Tag: Reissue
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Maria McKee, Peddlin’ Dreams, 2005 on Cooking Vinyl / Eleven Thirty
McKee was the front woman for Lone Justice, who put out two albums in the 80s, but has gone on to a solo career that has resurged in the new millenium. This is a really great and surprising record, including a cover of Neil Young’s “Barstool Blues” and “(You Don’t Know) How Glad I Am”…
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Fiona Apple, The Idler Wheel . . . , 2012 on Clean Slate / Epic
The full title is The Idler Wheel Is Wiser Than The Driver Of The Screw And Whipping Cords Will Serve You More Than Ropes Will Ever Do but most people refer to it just as The Idler Wheel. The title comes from a poem Apple wrote. Fiona Apple’s fourth studio album and her most commercially…
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Stevie Ray Vaughan and Double Trouble, The Sky is Crying, 1991 on Epic
This was the fifth and final studio album from Stevie Ray Vaughan and Double Trouble, compiling tracks cut earlier and released more than a year after Vaughan’s death in August of 1990. (Compiled by Jimmie Vaughan). It includes a wonderful version of Hendrix’s “Little Wing” in addition to the title track and Willie Dixon’s “Close…
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The Mar-Keys / Booker T. and the MGs, Back to Back, 1967 on Stax
The Mar-Keys were the backing band on lots of early Stax records, and had personnel overlap with what became the MGs & The Memphis Horns. Deanie Parker’s liner notes say “Booker T. & The MG’s . . . is the rhythm section of The Mar-Keys.” This album was recorded live on a Stax/Volt tour in…
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Kacey Musgraves, Golden Hour, 2018 on MCA Nashville
Musgrave’s fourth album on MCA Nashville, produced by Musgraves with Daniel Tashian and Ian Fitchuk, with songs co-written by Musgraves with folks like Shane McAnally, Natalie Hemby, Luke Laird, and the producers. Though still on the MCA Nashville label, it’s very much an album that starts to wander deliberately outside of contemporary country conventions, moving…
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Ray Charles, Ray Charles in Person, 1960 on Atlantic
Recorded live May 28th, 1959 at the WAOK fifth anniversary celebration, Herndon Stadium in Atlanta. Recorded from the audience, reportedly from a single microphone 100 feet from the stage. First time, according to sleeve notes from Zenas Sears, that “What I’d Say” and “Tell the Truth” were played in Atlanta. My copy is the Vinyl…
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The Cure, Boys Don’t Cry, 1980 on PVC/Fiction
Fiction was the UK label, PVC the US label (a sublabel of Passport Records). This was really a compilation album for the US market, drawing eight tracks from Three Imaginary Boys (their UK debut) supplemented with five other tracks from that era. It’s been reissued multiple times with different track order this is the same…
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Jeff Tweedy, Chelsea Walls (Soundtrack), 2002 on Rykodisc / 2022 on Omnivore
Wonderful soundtrack featuring Jeff Tweedy collaborating with Glenn Kotche, around the time of supergroup Loose Fur just before Kotche become Wilco’s drummer. There’s also two great covers: Jimmy Scott doing a somewhat unhinged but wonderful version of John Lennon’s “Jealous Guy” and Robert Sean Leonard doing Wilco’s “Promising” (a bonus track that was in the…
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Chet Baker, Deep in a Dream, 2017 on Jazztwin
Places where record collectors hang out online are full of threads about “grey market” European pressings of Jazz from the 50s and early 60s. Many of these take advantage of some “loopholes” in coverage of copyright and press vinyl sourced from CDs or existing records ripped to digital. When I picked this up, I worried…
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Ella Fitzgerald, Misty Blue, 1968 on Capitol
My copy is a pressing on Pickwick/33, “by arrangement with Capitol Records” – not sure what year. (45 Worlds says 1971). These reissues only have 9 tracks where the original Capitol release had 11 – omitted are “I Taught Him Everything He Knows” and “Turn The World Around (The Other Way).” As the liner notes…
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Justin Townes Earle, Live at Grimey’s, September 4th, 2014, on BMG.
Though it was recorded in 2014, and released in 2015 on Vagrant Records, my copy is the 2023 Record Store Day reissue on BMG – two 45rpm records in blue vinyl. This was recorded the month Single Mothers was being released but also includes songs that would be on Absent Fathers My copy via Newbury…
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Nico, Chelsea Girl, 1967 on Verve
This album originally came out in ’67 as Nico’s solo debut, in the same year as the release of The Velvet Underground and Nico on which she sang three songs. I absolutely love these versions of Jackson Browne’s “These Days” and Bob Dylan’s “I’ll Keep It With Mine” My copy is a 2017 reissue by…
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Desmond Dekker, The Israelites, 1969 on Pyramid
The title track was top 10 both in the UK and in the US in 1969, making Dekker one of the most visible early stars of reggae outside Jamaica. My copy is a 2016 mono reissue through BMG, reproducing the Pyramid label from the 1969 UK release. Via Reykjavik Record Shop in Iceland.
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The Zombies, Begin Here, 1965 on Decca
My copy is a later reissue (2013) on Repertoire Records, half-speed mastered at Abbey Road Studios from HD 24 bit audio – the original was on Decca in the UK . Wonderful to hear their on Muddy Waters’ “I Got My Mojo Working” and Ellas McDaniel’s “Road Runner” – great quality pressing. My copy via…
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Gil Evans, Gil Evans & Ten, 1957 on Prestige
My copy is the 2023 reissue by Craft Recordings for Record Store Day. Players: Recorded by Rudy Van Gelder, this was Gil Evan’s fist recording as a pianist. Not sure if Lee Konitz couldn’t appear under his own name for contractual reasons (he was recording with Gerry Mulligan Quartet and solo at this same time).…
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Echo and the Bunnymen, B-Sides and Live (2001-2005), 2022 on Demon Records
Released digitally in 2007 by Cooking Vinyl, but reissued on vinyl by Demon Records for Record Store Day 2022, on clear vinyl. A number of songs from Live at Reading Festival 2005, a remix of “Rescue,” and some acoustic versions. Great pressing and package. My copy via the discount rack at Newbury Comics in the…
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Fugees, The Score, 1996 on Columbia / Ruffhouse
Very hard to find original pressings of this – my copy is a 2021 reissue. This is an absolute must have, alongside The Miseducation of Lauryn Hill, which followed 2 years later. How Many Mics, Ready or Not, Killing Me Softly, No Woman No Cry – so much of this album is just perfect. It’s…

