Tag: Reissue
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Depeche Mode, Construction Time Again, 1983 on Sire / Mute / Reprise
This was the third full length from Depeche Mode, originally released in 1983 on Mute, distributed in the US by Sire. Alan Wilder had joined and wrote two of the songs on the album. (Vince Clarke had departed after the debut album). One of my favorites, including “Love, In Itself,” “More Than a Party” and…
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John Lennon, Rock ‘n’ Roll, 1981 on MFP/Parlophone
Originally released in the US and UK on Apple Records in 1975, these recordings were made at A&M studios (LA) in late 1973 and the Power Plant in New York in late 1974, during Lennon’s so called “lost weekend” where he was separated from Yoko Ono and doing a fair amount of drinking and drugs.…
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Sonny Rollins, Sonny Rollins On Impulse!, 1965 on Impulse
Classic album, featuring Rollins with Walter Booker (bass), Mickey Roker (drums), and Ray Bryant (piano). Recorded by Rudy Van Gelder in the summer of 1965. Sadly Rollins passed this May (2026) in Woodstock NY. My copy—via Mystery Train Records in Gloucester MA—is the 2021 Acoustic Sounds Series reissue, supervised by Chad Kassem, cut by Ryan…
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Mose Allison, Mose Allison Sings, 1963 on Prestige
Compilation of tracks from Allison’s first albums which had been released on Prestige between 1957 and 1959. Though he was first known as a pianist, he gradually sang more and more. This was the first compilation in which he sang on every track. All were recorded by Rudy Van Gelder, and Ira Gitler wrote the…
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Mose Allison, Back Country Suite, 1957 on Prestige
Mose Allison’s debut album, recorded at Van Gelder’s studio in Hackensack in March 1957, with Taylor La Fargue (bass) and Frank Isola (drums). Largely instrumental. The song titled here just “Blues” was later recorded on Live at Leeds by the Who as “Young Man Blues”: Well a young man ain’t got nothing in the world…
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Tracy Chapman, Tracy Chapman, 1988 on Elektra
Its popularity has recently resurged, due in no small part to Luke Combs’ cover version and their duet at the Grammy’s but this record never went out of rotation for me. Technically I know it’s not true, but I like to imagine Tracy Chapman’s voice was still echoing around Boston from her busking days when…
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Art Pepper + Eleven, “Modern Jazz Classics,” 1960 on Contemporary Records
Classic west coast jazz from Contemporary Records – sometimes just gets call Art Pepper + Eleven, sometimes Modern Jazz Classics. Not sure if 12 people counts as a big band – Wikipedia says “a small big band.” Marty Paich did the arranging. Songs composed by Dizzy Gillespie, Horace Silver, Charlie Parker, Gerry Mulligan, and Sonny…
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Sonny Rollins, Way Out West, 1957 on Contemporary
This was the first Rollins album with Ray Brown and Shelly Manne, and the first time he recorded with only bass and drums. I love this cover photo emphasizing the New York native was out west. My copy—direct from Craft Recordings—is the 2009 Original Jazz Classics reissue which was remastered back in 1988 and repressed…
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Cliff Jordan, Cliff Jordan, 1957 on Blue Note
Recorded by Rudy Van Gelder in Hackensack NJ, Jordan is joined by John Jenkins (alto sax), Art Taylor (drums), Ray Bryant (piano), Curtis Fuller (trombone) and Lee Morgan (trumpet). This is one of two Blue Note LPs he put out in 1957 (the other was Blowing in From Chicago with John Gilmore). My copy—via Amazon—is…
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Bill Evans, Evans in England, 2019 on Resonance
Another late sixties (December 1969) set from Evans, Eddie Gomez, and Marty Morell, recorded at Ronnie Scott’s. (Live at Ronnie Scott’s, released in 2020, came from recordings made in July of 1968). Great production and packaging. My copy—via private sale—is the Record Store Day 2019 2xLP deluxe edition, numbered and limited.
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Horace Silver Quintet, Silver’s Serenade, 1963 on Blue Note
The quintent here is Silver joined by Blue Mitchell (trumpet), Junior Cook (tenor sax), Gene Taylor (bass), and Roy Brooks (drums). Recorded by Rudy Van Gelder in Englewood Cliffs, with Alfred Lion producing. My copy—via Amazon—is another Blue Note Tone Poet Series reissue from 2024. Yes, I realize there are other jazz labels and other…
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Freddie Roach, Good Move!, 1964 on Blue Note
Freddie Roach’s third album as a leader, recorded by Rudy Van Gelder in Englewood Cliff with Blue Mitchell (trumpet), Hank Mobley (tenor sax), Eddie Wright (guitar), and Clarence Johnston (drums). Tunes include “It Ain’t Necessarily So” (Gerswhin) and Pastel (Garner) as well as “T’Ain’t What You Do (It’s The Way That You Do It).” Great…
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Big John Patton, Let ‘Em Roll, 1966 on Blue Note
Patton joined by Otis Finch (drums), Grant Green (guitar), and Bobby Hutcherson (vibes), and recorded by Rudy Van Gelder in Englewood Cliffs, NJ. Fantastic Hammond B3 driven mid-sixties Blue Note jazz – can’t go wrong. My copy—direct from Amazon, which often has deals on these—is the Blue Note Tone Poet series reissue from 2023, with…
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Lou Donaldson, Midnight Creeper, 1968 on Blue Note
Donaldson joined here by Leo Morris (drums), George Benson (guitar), Lonnie Smith (organ) and Blue Mitchell (trumpet). Very groovy soul-jazz LP from late sixties Blue Note. Recorded by Rudy Van Gelder in Englewood Cliffs and produced by Francis Wolff. My copy—via Amazon—is the Blue Note Tone Poet reissue from 2024, mastered by Kevin Gray and…
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The Beatles, The Beatles at the Hollywood Bowl, 1977 on Capitol
Recorded in 1964 and 1965, restored by George Martin for release in 1977, and then re-released in 2016 with four additional tracks and fully remastered by Giles Martin as Live At The Hollywood Bowl. It’s been out of print for a long time so I was happy to find a copy in the used market.…
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Sarah Vaughan, Live at the Berlin Philharmonie 1969, 2021 on The Lost Recordings
Recorded in 1969, with Vaughan backed by Johnny Veith (piano), Gus Mancuso (bass), and Eddy Pucci (drums). The Berliner Philharmonie is used here as the name of the hall, not the orchestra – built in the 1960s. The Lost Recordings is a French label that, in their own words, “travel[s] the world in search of…
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Bill Evans Trio, Bill Evans at Town Hall Volume One, 1967 on Verve
Recorded at Town Hall on February 21st, 1966. The trio here includes Chuck Isreals and Arnold Wise – this being the only commercial recording with Wise on drums. The second side includes the 13 minute “Solo -In Memory of His Father, Harry L. Evans” who had died in 1966. My copy—via private sale—is the 2022…

