Tag: 1980s
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Elvis Costello & The Attractions, Almost Blue, 1981 on Columbia
Recorded in Nashville, this is Costello’s covers album of country greats – including Hank Williams and George Jones. I love Costello in his Americana / roots / country incarnations, and I love cover records, so this is among my favorites from him. My copy via Academy Records in New York City.
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Depeche Mode, Speak & Spell: The 12″ Singles, 2018 on Mute
Reissued box of singles by Rhino / Sire / Mute. The singles: “Dreaming of Me,” “New Life,” and “Just Can’t Get Enough” all came out in 1981, the same year as Speak & Spell the band’s debut album. This reissue from 2018 also includes a flexi-disc with “Sometimes I Wish I Was Dead” (which was…
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Let’s Active, Cypress, 1984 on IRS Records
Mitch Easter, Faye Hunter, and Sara Romweber’s debut full-length as Let’s Active, following after the Afoot EP. My copy is UK pressing – “A & M Records Ltd are the exclusive licensees for the UK. Made in England” on the label – but still has the IRS logo. Hunter and Romweber would both move on…
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Bob Marley & The Wailers, Legend (The Best Of Bob Marley & The Wailers), 1984 on Island Records.
This was required listening and a mandatory part of any healthy CD collecting heading into college in the 80s. It didn’t matter what musical subculture you came from, this was the lingua franca. I went on to many other Marley albums and deeper knowledge of Reggae and Caribbean music, but this was the one everyone…
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Stray Cats, Stray Cats / Pin Up, 1981 on Arista
This was their debut album – after forming in NY they moved to the UK and this was first released there in early 1981. It wasn’t released in the US until after Built for Speed, which included six of the tracks from this debut. Produced by Dave Edmunds and the band. The cover and spine…
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Talking Heads, Stop Making Sense, 1984 on Sire
It’s hard to overstate how critical this album and movie were – the impact on live music films, the impact on shows themselves (in staging and effects) and just the music itself. I recall it running for a very long time at the Uptown movie theater in Minneapolis – alternating Friday and Saturday nights with…
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James Blood Ulmer, Free Lancing, 1981 on Columbia.
A happy and accidental find at Academy Records in New York. Ulmer had played on several Ornette Coleman releases before going out on his own – this was his third solo LP and first on Columbia.
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Peter Gabriel, Peter Gabriel (aka Peter Gabriel III, or Melt), 1980 on Mercury
The third in the series of self-titled releases Gabriel put out between 1977 and 1982, Melt features lots of complex synthesizer and percussion work, with guests like Robert Fripp and Genesis bandmate Phil Collins. Kate Bush adds backing vocals on No Self Control and Games Without Frontiers. No, he’s not singing “she’s so popular” –…
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The Blasters, Non Fiction, 1983 on Slash
I had (and wore out) a cassette copy of one of the Slash records compilations that had Red Rose and Long White Cadillac on it, so hard to hear those songs without expecting the compilation track order, but this is a great LP. This was their second studio album on Slash and third overall –…
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Archie James Cavanaugh, Black and White Raven, 1980 on Black and White Raven, Inc.
Self-released in 1980 but reissued by the Numero Group, Black and White Raven mixes Yacht Rock, Disco, and Gospel with some flavor of Cavanaugh’s native Tlingit heritage. Lots of the musicians here were part of Redbone, an LA band made up of Mexican American and Native American members. This was a Secretly Society issue on…
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Taco, After Eight, 1982 on RCA Victor
Taco is one of those bands/artists which fell into a trap after their first single from their debut album becomes a massive hit – Puttin’ on the Ritz in this case. Taco Ockerse put out three or four more albums, but most folks know him for that one hit, which maybe verges on a kind…
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Wall of Voodoo, Ring of Fire (Remix) / The Morricone Themes (Live), 1982 on Index
12″ single from Stan Ridgway and Wall of Voodoo. The live tracks were recorded live at “The Barn” (Barstow CA?) November 22, 1980. Not sure why they chose to label Hang ‘Em High as composed by Morricone as it wasn’t – it was actually composed by Dominic Frontiere. My copy via a record fair at…
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Juluka, Scatterlings, 1982 on Warner Bros Records
US version on Warner Bros – globally came out on Safari Records, Lark, and/or MINC. Johnny Clegg – sometimes referred to as Le Zoulou Blanc (“the White Zulu”) founded Juluka in the late seventies and came to my attention in association with the anti-apartheid movement in the early 80s. This was their fourth full length…
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Peter Schilling, Error in the System, 1983 on Elektra
Most well known for “Major Tom (Coming Home)” which was a top 20 hit in the US. Unfortunately the runaway success of that single relegated Schilling to something of a one-hit wonder – too bad, as it is really an interesting album and suggests he might have had a more interesting career. My copy had…
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Ball and Pivot, Ball and Pivot EP, 1984 on Z Club Records
Ball and Pivot were a self-described “glam-rock” band in the early 80s in Boston, featuring Tom Hauck, B Wilkinson, and Paul Caruso (all of whom had also played in The Atlantics). I picked up this record on the basis of that description and the cover at Island Records on Martha’s Vineyard. You can find more…
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Michael Jackson, Thriller, 1982 on Epic
I remember listening to this right when it came out. I was young enough to not yet know I was supposed to reject Michael as too popular or unclear and instead just loved the grooves and the videos. My copy isn’t one I’ve had since then – I don’t think I even had a turntable…
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Null and Void, Happiness and Contempt, 1980 on M.A.O. Records.
Null and Void were a self-described “early 80s SoCal synth wave band.” This was their debut EP, recorded at Devon Sound – it’s been reissued by Medical Records along with Montage Morte, their second LP from 1982. This may have been MAO Records’ first releases – catalog number MAO 1001 and 1980 release suggests so.…
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Lucinda Williams, Happy Woman Blues, 1980 on Folkways (FTS 31067)
My copy is a 2019 reissue on what is now called Smithsonian Folkways (the Smithsonian acquired Folkways in 1987 from the estate of Moses Asch). This was Williams’ sophomore album, after Ramblin’ On My Mind. I didn’t come to know Wiliams until much later – Car Wheels on a Gravel Road in the late nineties…