Squeeze, Argybargy, 1980 on A&M. Lineup with @jools.holland.official @glenntilbrook @chrisdifford John Bentley @gilson_lavis Love this record – “If I Didn’t Love You,” “Pulling Mussells (From the Shell)” Production…
George Benson, The Other Side of Abbey Road, 1970 on A&M Found this last week at Deep Thoughts in Jamaica Plain – fantastic reimagining of Abbey Road by…
Chuck Mangione, An Evening Of Magic: Live At The Hollywood Bowl, 1979 on A&M Smooth late 70s jazz at its best Great Sunday relaxing music. Via Music Connection…
Suburbs, self-titled, 1986 on A&M. Hometown Minneapolis band The Suburbs first (and only?) Major label release. Recorded at Metro Studios Via the other Record Exchange (St. Louis, MO,…
U.K. Squeeze, self-titled debut, 1978, A&M. U.K. Squeeze were known in the UK as Squeeze. My copy is on red translucent vinyl with promo labels. Yes, they made…
What’s New (1983), Lush Life (1984), and For Sentimental Reasons (1986) A great trio of platinum albums by Linda Ronstadt with the Nelson Riddle Orchestra on Asylum/Warner Bros….
Sting, Nothing Like The Sun, 1987 While Sting has fallen out of fashion in some hip circles (duet album with Shaggy for example) I love every second of…
No Wave, 1978 compilation on A&M. Translucent blue vinyl was a thing even in the seventies Squeeze, The Police, The Dickies, The Stranglers, Joe Jackson – great collection
Orchestral Manoeuvres In The Dark, If You Leave (extended version), 1986 on A&M. Another song that was on the Pretty in Pink soundtrack – clearly John Hughes films…
Suzanne Vega, self-titled, 1985 on A&M Her debut album – already such strong songwriting and performance style – Marlene on the Wall, The Queen and the Soldier, Undertow….
The Breakfast Club, Original Motion Picture Soundtrack, 1985 on A&M. One of the movies I’ve seen the most in my life (alongside Princess Bride and Stop Making Sense)….
Still sounds great 35+ years later. 36 cover variations – this one I’ve had since the mid eighties. Known for the hits but also has the glorious weirdness…