Amos’ sophomore album every bit as compelling and memorable as her debut Little Earthquakes. Very much also on repeat throughout the Eckman household in the 1990s – I…
1973’s Sextant was the last LP with the so-called Mwandishi-era sextet: Bennie Maupin, Eddie Henderson, Julian Priester, Buster Williams, and Billy Hart. It was also his debut on…
Labelle were a trio including Patti LaBelle, Nona Hendryx, and Sarah Dash, and grew out of Patti Labelle and the Bluebells. They are the original “Lady Marmalade” power…
Monk recorded by Rudy Van Gelder, with Oscar Pettiford on bass and Art Blakey on drums, produced by Orrin Keepnews and Bill Grauer – originally Riverside RLP 12-209…
Van Zandt’s eighth studio album and only one recorded in the 1980s, originally released on the bluegrass label Sugar Hill. I never miss a chance to pick up…
Junior Wells’ sophomore album, released on Vanguard in 1966 after Hoodoo Man Blues came out on Delmark. From the liner notes: Some of this album, Junior Wells’ first…
Nelson’s 12th studio album, while he was still at RCA Records, before moving to Atlantic. Some covers – “I’m So Lonesome I Could Cry,” “Sunday Mornin’ Coming Down,”…
This is actually a reissue of what originally came out in 1961 (also on Riverside) as Sunday at the Village Vanguard, credited to the Bill Evans Trio “featuring…
Mid-eighties compilation of T. Rex. Between 1970 and 1973, the band had eleven top 10 singles in the UK – including many here. Produced by Tony Visconti. I…
Waxtime is sometimes a controversial label. Based on some differences between US and EU copyright law, they’re releasing classic jazz recordings without explicit access o the source material….
This was the debut album of Minneapolis’ own The Replacements, in all its ragged glory. Somehow – likely because of how I acquired them – I’d always thought…
This is a bootleg that’s been released under a number of names – originally “London Live ’68” on Thunderbolt records. It was recorded at the Polytechnic of Central…
Porter was the staff songwriter for Stax – this was his second full length LP issued under his name, following up Gritty, Groovy, & Gettin’ It. Enterprise was…
Great late 50s Blue Note album, with Donaldson joined by Peck Morrison on bass, Ray Barretto on congas, Dave Bailey on drums, and Herman Foster on piano. Sleeve…
Wonderful mid-50s bop jazz record I’d have bought just for the cover illustration by Howard Stabin. Gordon is joined here by Kenny Drew on piano, Leroy Vinnegar on…