Tag: Reissue
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Clem Snide, The Ghost of Fashion, 2001 on Cooking Vinyl
Originally released (on CD) by SpinART in the US and Cooking Vinyl in Europe, then released in 2011 on vinyl by Microfiche Records. My copy is a 2022 deluxe reissue on Dot Matrix that I got via Vinyl Me Please. (I think the color vinyl is exclusive to VMP, but the pressing is also available…
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Johnny Griffin, The Man I Love, 1973 on Black Lion Records
This LP, recorded at the Montmartre Jazzhuis in Copenhagen in 1967, was originally issued on Polydor in 1969 in the UK, but later in 1973 by Black Lion Records in Japan. My copy is actually a 2012 reissue by ORG Music and Black Lion and pressed on 180 gram vinyl at Schallplattenfabrik Pallas GmbH. In…
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Dawes, All Your Favorite Bands, 2015 on HUB Records
I’m a huge Dawes fan and this is classic Dawes. My copy is a 2022 reissue on 180g green vinyl via Rounder Records – a limited edition of 500. They’re joined by David Rawlings (guitar on “Somewhere Along the Way,” backing vocals on “I Can’t Think About it Now” and Gillian Welch (backing vocals on…
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The Meters, Rejuvenation, 1974 on Reprise
My copy is a Vinyl Me, Please Essentials reissue from 2021, on yellow vinyl, with listening notes by Josh Terry. Produced by Allen Toussaint (who also did some horn arrangements) this was their fifth studio album and second with vocals (the first three were mostly instrumental). Lots of people sampled from this album and the…
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Roberta Flack, Quiet Fire, 1971 on Atlantic
Flack’s third album, with “Will You Still Love Me Tomorrow” as the hit single, but also including covers of Bridge Over Troubled Water and To Love Somebody (among others). Produced by Joel Dorn. My copy is the Vinyl Me, Please reissue from 2021, with listening notes by H. Zahra Caldwell, newly cut laquers by Ryan…
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Sia, Some People Have Real Problems, 2008 on Monkey Puzzle Records
Sia’s fourth album as a solo artist, and her first on Monkey Puzzle Records. This is right around when I first heard Sia – a version of “I Go To Sleep” ( a Ray Davies song) was on the Sounds Eclectic: Covers Project release (related to the KCRW radio sho Morning Becomes Eclectic). This copy…
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Freddie King, My Feeling for the Blues, 1970 on Cotillion
One of the “three kings” of the blues, this is King’s second album after signing with Atlantic (Cotillion is a subsidiary) before moving to Shelter records (Leon Russell’s label). My copy is a 2021 pressing from Vinyl Me, Please, with listening notes by Andrew Winistorfer and new lacquers cut from the original types by Ryan…
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Gram Parsons, Grievous Angel, 1974 on Reprise
My copy is a 2021 Vinyl Me, Please reissue, on what they call Turquoise Galaxy vinyl, with listening notes by Jonathan Bernstein. Released posthumously in 1974, with vocals by Emmylou Harris (with whom he’d been touring in 1973) and the TCB Band (Ronnie Tutt, James Burton, Emory Gordy, and Glen Hardin, plus pedal steel from…
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Justin Townes Earle, Kids In the Street, 2017 on New West Records
Originally released in 2017, my copy is a 2021 reissue as part of Record Store Day (Black Friday). This was Earle’s penultimate album (the last was The Saint of Lost Causes) and his first on New West. Some great songwriting on Champagne Corolla, Faded Valentine, and really across the album.
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Missy Elliott, Under Construction, 2002 on Elektra / The Goldmind, Inc.
Originally released in 2002 – my copy is a Vinyl Me, Please 20th anniversary reissue from 2023 on “orange crush” vinyl. What a fantastic release – working with Timbaland and Nisan as producers, guests from Ludacris, Method Man, Jay-Z, Ms. Jade, Beyonce, TLC, and, on the remix of Work It, 50-Cent.
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Dizzy Gillespie and His Orchestra, Afro, 1954 on Norgran Records
While this came out in 1954 on Norman Granz’s Norgran Records, my copy is a Vinyl Me, Please reissue from 2022, via UMG Recordings/Verve. When Granz formed Verve in 1956 he carried over the Norgran (and Clef) catalog. Verve then was sold to MGM in 1960, Polydor in 1972, and then became part of Universal…
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Fiona Apple, Extraordinary Machine, 2005 on Epic / Clean Slate
My copy is a 2022 reissue by Vinyl Me, Please. This was Apple’s third LP. The album was initially completed in 2003 with production by John Brion, but the label shelved it. Various tracks and versions started to leak online, but Apple went back into the studio and the record came out in 2005 with…
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AIR, Moon Safari, 1998 on Caroline/Source.
The debut album from AIR (labelled as “AIR French Band” on the cover – originally released on Source in France and Caroline in the US. My copy is a 2023 reissue on Parlophone via Vinyl Me, Please. (25th anniversary edition, with listening notes by Sophie Frances Kemp). Jean-Benoit Dunckel and Nicolas Godin are the core…
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The Magic Numbers, The Magic Numbers, 2005 on Heavenly / Capitol
The debut self-titled album from The Magic Numbers, which came out in 2005 on Capitol in the US, but on Heavenly in the UK and EMI in other parts of the world. My copy is a 2020 reissue by Heavenly / [PIAS] for Record Store Day, on clear vinyl with a bonus 7″ single. The…
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Interpol, Turn on the Bright Lights, 2002 on Matador Records
Originally released in 2002, this was Interpol’s debut album (they had an EP out before this). My copy is the 2022 Vinyl Me, Please reissue on red vinyl. Includes original artwork by Nicholas Law. Recorded at Tarquin Studios in Connecticut.
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Beastie Boys, Check Your Head, 1992 on Capitol / Grand Royal
My copy is the 2022 Vinyl Me, Please reissue 30th Anniversary Edition on Red Vinyl. Amazing to me that this is 30 years old but still sounds very fresh
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Ornette Coleman, The Shape Of Jazz To Come, 1959 on Atlantic.
Ornette Coleman, The Shape Of Jazz To Come, 1959 on Atlantic. Coleman’s debut on Atlantic and his third LP. With Don Cherry, Charlie Haden, and Billy Higgins. My copy is a 2022 mono reissue from Vinyl Me, Please
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Wilco, Yankee Hotel Foxtrot, 2002 on Nonesuch.
Wilco, Yankee Hotel Foxtrot, 2002 on Nonesuch. Spent the weekend deep into the 2022 box set reissue of YHF, complete with multiple LPs worth of demos and alternate versions plus a live gig from just before the release. Such a giant, sprawling, and beautiful album and story. It was really my intro (along with the…