Tag: 1966
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Nina Simone, Let It All Out, 1966 on Philips
Yes, back in the day Philips (who you likely know more now as the maker of Sonicare toothbrushes) was also a reputable jazz and classical label. Though the copyright was 1965 they put out this album in 1966. Simone switched to Philips in 1964 and was there (putting out seven LPs) until switching to RCA…
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Bill Evans and Jim Hall, Intermodulation, 1966 on Verve
This was a follow-up to 1962’s Undercurrent, which also featured Hall and Evans. Produced by Creed Taylor and recorded by Rudy Van Gelder in two sessions in April and May 1966. It’s just Evans on piano and Hall on guitar, starting with two standards (“I’ve Got You Under My Skin” and “My Man’s Gone Now”)…
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Lou Rawls, Live!, 1966 on Capitol
Fantastic early Lou Rawls live album, with a nearly six minute “Tobacco Road” and a couple of monologues. If you don’t know mid-sixties Lou Rawls you are missing out. My copy—via Big Fun Records in Beverly MA—is a later reissue pressed by Capitol Los Angeles (with * in the runouts).
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The Blues Box, 1966 on Verve Folkways.
3xLP box set featuring Lightnin’ Hopkins, Sonny Terry & Brownie McGhee, and Jimmy Witherspoon. On a couple of sides Hopkins plays with Terry & McGhee. The recordings were all made in Los Angeles – the first two LPs are taken from the Ash Grove on July 6th and 7th, 1960, and the third LP says…
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Big John Patton, Let ‘Em Roll, 1966 on Blue Note
Patton joined by Otis Finch (drums), Grant Green (guitar), and Bobby Hutcherson (vibes), and recorded by Rudy Van Gelder in Englewood Cliffs, NJ. Fantastic Hammond B3 driven mid-sixties Blue Note jazz – can’t go wrong. My copy—direct from Amazon, which often has deals on these—is the Blue Note Tone Poet series reissue from 2023, with…
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Bill Evans Trio, Bill Evans at Town Hall Volume One, 1967 on Verve
Recorded at Town Hall on February 21st, 1966. The trio here includes Chuck Isreals and Arnold Wise – this being the only commercial recording with Wise on drums. The second side includes the 13 minute “Solo -In Memory of His Father, Harry L. Evans” who had died in 1966. My copy—via private sale—is the 2022…
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Blue Mitchell, Down With It, 1966 on Blue Note
Another fantastic Blue Note jazz LP, this came out originally in 1966. It features Mitchell (trumpet) with Junior Cook (tenor sax), Chick Corea (piano), Gene Taylor (bass), and Aloysius Foster (drums), and was recorded at Van Gelder Studios in New Jersey. My copy- via a private sale – is the Blue Note Tone Poet reissue…
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Junior Wells, It’s My Life, Baby, 1966 on Vanguard
Junior Wells’ sophomore album, released on Vanguard in 1966 after Hoodoo Man Blues came out on Delmark. From the liner notes: Some of this album, Junior Wells’ first solo record for Vanguard, was recorded in Pepper’s Lounge on Chicago’s south side, to get the feeling of a blues band working with its blues audience. The…
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David Bowie, The Lost Sessions, Vol 1, 2020 on Parachute Recording Company
Another Parachute Recording Company release, which collects radio broadcasts subject to different copyrights in the EU. In this case, that includes appearances Bowie made on: As is not uncommon with bootlegs, some tracks are misidentified / mislabelled: C14 is not Janine but the 4:42 version of “The Width of a Circle,” and C15 is not…
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Gerry Mulligan, Concert Days, 1966 on Sunset Records
Although this compilation came out in the mid-sixties, the recordings are all from 1954-1957. Thanks to the Gerry Mulligan Discography compiled by Antoine Perier, Gérard Dugely, and Kenneth Hallqvist, they would seem to be: My copy is a Canadian pressing via Aux 33 Tours in Montreal, QC
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Mose Allison, Down Home Piano, 1966 on Prestige
This 1966 release collects instrumental performances from six albums he released on Prestige in the late 50s and early 60s. There’s a similar Mose Allison Sings which collects “the vocal side of his talents.” The performers include Allison, Addison Farmer (Art Farmer’s twin brother) on bass, and Ronnie Free / Nick Stabulas on drums. Liner…
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Ella Fitzgerald and Duke Ellington, Ella at Duke’s Place, 1966 on Verve
The album is divided between “The Pretty, The Lovely, The Tender, The Hold-Me-Close Side” and “The Finger-Snapping, Head-Shaking, Toe-Tapping, Go-For-Yourself Side.” Recorded by Val Valentin and produced by Norman Granz (those are his black & white photos), this is Verve at its mid-60s best. In addition to Ellington and Fitzgerald, personnel included Louis Bellson on…
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Joe Henderson, Mode for Joe, 1966 on Blue Note
This was Henderson’s fifth studio album (as a band leader), joined by: Lee Morgan (trumpet), Chris Fuller (trombone), Bobby Hutcherson (vibes), Cedar Walton (piano), Ron Carter (bass), and Joe Chambers (drums). Recorded by Rudy Van Gelder. Really wonderful Blue Note 60s jazz. My copy is a 2024 reissue in the Blue Note Classic Vinyl Series…
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Sonny Boy Williamson, The Real Folk Blues, 1966 on Chess
This album was first released in the UK in 1965 as In Memorium, (Williamson died in May of 1965). In the US it was retitled to The Real Folk Blues and released in 1966. Later reissues have appeared with either title in different regions. This is one of my favorite blues albums of all time…
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Coleman Hawkins, Sirius, 1974 on Pablo
Recorded by Val Valentin December 1966 but released posthumously in 1974 (Hawkins died in 1969). Produced by Norman Granz, with liner notes by Benny Green: This is the album which none of us ever wanted to hear, the last milestone on that long fascinating road which stretches back to the day in 1922 when, as…
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The Beatles, Revolver, 1966 on Parlophone / Capitol
Classic Beatles LP as they started shifting toward innovative studio techniques, took more drugs, and got more experimental – continuing the shift that started on Rubber Soul with tracks like “Tomorrow Never Knows”: Turn off you mind / relax and float downstream / it is not dying / it is not dying Artwork by Klaus…
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13th Floor Elevators, Flivver, 1988 on World Productions of Compact Music
I first heard Roky Erickson and the 13th Floor Elevators on fourth or fifth generation tape copies from friends in the 80s, but didn’t really come to appreciate them fully until much later. This record, on a bootleg Italian label with releases in the late 80s and early 90s, gathers live performances from The Avalon…
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John Mayall with Eric Clapton, Blues Breakers, 1966 on London Records
This was the debut studio album for Mayall and the Bluesbreakers but credited to John Mayall with Eric Clapton. The band here includes Mayall, Clapton, John McVie, Hughie Flint, Johnny Almond, Alan Skidmore, and Dennis Healey. London Records was the US distributor for UK label Decca. Clapton left to form Cream with Ginger Baker and…