Tag: 2019
-

Bill Evans, Evans in England, 2019 on Resonance
Another late sixties (December 1969) set from Evans, Eddie Gomez, and Marty Morell, recorded at Ronnie Scott’s. (Live at Ronnie Scott’s, released in 2020, came from recordings made in July of 1968). Great production and packaging. My copy—via private sale—is the Record Store Day 2019 2xLP deluxe edition, numbered and limited.
-

Lee Hazlewood, 400 Miles From L.A. 1955-56, 2019 on Light in the Attic
Recorded in 1955 and 1956 but not released until 2019 by Light in the Attic, the second LP here includes a draft of what became Trouble is a Lonesome Town, Hazlewood’s debut album from 1963. Most know Hazlewood from his Nancy Sinatra collaborations which came from the mid-sixties, so interesting to get these earlier recordings.…
-

Bill Evans, Live at Art D’Lugoff’s Top Of the Gate, 2012 on Resonance
Another Sunday, another Bill Evan’s live LP from Resonance. This one was recorded October 23, 1968 in Greenwich Village. This time Eddie Gomez and Marty Morell join Evans. This was recorded by Geoge Klabin himself, founder of the Rising Jazz Stars foundation and Resonance Records, as a 22 year old college student. My copy—via a…
-

Herbie Hancock, Inventions and Dimensions, 1964 on Blue Note
Hancock is joined by Paul Chambers, Willie Bobo and Chihuahua Martinez—though it’s not really what you’d call a Latin jazz album so much as post-bop or modal. Recorded by Rudy Van Gelder at his Englewood Cliffs studio. My copy—direct from Blue Note—is the 2019 Blue Note 80 Vinyl Series reissue mastered for vinyl by Kevin…
-

Jim Sullivan, U.F.O., 1969 on Monnie Records
im Sullivan’s U.F.O. originally came out on Monnie back in 1969 (basically a self-funded pressing), and then was reissued with the title Jim Sullivan (with a different mix) by Century City Records in 1970. It was out of print until Light in the Attic reissued it in 2010, forty years later. Sullivan famously disappeared in…
-

Marvin Gaye, What’s Going On Live, 2019 on Tamla / Motown / UMe
Recorded in 1972 but not released until 2019. More of an album for completists, this is the first time Gaye had performed in a number of years (since the death of Tammi Terrell). It’s a bit uneven – sort of like a live rehearsal bootleg – but worth picking up if you’re a big fan…
-

Kristin Hersh, Crooked, 2019 on Fire Records
Crooked actually first came out in 2009 (digital/online) or 2010 (CD), but this Fire Records issue for Record Store Day 2019 was the first vinyl issue. Hersh wrote all the songs, produced and played all the instruments, with Steve Rizzo as recording engineer at Stable Sound (his studio at Sandy Point Stables) in Portsmouth Rhode…
-

Various Artists, If You’re Going To The City: A Tribute to Mose Allison, 2019 on Fat Possum
Fantastic collection on Fat Possum of artists covering songs Mose Allison wrote. Three-sided vinyl, with an etching on the fourth side. Also includes a DVD of Mose Allison: Ever Since I Stole the Blues. Tracklist includes: I had to find a way to get a DVD rip to watch the documentary (you can see it…
-

The Who, The Kids Are Alright, 1979 on Polydor
The Soundtrack LP to the 1979 rock documentary The Kids Are Alright, with performances from 1965 to 1978. It was originally released on MCA Records in the US and Polydor in the UK – my copy is a reissue from 2019 on Polydor based on a 2017 remastering by Jon Astley. Note the record labels…
-

Buddy & Julie Miller, Breakdown on 20th Ave South, 2019 on New West
Buddy & Julie have been releasing great Americana/Roots music since the 90s (for Julie since the 80s), and as a duo since 2001. Buddy’s also been an active session and touring musician, working with the Down from the Mountain tour, Emmylou Harris, Patty Griffin, Gillian Welch and Dave Rawlings, Linda Rondstat, Shawn Colvin, Jim Lauderdale…
-

Billy Strings, Home, 2019 on Rounder Records
This was the 4th LP from Billy Strings (the first two with Don Julin) and his first on Rounder – it won Best Bluegrass Album for 2021. I heard about Billy Strings through youtube videos suggested based on other Americana acts – some really strong word-of-mouth based on touring, though I haven’t had a chance…
-

Lilli Lewis Project, We Belong, 2019 on Louisiana Red Hot Records (LRHR1196)
Picked this up directly from Lewis at a show in Harvard MA at Fruitlands. Band here includes Jimbo Walsh, Wade Hymel, Smokey Brown, Ruan Murry, Ole Oddlokken and Eric Thomas, with some guests. It was recorded by Mark Bingham in Henderson LA and produced by Bingham and Lewis. Great showcase for Lewis’ songwriting and voice.
-

Justin Townes Earle, The Saint of Lost Causes, 2019 on New West.
Three sided LP (fourth side is an etching) of Justin Townes Earle’s last LP, released before his death in August 2020. Adam Bednarik co-produced with Earle and plays bass, with Joe V. McMahan and Paul Niehaus on guitars, Jon Radford on drums, and Cory Younts on harmonica & keys. You know more folks that’s most…
-

The National, I Am Easy To Find, 2019 on 4AD.
The National, I Am Easy To Find, 2019 on 4AD. An album and a film. The movie was directed by R.E.M.’s Mike Mills and stars Alicia Vikander. Guest vocals from Sharon Van Etten, Gail Ann Dorsey, Mina Tindle, Kate Stables, Lisa Hannigan, and the Brooklyn Youth Chorus. Wonderful LP
-

Merle Haggard, Live From Austin TX ’78, 2008 on New West Records.
Merle Haggard, Live From Austin TX ’78, 2008 on New West Records. Recorded in 1978, relased in 2008; my copy is. 2019 reissue. One of two Live at Austin City Limits (the show, not the fesitival) LPs for Haggard – the other is from 1985 and is just titled “Live From Austin TX”
-

Black Pumas, Black Pumas (Deluxe Edition), 2021 on ATO Records.
Black Pumas, Black Pumas (Deluxe Edition), 2021 on ATO Records. Originally a 2019 album, this deluxe edition adds bonus tracks including a cover of Tracy Chapman’s Fast Car, and Death’s Politicians In My Eyes plus some in studio live versions, plus a 7″ single with covers of the Beatles’ Eleanor Rigby and Bobny Bland’s Ain’t…
-

Meat Puppets, Dusty Notes, 2019 on Megaforce Records.
Meat Puppets, Dusty Notes, 2019 on Megaforce Records. Pitchfork’s review called them the channel between the Dead Kennedys and The Grateful Dead – this one leans more to the latter- folky/Americana. I really like it.

