Tag: Polydor

  • Lloyd Cole and the Commotions, Mainstream, 1987 on Capitol

    Lloyd Cole and the Commotions, Mainstream, 1987 on Capitol

    Third and last studio LP under the name Lloyd Cole and the Commotions, released by Polydor in the UK and Capitol in the US. Fared better in the UK than in the US, where it failed to chart. One track produced by Stewart Copeland, the rest by Ian Stanley. Well worth a listen if you…

  • John Mayall, The Latest Edition, 1974 on Polydor

    John Mayall, The Latest Edition, 1974 on Polydor

    I collect lots of John Mayall – this followed the era of Mayall moving to the US in the late 60s, and the band here includes Larry Taylor, Red Holloway, Soko Richardson, Hightide Harris and Randy Resnick. Lots of jazz/fusion influence here with saxophone. Mayall is wearing a cast on the cover. Mayall passed unfortunately…

  • John Mayall, Jazz Blues Fusion, 1972 on Polydor

    John Mayall, Jazz Blues Fusion, 1972 on Polydor

    Mayall is joined here by Larry Taylor, Freddy Robinson, Ron Selico, Clifford Solomon and Blue Mitchell – adding sax and trumpet to his traditional blues approach. Recoded in Boston (venue unstated) November 18th, 1971 and then at Hunter College in New York on December 3rd and 4th. My copy via a record fair at Mill…

  • Buckingham Nicks, Buckingham Nicks, 1973 on Polydor

    Buckingham Nicks, Buckingham Nicks, 1973 on Polydor

    Self-titled debut (and only full-length) by Lindsey Buckingham and Stevie Nicks, before they joined Fleetwood Mac. It was produced by Keith Olson and mostly features songs written by Buckingham and Nicks. These are hard to find – I think this is the only copy I’ve actually run across in the wild in a store. (It’s…

  • John Mayall / Jerry McGee / Larry Taylor, Memories, 1971 on Polydor

    John Mayall / Jerry McGee / Larry Taylor, Memories, 1971 on Polydor

    More blues without drums from Mayall accompanied by Jerry McGee on dobro & guitar and Larry Taylor (from Canned Heat) on bass. Recorded in 1971 in LA. Via a Thread & Groove record fair at Mill No. 5 in Lowell MA.

  • The Jam, Beat Surrender, 1982 on Polydor.

    The Jam, Beat Surrender, 1982 on Polydor.

    The Jam, Beat Surrender, 1982 on Polydor. The final Jam single, here the 12″ US EP version, with covers of thr Chi-Lites “Stoned out of My Mind”, Curtis Mayfield’s “Move on Up” and Edwin Starr’s “War” Via Deep Thoughts in Jamaica Plain

  • The Who, The Who Sell Out, 1967 on Decca. (on Track Record in the UK).

    The Who, The Who Sell Out, 1967 on Decca. (on Track Record in the UK).

    The Who, The Who Sell Out, 1967 on Decca. (on Track Record in the UK). My copy is a 2021 reissue with a second LP of bonus tracks – it replicates the Track Record label style. I had Petra Haden’s cover version before getting this original but it is a great LP and a wonderful…

  • Lana Del Rey, Paradise, 2012 on Polydor / Interscope.

    Lana Del Rey, Paradise, 2012 on Polydor / Interscope.

    Lana Del Rey, Paradise, 2012 on Polydor / Interscope. Follow up to Born to Die, called a “mini album” by the label.

  • John Mayall, Empty Rooms, 1970 on Polydor.

    John Mayall, Empty Rooms, 1970 on Polydor.

    John Mayall, Empty Rooms, 1970 on Polydor. With Steve Thompson, Johnny Almond, Jon Mark – follow up to Turning Point

  • Ella Fitzgerald, Ella,  1959 on Verve.

    Ella Fitzgerald, Ella, 1959 on Verve.

    Ella Fitzgerald, Ella,  1959 on Verve. This is a mid-seventies reissue of what was originally released in 1959 as “Ella Fitzgerald Sings Sweet Songs for Swingers” in a UK Verve pressing (Did “swingers” have the wrong connotation by the mid seventies, or did they just want a less tongue twisting title?) Part of the “Polydor…

  • John Mayall, Back To The Roots, 1971 on Polydor.

    John Mayall, Back To The Roots, 1971 on Polydor.

    John Mayall, Back To The Roots, 1971 on Polydor. 2xLP collection – I think this was the first record I heard from John Mayall – hooked from the beginning of Prisons on the Road (good sone for commuting in traffic). Includes on some tracks Larry Taylor, Eric Clapton, Mick Taylor, Sugarcane Harris, Johnny Almond. All…

  • John Mayall, U.S.A. Union, 1970 on Polydor.

    John Mayall, U.S.A. Union, 1970 on Polydor.

    John Mayall, U.S.A. Union, 1970 on Polydor. The great British bluesman recording in L.A. with Harvey Mandel, and Larry Taylor from Canned Heat and violinist Don Harris – continuing Mayall’s drum-less blues period via Deep Thoughts in Jamaica Plain

  • John Mayall, The Turning Point, 1969 on Polydor.

    John Mayall, The Turning Point, 1969 on Polydor.

    John Mayall, The Turning Point, 1969 on Polydor. I’m a huge fan ofJohn Mayall across many decades – this is his “new band” (after the breakup of the Bluesbreakers) recorded live at the Fillmore East in 1969 with Jon Mark, Steve Thompson, and Johnny Almond. It’s what he called “low volume music” – no drums,…

  • Level 42, World Machine, 1985 on Polydor.

    Level 42, World Machine, 1985 on Polydor.

    Level 42, World Machine, 1985 on Polydor. The sound of the mid-80s. There is something about you, baby, so right. Actually a really solid album not just that monster single.

  • Michael Kiwanuka, Love & Hate, 2016 on Polydor

    Michael Kiwanuka, Love & Hate, 2016 on Polydor

    Michael Kiwanuka, Love & Hate, 2016 on Polydor You may know “Cold Little Heart” from season one of Big Little Lies, but there are many other great songs on this double LP Produced by Dangermouse and Inflo

  • The Jam, Snap!, 1983 on Polydor.

    The Jam, Snap!, 1983 on Polydor.

    The Jam, Snap!, 1983 on Polydor. Greatest hits collection released just after The Jam disbanded and Paul Weller went on to form The Style Council

  • Lana Del Ray, Norman Fucking Rockwell, 2019 on Polydor / Interscope.

    Lana Del Ray, Norman Fucking Rockwell, 2019 on Polydor / Interscope.

    Lana Del Ray, Norman Fucking Rockwell, 2019 on Polydor / Interscope. Love the songwriting here, even if she does sometimes overly rely on the f-bomb – I don’t mind it but it can feel a bit like a crutch here (thinking of Fuck It I Love You as an example). Love how the record is…