Tag: Reissue
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Bill Evans, Live at the Village Vanguard, 1967 on Riverside
This is actually a reissue of what originally came out in 1961 (also on Riverside) as Sunday at the Village Vanguard, credited to the Bill Evans Trio “featuring Scott La Faro.” La Faro died in a car accident less than two weeks after the gig was recorded. Evans on piano, La Faro on bass, and…
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T. Rex, T. Rextasy: The Best of T. Rex, 1970-1973, 1985 on Warner Bros.
Mid-eighties compilation of T. Rex. Between 1970 and 1973, the band had eleven top 10 singles in the UK – including many here. Produced by Tony Visconti. I came to T. Rex indirectly through The Replacements (who covered “20th Century Boy” on Let it Be), Bauhaus (who covered “Telegram Sam”) and The Power Station (who…
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Ella Fitzgerald & Louis Armstrong, Ella & Louis: Complete Studio Small Group Recordings, 2015 on Waxtime
Waxtime is sometimes a controversial label. Based on some differences between US and EU copyright law, they’re releasing classic jazz recordings without explicit access o the source material. This means they might be working from a CD, or even a needle-drop on a good vinyl copy- but the source material is more or less unofficial.…
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Charlie Parker, The Mercury & Clef 10-inch LP Collection
This 2021 box collects / reproduces the 10″ LPs put out in the early 1950s: I don’t normally collect 10″ records, but got a good deal on this box, which is very well made, reproducing original covers and labels, and with an included book. Neither of the two “Charlie Parker With Strings” LPs actually has…
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The Replacements; Sorry Ma, Forgot to Take Out the Trash; 1981 on Twin/Tone
This was the debut album of Minneapolis’ own The Replacements, in all its ragged glory. Somehow – likely because of how I acquired them – I’d always thought that Stink! (the EP) came out before Sorry, Ma – but it was the other way ’round. I don’t usually by CDs these days, but this reissue…
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![Fleetwood Mac, In London [1968], 2010 on Lilith](https://goatless.org/wp-content/uploads/2025/01/20241117_091332.webp)
Fleetwood Mac, In London [1968], 2010 on Lilith
This is a bootleg that’s been released under a number of names – originally “London Live ’68” on Thunderbolt records. It was recorded at the Polytechnic of Central London, April 27th, 1968 – just a few months after their debut album. Lineup here is Peter Green, Jeremy Spencer, Mick Fleetwood, and John McVie. It’s not…
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David Porter, . . . Into A Real Thing, 1971 on Enterprise
Porter was the staff songwriter for Stax – this was his second full length LP issued under his name, following up Gritty, Groovy, & Gettin’ It. Enterprise was a sub-label of Stax, which also released the early Isaac Hayes solo albums. (Apparently label president Al Bell was a Star Trek fan). Wonderful early 70s Stax/Volt…
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Lou Donaldson, Blues Walk, 1958 on Blue Note
Great late 50s Blue Note album, with Donaldson joined by Peck Morrison on bass, Ray Barretto on congas, Dave Bailey on drums, and Herman Foster on piano. Sleeve notes by Ira Gitler. (Donaldson died last month – November 2024). I wasn’t as familiar with Donaldson as some of his better known contemporaries, but he started…
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Aaron Neville, Like It Is (reissued as Humdinger), 1967 on Minit
Although this was released in 1967 on Minit (and Liberty in the UK) as Like It Is, my copy is a 1986 reissue titled as Humdinger, on Stateside (a UK label designed to reissue things from smaller American labels). As John Broven’s sleeve notes (from 1986) put it: This album harks back to Aaron’s first…
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Chet Baker, Chet Baker in New York, 1958 on Riverside
In something of the same vein as the West Coast / East Coast rap rivalry of 90s hip hop, the jazz scene in the 50s had a bit of a California vs New York thing happening. As the sleeve notes by Orrin Keepnews puts it: . . . during much of the 1950s considerable conversation…
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Dexter Gordon, Daddy Plays the Horn, 1956 on Bethlehem Records
Wonderful mid-50s bop jazz record I’d have bought just for the cover illustration by Howard Stabin. Gordon is joined here by Kenny Drew on piano, Leroy Vinnegar on bass, and Lawreance Marable on drums. Liner notes by Joseph Muranyi. This was recorded just after Gordon got out of prison at Chino and before being incarcerated…
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Willie Nelson, Milk Cow Blues, 2000 on Island Records
Originally released in 2000, but issued on vinyl for the first time in 2023, this is Willie singing the blues, with guests including Francine Reed, Keb’ Mo’, Jonny Lang, Dr. John, Susan Tedeschi, B.B. King, and Kenny Wayne Shepherd (doing a mean “Texas Flood”). Mix of Wilie’s own songs plus covers (“The Thrill is Gone.”…
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Gerry Mulligan Tentette & Quartet, Walking Shoes, 1953 on Capitol
This LP was a reissue of what had been a 10″ record – Gerry Mulligan And His Ten-Tette – with two tracks from Gene Norman Presents The Gerry Mulligan Quartet added. Just as labels created bonus tracks when reissuing LPs on CD, these were bonus tracks added when the 10″ became a 12″ LP. The…
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Sonny Clark, Cool Struttin’, 1958 on Blue Note
Fantastic late 50s “hard bop” jazz record, with Clark joined by Art Farmer (trumpet), Jackie McLean (alto sax), Paul Chambers (bass), and Philly Joe Jones on drums. Recorded by Rudy Van Gelder, liner notes by Nat Hentoff. This should be in everyone’s vinyl collection whether you think of yourself as a Jazz fan or not.…
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Violent Femmes, Violent Femmes (box set), 2024 on Craft Recordings
This was one of my favorite albums of the 1980s (it came out on Slash Records in 1983), and I’ve been looking forever for a decent copy on vinyl. This box set, as you’d expect from Craft, is amazing. It includes a newly remastered version of the self-titled album itself, plus additional LPs of demos…
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Art Farmer, Portrait of Art Farmer, 1958 on Stereo Records
“Stereo Records” was a jazz label made by Contemporary Records in 1958 to push records made with the new-fangled stereo technology: Stereophonic two-channel disc recording utilizing Westrex 45-45 “StereoDisc” cutting system. To be reproduced only with stereophonic cartridge. Warning: use of conventional monaural cartridge without sufficient vertical compliance may well result in damage to this…
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Milt Jackson, Ballads & Blues, 1956 on Atlantic
Jackson’s most well know as the vibraphonist in the Modern Jazz Quartet but he also collaborated and recorded with many other bop musicians. Here he is joined by Lucky Thomson (sax), John Lewis (piano), Skeeter Best (guitar), Oscar Pettiford (bass), Kenny Clarke (drums), Barney Kessel (guitar), Percy Heath (bass), Lawrence Marable (drums), and Barry Gailbraith…
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Waylon Jennings, The Taker / Tulsa, 1971 on RCA/Victor
Love this early 70s Waylon Jennings. It’s only 30 minutes long but has great takes on some Kris Kristofferson tunes like “Lovin’ Her Was Easier (Than Anything I’ll Ever Do Again)” and “Sunday Mornin’ Comin’ Down.” It was recorded at RCA “Nashville Sound’ studio and in LA, and produced by Danny Davis and Ronny Light.…