Tag: 1980s
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Various Artists, This Are Two Tone, 1983 on Chrysalis/Two Tone
In the UK, this was released on Two Tone, but in the US they were distributed by Chrysalis and issued on the Chrysalis label. Sleeve design credit to Jerry Dammers who founded Two Tone and was a key member Specials. Great compilation of 80s reggae/ska: Specials / The Special A.K.A., Madness, The Selecter, The English…
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Irma Thomas, Down at Muscle Shoals, 1984 on Chess
Thomas recorded for Chess in the late sixties, and made this recording at Fame Recording Studios in Muscle Shoals in 1967, but the album was not released until 1984 (in Japan). It’s very hard to find in the Japanese vinyl, though it was reissued on CD in 1991. There are no credits for musicians, though…
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Bruce Springsteen, Nebraska, 1982 on Columbia
Springsteen’s sixth studio album, which he recorded himself on a four track to use as demos but then decided to release them directly. (Somewhere in the vaults exist at least some of these songs in full band versions, but they’ve not surfaced yet). Springsteen has cites as inspiration both the story of Charles Starkweather (who…
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Various Artists, L80s: So Unusual, 2023 on Numero Group
Really interesting package here – the sleeve is basically denim, with a pocket looking like an 80s jeans pocket, complete with lipstick mark and phone number (which actually rings Numero group). Part of a series Numero group did: “The Cabinet of Curiosities,” each of which is said to be in “lavish” packaging. The contents: Yes,…
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Prince, Controversy, 1981 on Warner Bros.
Prince’s fourth full-length album, which he wrote, produced, and played most the instruments on. (André Cymone gets co-writing credit on “Do Me Baby” on some later versions, but is not credited here – plus backing vocals for Wendy & Lisa, Bobby Z for Drums and Lisa and Fink for keys on some tracks). I love…
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Def Leppard, Pyromania, 1983 on Mercury
For me this is one of those albums I loved as a 13 year old, then outgrew for many years (aka thought I was too cool for something so massively popular and unapologetically hair metal) but have come again to appreciate with wiser ears. It was their massive breakout, with “Photograph,” “Rock of Ages,” and…
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13th Floor Elevators, Flivver, 1988 on World Productions of Compact Music
I first heard Roky Erickson and the 13th Floor Elevators on fourth or fifth generation tape copies from friends in the 80s, but didn’t really come to appreciate them fully until much later. This record, on a bootleg Italian label with releases in the late 80s and early 90s, gathers live performances from The Avalon…
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Daryl Hall and John Oates, Private Eyes, 1981 on RCA
I thought of this as an early Hall & Oates record, until I checked out their discography, which goes back to 1972’s Whole Oats. Turns out it is their 10th full length studio record! It was the source of the hit singles “Private Eyes” and “I Can’t Go For That (No Can Do).” The album…
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Various Artists, Big Hits of Mid-America Volume Three, 1980 on Twin/Tone
Technically the first version of this 2xLP set came out in 1979, but my pressing is from 1980. Twin/Tone was concerned about the Yipes’ track “The Ballad Of Roy Orbison” for legal reasons (copyright clearance) and replaced it with “Specialization” by the New Psychenauts. “SPECIALIZATION” (side four, track two) was recorded at Blackberry Way in…
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The Cure, Boys Don’t Cry, 1980 on PVC/Fiction
Fiction was the UK label, PVC the US label (a sublabel of Passport Records). This was really a compilation album for the US market, drawing eight tracks from Three Imaginary Boys (their UK debut) supplemented with five other tracks from that era. It’s been reissued multiple times with different track order this is the same…
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The Suburbs, In Combo, 1980 on Twin/Tone
The debut album from Minneapolis band The Suburbs. Twin/Tone’s catalog (in 1984) described it thusly: Inspired, frenetic, sometimes absurb, the Suburbs’ debut LP is a rocker. Considerably more raw and flippant than their latter efforts. In Combo documents phase one. New York Rocker said that the Suburbs “alternate btween clenched teeth acid boogie and cartoon…
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Bauhaus, Burning From The Inside, 1983 on Beggars Banquet / A&M
Quite a shift from yesterday’s post of Oscar Peterson’s Return Engagement to Bauhaus, but that’s the joy of a diverse collection. I was just a touch too late to find Bauhaus – by the time I was a fan in the mid-eighties they’d already splintered into the many follow-on groups (Tones on Tail, Love &…
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Tom Tom Club, The Man With The 4-Way Hips (12″ Single), 1983 on Sire
Tom Tom Club, of course, were Tina Weymouth and Chris Frantz from Talking Heads. It started as a side project while Talking Heads were still active, but has kept making music long after the Heads split. The song was on Close to the Bone, Tom Tom Club’s second full length, and was released in the…
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Willie Nelson & Webb Pierce, In the Jailhouse Now, 1982 on Columbia
i love a good Willie Nelson tribute album or duet album: San Antonio Rose with Ray Price, For the Good Times (a tribute to Price), the tribute album to Harlan Howard, the duets collected on Heroes, and the like. This is in the realm of a duet album, while his hero Webb Pierce was still…
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The Housemartins, The People Who Grinned Themselves To Death, 1987 on Elektra
On this record the Housemartins were Norman Cook, Dave Hemingway, Stan Cullimore, Pete Wingfield, and P.D. (Paul) Heaton. Heaton & Hemingway went on to form The Beautiful South, while Norman Cook went on to form Beats International (and also was Fatboy Slim). The Housemartins were Christian Socialists from Hull (in the UK, not Massachusetts), which…
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Cowboy Junkies, The Trinity Session, 1988 on RCA
I could have (and would have) sworn this album was called The Trinity Sessions, plural, but I would have been wrong: it’s singular. (The session was recorded at the Church of the Holy Trinity in Toronto). Fair, since it truly is a singular (in the sense of unique / one of a kind) album. It…
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Gang Starr, No More Mr. Nice Guy, 1989 on Wild Pitch Records
Houton’s DJ Premier and Boston’s Guru as a Brooklyn based hip hop duo, sometimes credited as the originators of jazz rap / jazz hip hop. “Words I Manifest” does sample “Night in Tunisia” and the album featured the song “Jazz Music.” My copy is the Vinyl Me Please reissue from 2022, with listening notes by…
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R.E.M., Dead Letter Office, 1987 on IRS Records
Divded into a “Post” side and a “Script” side, this was one of my favorite R.E.M. releases of the 80s, with the unofficial subtitle from the rear cover: “We do sountracks, a virtuous compost, Being a Compendium Of Oddities Collared and B-sides compiled.” “Voice of Harold” was a completely different vocal improvised over the track…