Tag: Reissue

  • Clifford Brown and Max Roach, Study in Brown, 1955 on EmArcy

    Clifford Brown and Max Roach, Study in Brown, 1955 on EmArcy

    Brown and Roach are joined by Harold Land (tenor), Richie Powell (piano), and George Morrow (bass). Recorded Feb 23rd and 25th of 1955. Fantastic album. My copy—via private sale—is the 2021 Acoustic Sounds Series reissue on 180g vinyl, supervised by Chad Kassem, cut by Ryan Smith, and pressed at Quality Record Pressing. As you’d expect,…

  • Booker Ervin, The Freedom Book, 1964 on Prestige

    Booker Ervin, The Freedom Book, 1964 on Prestige

    Sixth full-length with Ervin as leader, recorded by Rudy Van Gelder in 1963, for Prestige. Ervin is joined here by Jaki Byard (piano), Richard Davis (bass), and Alan Dawson (who was a drum instructor at Berklee in Boston) (drums). My copy—via a private sale—is the 2023 Analogue Productions / Craft Recordings reissue, in the Prestige…

  • Milt Jackson & John Coltrane, Bags & Trane, 1961 on Atlantic

    Milt Jackson & John Coltrane, Bags & Trane, 1961 on Atlantic

    Jackson and Coltrane are joined by Hank Jones (piano), Paul Chambers (bass), and Connie Kay (drums). Recording supervised by Nesuhi Ertegun, engineered by Tom Dowd. Great LP, bringing together Milt Jackson (Bags) of The Modern Jazz Quartet and John Coltrane (Trane) who had a year earlier put out Giant Steps. I’m not always a fan…

  • Bill Evans, At The Montreux Jazz Festival, 1968 on Verve

    Bill Evans, At The Montreux Jazz Festival, 1968 on Verve

    Second 1968 Bill Evans performance I’ve posted this week, this one has the trio (again with Eddie Gomez and Jack DeJohnette) at Casino de Montreux in Switzerland, and was recorded by the technical department of Radio Suisse Romande. My copy (via a private sale) is the 2020 Analogue Productions reissue on two 45rpm 200g records,…

  • Thelonious Monk, The London Collection Volume 3, 1989 on Black Lion

    Thelonious Monk, The London Collection Volume 3, 1989 on Black Lion

    Recorded at Chappell Studios in London Nov 15th, 1971 but not released until the late 80s on Black Lion, these recordings are from near the end of his recording and performing career. Monk’s joined by Al McKibbon on bass and Art Blakey on drums. There are at least 3 volumes in the London Collection as…

  • Oscar Peterson, “Motions and Emotions,” 1970 on MPS

    Oscar Peterson, “Motions and Emotions,” 1970 on MPS

    Oscar Peterson covering “popular” tunes, including “Yesterday,” “Eleanor Rigby,” and “Ode to Billy Joe.” I know some folks will find this schmaltzy but as an Oscar Peterson fan I really enjoy it. My copy is the 2018 reissue in the Ambassadors for MPS series, on 180g vinyl pressed at Optimal GmbH and an insert reproducing…

  • Sir Douglas Quintet, Live From Austin TX, 2006 on New West

    Sir Douglas Quintet, Live From Austin TX, 2006 on New West

    Doug Sahm’s Sir Douglas Quintet recorded in 1981 but released in 2006 (on CD/DVD) / 2018 (vinyl) – live on Austin City Limits. (In 1981 that means the old Studio 6A at UT Austin, not the new Moody Theater). This was part of a reunion tour after the quintet split up in the early 70s…

  • José González, Veneer, 2003 on Imperial Records

    José González, Veneer, 2003 on Imperial Records

    Hard to believe but this was González’s debut album back in 2003 (2005 in the US). His sound is already so fully formed and just wonderful in “Heartbeats” but also “Deadweight on Velveteen” and “Lovestain” and others. Just an all around brilliant debut. My copy is actually the 20th anniversary edition issued on Mute in…

  • Nina Simone, Baltimore, 1978 on CTI

    Nina Simone, Baltimore, 1978 on CTI

    The inimitable Nina Simone recorded in Brussels in January 1978 – her first and only record with CTI (Creed Taylor Inc). Apparently she and Creed Taylor did not find good creative collaboration and she disclaimed any choice of material or creative control. “Baltimore” is the Randy Newman song from Little Criminals. Quincy Jones’ version of…

  • Bud Powell, Time Waits (The Amazing Bud Powell, Volume 4),  1958 on Blue Note

    Bud Powell, Time Waits (The Amazing Bud Powell, Volume 4), 1958 on Blue Note

    Powell joined by Sam Jones and Philly Joe Jones, recorded by Rudy Van Gelder in Hackensack NJ, and produced by Alfred Lion. Sleeve notes by Leonard Feather. My copy is the 2022 Blue Note Classic Vinyl Series reissue, pressed at Optimal GmbH and mastered by Kevin Gray at Cohearent – wonderful pressing.

