Tag: Reissue
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Gram Parsons, GP, 1973 on Reprise
It’s hard to overstate the importance of Gram Parsons’ two solo albums: GP and (posthumously) Grievous Angel. This was his solo debut though he is joined by Emmylou Harris (with whom he was touring) on two duets. It was recorded Sept-Oct on 1972 and produced by Ric Grech from Blind Faith. My copy (via Reykjavik…
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Chet Baker, Chet Baker Sings, 1956 on World Pacific Records
Chet Baker is on of my all time favorite jazz trumpeters and singers. The tone in both his trumpet and his voice is just amazing – subtle, warm, smooth. This recorded was recorded in LA (the Forum Teater & Capitol Studios) by Allan Emig and Phil Turetsky. Sleeve notes by Gerald Heard, pictured on the…
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Dave Brubeck Quartet, Brubeck On Campus, 1972 on Columbia
This is actually a reissue of two earlier LPs: Jazz Goes To College (1954) and Jazz Goes To Junior College (1957). The former featured Bob Bates (bass), Joe Dodge (drums), Paul Desmond (sax), and Brubeck (piano); the latter Joe Morello on drums and Norman Bates on bass (Norman and Bob were brothers). Jazz Goes To…
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Kris Kristofferson, The Silver Tongued Devil and I, 1971 on Monument
This was Kristofferson’s second album, following what was originally released as Kristofferson but later retitled Me and Bobby McGee to capitalize on the hit version released on Janis Joplin’s Pearl. This was a more commercially successful release, including one of my favorite Kristofferson songs “Lovin’ Her Was Easier (than Anything I’ll Ever Do Again).” It’s…
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Black Nasty, Talking To The People, 1973 on Enterprise
Enterprise was a sub-label of Stax, and released the early solo work of Isaac Hayes. It is actually named after the Star Trek spaceship – Al Bell was a big fan. Black Nasty cut three singles and an album (this one) for Enterprise before being dropped by the label. Johnnie Mae Matthews, the “Godmother of…
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Irma Thomas, Down at Muscle Shoals, 1984 on Chess
Thomas recorded for Chess in the late sixties, and made this recording at Fame Recording Studios in Muscle Shoals in 1967, but the album was not released until 1984 (in Japan). It’s very hard to find in the Japanese vinyl, though it was reissued on CD in 1991. There are no credits for musicians, though…
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Nina Simone, Silk & Soul, 1967 on RCA Victor
This was Simone’s second album for RCA, following Nina Simone Sings the Blues, and was recorded in RCA Victor Studio B in New York. It includes great renditions of “The Look of Love” and “Cherish” neither of which I thought of as particularly Nina Simone material, along with a brilliant “I Wish I Knew How…
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Oliver Nelson with Eric Dolphy, Straight Ahead, 1961 on Prestige / New Jazz
Nelson on sax and clarient, with Dolphy also on sax, bass clarinet, and flute, supported by Richard Wyands on piano, George Duvivier on bass, and Roy Haynes on drums. Recording supervised by Rudy Van Gelder. Nelson had earlier recorded Screamin’ The Blues with Dolphy and Richard Williams. It is safe to say that if you…
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Japanese Breakfast, Soft Sounds From Another Planet, 2017 on Dead Oceans
First release on Dead Oceanes from Michelle Zauner, aka Japanese Breakfast, and her/their second full length LP. It’s an eclectic record but I really enjoy it. (The AV Club at the Onion called Zauner a “21st-century Björk” – though that makes me wonder why Björk isn’t a 21st-century Björk). My copy is the 2023 reissue…
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boygenius, boygenius, 2018 on Matador
Phoebe Bridgers, Lucy Dacus, and Julien Baker are boygenius – this was their debut self-titled EP, which came out in 2018. They recorded and produced the EP in just four days at Sound City in LA. Love the nod to Crosby, Stills & Nash’s debut album in the cover photo. They’re joined here by Anna…
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Maria McKee, Peddlin’ Dreams, 2005 on Cooking Vinyl / Eleven Thirty
McKee was the front woman for Lone Justice, who put out two albums in the 80s, but has gone on to a solo career that has resurged in the new millenium. This is a really great and surprising record, including a cover of Neil Young’s “Barstool Blues” and “(You Don’t Know) How Glad I Am”…
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Ray Barretto, Acid, 1968 on Fania
Barretto played with Charlie Parker, José Curbelo and (for four years) Tito Puente. His debut on Fania records, it’s a great boogaloo recording bringing latin jazz to rhythm & blues. “Deeper Shade of Soul” was sampled by Urban Dance Squad on their debut single back in 1990. My copy is the 2023 Vinyl Me Please…
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Fiona Apple, The Idler Wheel . . . , 2012 on Clean Slate / Epic
The full title is The Idler Wheel Is Wiser Than The Driver Of The Screw And Whipping Cords Will Serve You More Than Ropes Will Ever Do but most people refer to it just as The Idler Wheel. The title comes from a poem Apple wrote. Fiona Apple’s fourth studio album and her most commercially…
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Stevie Ray Vaughan and Double Trouble, The Sky is Crying, 1991 on Epic
This was the fifth and final studio album from Stevie Ray Vaughan and Double Trouble, compiling tracks cut earlier and released more than a year after Vaughan’s death in August of 1990. (Compiled by Jimmie Vaughan). It includes a wonderful version of Hendrix’s “Little Wing” in addition to the title track and Willie Dixon’s “Close…
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The Mar-Keys / Booker T. and the MGs, Back to Back, 1967 on Stax
The Mar-Keys were the backing band on lots of early Stax records, and had personnel overlap with what became the MGs & The Memphis Horns. Deanie Parker’s liner notes say “Booker T. & The MG’s . . . is the rhythm section of The Mar-Keys.” This album was recorded live on a Stax/Volt tour in…
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Kacey Musgraves, Golden Hour, 2018 on MCA Nashville
Musgrave’s fourth album on MCA Nashville, produced by Musgraves with Daniel Tashian and Ian Fitchuk, with songs co-written by Musgraves with folks like Shane McAnally, Natalie Hemby, Luke Laird, and the producers. Though still on the MCA Nashville label, it’s very much an album that starts to wander deliberately outside of contemporary country conventions, moving…
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Ray Charles, Ray Charles in Person, 1960 on Atlantic
Recorded live May 28th, 1959 at the WAOK fifth anniversary celebration, Herndon Stadium in Atlanta. Recorded from the audience, reportedly from a single microphone 100 feet from the stage. First time, according to sleeve notes from Zenas Sears, that “What I’d Say” and “Tell the Truth” were played in Atlanta. My copy is the Vinyl…
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The Cure, Boys Don’t Cry, 1980 on PVC/Fiction
Fiction was the UK label, PVC the US label (a sublabel of Passport Records). This was really a compilation album for the US market, drawing eight tracks from Three Imaginary Boys (their UK debut) supplemented with five other tracks from that era. It’s been reissued multiple times with different track order this is the same…