In something of the same vein as the West Coast / East Coast rap rivalry of 90s hip hop, the jazz scene in the 50s had a bit of a California vs New York thing happening. As the sleeve notes by Orrin Keepnews puts it:

. . . during much of the 1950s considerable conversation and many magazine pages have been devoted to discussion of the relative merits of, differences between, and what-have-you of the so called “East Coast” and “West Coast” schools of modern jazz. . . . on this LP, CHET BAKER, the most notable of “cool” West Coast trumpet stars, joins forces with some highly talented representatives of the “hard” Eastern style.

Those players included Johnny Griffin (Tenor Sax), Al Haig (Piano), Paul Chambers (Bass), and Philly Joe Jones (Drums). Recorded in New York in September of 1958. (I had a Jazzland reissue retitled as Polka Dots and Moonbeams but this pressing is much improved).

My copy is a Craft Recordings reissue from 2021 which replicates the Riverside labels but adds Craft/Concord rim text and catalog number. Via Beatnick Records in Montreal QC