  • De La Soul, Clear Lake Auditorium, 1994 on Tommy Boy

    De La Soul, Clear Lake Auditorium, 1994 on Tommy Boy

    I love De La Soul, especially the first three albums – 3 Feet High and Rising, De La Soul is Dead, and Buhloone Mindstate. This EP was a promotional only release in 1994, which was widely bootlegged over the years, and includes 4 tracks from Buloone Mindstate plus two non-album tracks, one of which features…

  • Neil Young & Crazy Horse, Ragged Glory, 1990 on Reprise

    Neil Young & Crazy Horse, Ragged Glory, 1990 on Reprise

    Ragged Glory was the 20th Neil Young studio album and the sixth with Crazy Horse. This is the height of Young as garage rocker, perhaps inspired by the grunge movement – Rolling Stone voted it 36th best grunge album of all time! My copy is the “Smell the Horse” 3xLP edition from 2024 pressed by…

  • Herbie Hancock, Inventions and Dimensions, 1964 on Blue Note

    Herbie Hancock, Inventions and Dimensions, 1964 on Blue Note

    Hancock is joined by Paul Chambers, Willie Bobo and Chihuahua Martinez—though it’s not really what you’d call a Latin jazz album so much as post-bop or modal. Recorded by Rudy Van Gelder at his Englewood Cliffs studio. My copy—direct from Blue Note—is the 2019 Blue Note 80 Vinyl Series reissue mastered for vinyl by Kevin…

  • Rodney Crowell, The Houston Kid, 2001 on Sugar Hill Records

    Rodney Crowell, The Houston Kid, 2001 on Sugar Hill Records

    Released on CD in 2001 but issued on vinyl for the first time in 2024, this was Crowell’s tenth full length album. Johnny Cash (Crowell’s former father-in-law) is featured on “I Walk The Line (Revisited).” It’s a bit of an autobiographical concept album as Tony Scherman lays out in “Great Songwriter Mines His Past” –…

  • Bobby Hutcherson, Montara, 1975 on Blue Note

    Bobby Hutcherson, Montara, 1975 on Blue Note

    Vibraphonist Bobby Hutcherson’s ~13th album on Blue Note – west coast Latin jazz. Recorded in LA (Record Plant) in August 1975 and produced by Dale Oehler. Hutcherson passed in 2016. My copy is part of the Vinyl Me Please Anthology The Story of Blue Note Records (2024 edition) which reproduces the mid-70s Blue Note labels.

  • Love, Forever Changes, 1967 on Elektra

    Love, Forever Changes, 1967 on Elektra

    Iconic later sixties album from Arthur Lee and co. This would be their third and final album in the original lineup. The track “Alone Again Or” (with the refrain “And I will be alone again tonight my dear”) has been used in a number of films and was covered by The Damned on 1986’s Anything.…

  • Elvis Costello, My Aim Is True, 1977 on Columbia

    Elvis Costello, My Aim Is True, 1977 on Columbia

    Costello’s debut album, coming roaring out of the gate with a new mix of punk, rockabilly, new wave, and British pub rock. Produced by Nick Lowe and recorded in Islington, London. Out on Stiff Records originally in the UK, then Columbia in the US. The original US version added “Watching the Detectives” but this version…

  • Lou Donaldson, The Natural Soul, 1963 on Blue Note

    Lou Donaldson, The Natural Soul, 1963 on Blue Note

    Another album from the excellent Story of Blue Note Records VMP Anthology, this came five years after Blues Walk, and features Grant Green, John Patton, Ben Dixon, and Tommy Turrentine (brother of Stanley). Recorded by Rudy Van Gelder in his Englewood Cliffs NJ studio and produced by Alfred Lion. My copy is part of the…