd Cole and the Commotions, Mainstream, 1987 on Capitol
Third and last studio LP under the name Lloyd Cole and the Commotions, released by Polydor in the UK and Capitol in the US. Fared better in the UK than in the US, where it failed to chart. One track produced by Stewart Copeland, the rest by Ian Stanley. Well worth a listen if you…
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Grandmaster Melle Mel and the Furious Five, Piano, 1989 on New Day Records
After the split between Grandmaster Flash and Melle Mel, Mel took the “Grandmaster” role and continued with the Furious Five splitting. On this record the Furious Five include Cowboy, Scorpio, Rahiem, and Kidd Creole (credited as Kid Creole), but no Flash. The Furious Five with Flash did reunite in 1988 for On the Strength, on…
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Neneh Cherry, Raw Like Sushi, 1989 on Virgin
I don’t think I knew it at the time, but Neneh Cherry is Swedish-born (Neneh Mariann Karlsson), and related to both Don Cherry the jazz trumpeter (step-daughter) and Eagle-Eye Cherry (shared mother, different fathers). This was her debut studio album and “Buffalo Stance” was huge in the late 80s. It’s really a great album well…
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Elvis Costello and The Attractions, Blood & Chocolate, 1986 on Columbia
Costello’s 11th studio LP and 9th with The Attractions, as a follow up to King of America, and produced by Nick Lowe. Didn’t do so well commercially at the time, but now called one of his best. Costello is credited on the rear sleeve as “Napoleon Dynamite” – which is also the name of the…
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Elvis Costello and The Attractions, Imperial Bedroom, 1982 on Columbia
Seventh studio LP from Costello and the sixth with The Attractions, out of F-Beat in the UK and Columbia in the US. A must have for collectors of Costello or indeed the whole new wave / alternative era of the late seventies to mid eighties. My copy – direct from the artist at a show…
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The Pretenders, Get Close, 1986 on Sire
Fourth Pretenders LP, with “Don’t Get Me Wrong” and “My Baby,” both of which were hits in the US. This is after the deaths of Pete Farndon and James Honeyman-Scott, and would be the last LP with Martin Chambers for nearly a decade. Lots of session players here across multiple sessions, but overall a great…
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The Dream Syndicate, The Dream Syndicate (Self-Titled), 1982 on Down There Records / Enigma
Another band associated with the Paisely Underground / Paisely Punk movement of the early 80s, Dream Syndicate were Steve Wynn, Kendra Smith, Dennis Duck, and Karl Precoda. This was their debut EP on Wynn’s own Down There Records label before they signed to Slash in 1982. My copy, via a private sale, is on red…
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The Three O’Clock, Baroque Hoedown, 1982 on Lolita / Frontier
The Three O’Clock were part of the so-called paisley punk scene in the early eighties, on Frontier records – after changing their name from Salvation Army under threat of legal action. Baroque Hoedown was their debut release under the new name. This copy, via a private sale, is a French pressing on Lolita – with…