Tag: Reissue
-
Tori Amos, Little Earthquakes, 1992 on Atlantic
Tori Amos’ debut album from 1992. I had this CD (and Under the Pink) on constant repeat through graduate school – happy to finally get a copy on vinyl. What an amazing album – still gives me chills 30+ years later. “Me and a Gun” of course, but also “Silent All These Years,” “China,” “Precious…
-
Labelle, Nightbirds, 1974 on Epic
Labelle were a trio including Patti LaBelle, Nona Hendryx, and Sarah Dash, and grew out of Patti Labelle and the Bluebells. They are the original “Lady Marmalade” power trio – and this was their best-selling album. Allen Toussaint produced and The Meters supplement (replace?) Labelle’s usual band. My copy is the January 2024 Vinyl Me…
-
Grateful Dead, Anthem of the Sun, 1968 on Warner Bros / Seven Arts
Second LP from the Dead, assembled together by Garcia and Lesh out of a mixture of live and studio recordings to make a new hybrid. Very much a psychedelic and experimental record, as the cover and song titles would suggest. My copy is the Vinyl Me, Please reissue from 2023, which was manufactured for Rhino.…
-
Thelonious Monk, The Unique Thelonious Monk, 1956 on Riverside
Monk recorded by Rudy Van Gelder, with Oscar Pettiford on bass and Art Blakey on drums, produced by Orrin Keepnews and Bill Grauer – originally Riverside RLP 12-209 with a different cover. My copy, via Academy Records in NYC, is the 1983 reissue in the Original Jazz Classics series, issued by Fantasy which acquired the…
-
Townes Van Zandt, At My Window, 1987 on Sugar Hill
Van Zandt’s eighth studio album and only one recorded in the 1980s, originally released on the bluegrass label Sugar Hill. I never miss a chance to pick up a Townes Van Zandt record in good shape. Recorded at Jack Clement’s studio in Nashville (“Cowboy Arms Hotel and Recording Spa”) and produced by Clement and Jim…
-
Junior Wells, It’s My Life, Baby, 1966 on Vanguard
Junior Wells’ sophomore album, released on Vanguard in 1966 after Hoodoo Man Blues came out on Delmark. From the liner notes: Some of this album, Junior Wells’ first solo record for Vanguard, was recorded in Pepper’s Lounge on Chicago’s south side, to get the feeling of a blues band working with its blues audience. The…
-
Willie Nelson, Willie Nelson and Family, 1971 on RCA Victor
Nelson’s 12th studio album, while he was still at RCA Records, before moving to Atlantic. Some covers – “I’m So Lonesome I Could Cry,” “Sunday Mornin’ Coming Down,” “Fire and Rain,” and “Today I Started Loving You Again” – as well as some Nelson originals like “I Can Cry Again” and “That’s Why I Love…
-
Bill Evans, Live at the Village Vanguard, 1967 on Riverside
This is actually a reissue of what originally came out in 1961 (also on Riverside) as Sunday at the Village Vanguard, credited to the Bill Evans Trio “featuring Scott La Faro.” La Faro died in a car accident less than two weeks after the gig was recorded. Evans on piano, La Faro on bass, and…
-
T. Rex, T. Rextasy: The Best of T. Rex, 1970-1973, 1985 on Warner Bros.
Mid-eighties compilation of T. Rex. Between 1970 and 1973, the band had eleven top 10 singles in the UK – including many here. Produced by Tony Visconti. I came to T. Rex indirectly through The Replacements (who covered “20th Century Boy” on Let it Be), Bauhaus (who covered “Telegram Sam”) and The Power Station (who…
-
Ella Fitzgerald & Louis Armstrong, Ella & Louis: Complete Studio Small Group Recordings, 2015 on Waxtime
Waxtime is sometimes a controversial label. Based on some differences between US and EU copyright law, they’re releasing classic jazz recordings without explicit access o the source material. This means they might be working from a CD, or even a needle-drop on a good vinyl copy- but the source material is more or less unofficial.…
-
Charlie Parker, The Mercury & Clef 10-inch LP Collection
This 2021 box collects / reproduces the 10″ LPs put out in the early 1950s: I don’t normally collect 10″ records, but got a good deal on this box, which is very well made, reproducing original covers and labels, and with an included book. Neither of the two “Charlie Parker With Strings” LPs actually has…
-
The Replacements; Sorry Ma, Forgot to Take Out the Trash; 1981 on Twin/Tone
This was the debut album of Minneapolis’ own The Replacements, in all its ragged glory. Somehow – likely because of how I acquired them – I’d always thought that Stink! (the EP) came out before Sorry, Ma – but it was the other way ’round. I don’t usually by CDs these days, but this reissue…
-
![Fleetwood Mac, In London [1968], 2010 on Lilith](https://goatless.org/wp-content/uploads/2025/01/20241117_091332.webp)
Fleetwood Mac, In London [1968], 2010 on Lilith
This is a bootleg that’s been released under a number of names – originally “London Live ’68” on Thunderbolt records. It was recorded at the Polytechnic of Central London, April 27th, 1968 – just a few months after their debut album. Lineup here is Peter Green, Jeremy Spencer, Mick Fleetwood, and John McVie. It’s not…
-
David Porter, . . . Into A Real Thing, 1971 on Enterprise
Porter was the staff songwriter for Stax – this was his second full length LP issued under his name, following up Gritty, Groovy, & Gettin’ It. Enterprise was a sub-label of Stax, which also released the early Isaac Hayes solo albums. (Apparently label president Al Bell was a Star Trek fan). Wonderful early 70s Stax/Volt…
-
Lou Donaldson, Blues Walk, 1958 on Blue Note
Great late 50s Blue Note album, with Donaldson joined by Peck Morrison on bass, Ray Barretto on congas, Dave Bailey on drums, and Herman Foster on piano. Sleeve notes by Ira Gitler. (Donaldson died last month – November 2024). I wasn’t as familiar with Donaldson as some of his better known contemporaries, but he started…
-
Aaron Neville, Like It Is (reissued as Humdinger), 1967 on Minit
Although this was released in 1967 on Minit (and Liberty in the UK) as Like It Is, my copy is a 1986 reissue titled as Humdinger, on Stateside (a UK label designed to reissue things from smaller American labels). As John Broven’s sleeve notes (from 1986) put it: This album harks back to Aaron’s first…
-
Chet Baker, Chet Baker in New York, 1958 on Riverside
In something of the same vein as the West Coast / East Coast rap rivalry of 90s hip hop, the jazz scene in the 50s had a bit of a California vs New York thing happening. As the sleeve notes by Orrin Keepnews puts it: . . . during much of the 1950s considerable conversation…
-
Dexter Gordon, Daddy Plays the Horn, 1956 on Bethlehem Records
Wonderful mid-50s bop jazz record I’d have bought just for the cover illustration by Howard Stabin. Gordon is joined here by Kenny Drew on piano, Leroy Vinnegar on bass, and Lawreance Marable on drums. Liner notes by Joseph Muranyi. This was recorded just after Gordon got out of prison at Chino and before being incarcerated…