Tag: vinyl

  • ‘Til Tuesday, Voices Carry, 1985 on Epic.

    ‘Til Tuesday, Voices Carry, 1985 on Epic.

    ‘Til Tuesday, Voices Carry, 1985 on Epic. My first exposure to Aimee Mann through MTV at the time. Via Planet Score Records in St. Louis MO

  • The Highwomen, self-titled, 2019 on Elektra.

    The Highwomen, self-titled, 2019 on Elektra.

    The Highwomen, self-titled, 2019 on Elektra. Supergroup bringing together the talents of Brandi Carlile, Maren Morris, Natalie Hemby, & Amanda Shires One of the last shows I saw before the pandemic was Carlile at Madison Square Garden with Mavis Staples which included a mini Highwomen reunion (without Morris but with Staples).

  • O Positive, Only Breathing, 1985 on Throbbing Lobster records.

    O Positive, Only Breathing, 1985 on Throbbing Lobster records.

    O Positive, Only Breathing, 1985 on Throbbing Lobster records. Boston based alternative band from the 80s – whose singer now teaches entertainment law at The Northeastern University College of Arts, Media, and Design Saw them open for Sinead O’Connor circa 1990 at Great Woods (I think) Via In Your Ear Allston

  • Ben Lee, Ripe, 2007 on New West

    Ben Lee, Ripe, 2007 on New West

    Ben Lee, Ripe, 2007 on New West Great album with guest spots by Sara Watkins, Mandy Moore, Rachel Yamagata, Benmont Tench Asks the eternal question “What would Jay-Z Do?”

  • Blancmange, Don’t Tell Me, 1984 on London Records.

    Blancmange, Don’t Tell Me, 1984 on London Records.

    Blancmange, Don’t Tell Me, 1984 on London Records (uk pressing). 12″ single, b-side is “Get Out of That.” Neil Arthur and Stephen Luscombe, my favourite electropop duo named after a gelatinous milk dessert. They aren’t on Insta but see http://blancmange.co.uk/ for updates on new music and tour dates Via The Thing in Greenpoint, Brooklyn (pre-covid)

  • Bob Dylan, New Morning, 1970 on Columbia

    Bob Dylan, New Morning, 1970 on Columbia

    Bob Dylan, New Morning, 1970 on Columbia Via Academy Records in NYC

  • The Alarm, Declaration, 1984 on IRS Records.

    The Alarm, Declaration, 1984 on IRS Records.

    The Alarm, Declaration, 1984 on IRS Records. Look at that 1984 hair – I think Eddie MacDonald set the bar for my 14 year old attempts at big hair. Debut album from The Alarm

  • Various Artists, Bonnie 2ropical, Paradise Palms 2017.

    Various Artists, Bonnie 2ropical, Paradise Palms 2017.

    Various Artists, Bonnie 2ropical, Paradise Palms 2017. Followup to Bonnie Tropical (2016) – on the house label of Paradise Palms – a bar/vegetarian cafe/record shop in Edinburgh. “A collection of tracks from acts near here”

  • Gene Loves Jezebel, Discover, 1986 on Geffen.

    Gene Loves Jezebel, Discover, 1986 on Geffen.

    Gene Loves Jezebel, Discover, 1986 on Geffen. Saw them on tour in August 1987 at Northrup Auditorium with Echo & the Bunnymen and New Order – quite a triple bill.

  • Aerosmith, self-titled, 1973 on Columbia.

    Aerosmith, self-titled, 1973 on Columbia.

    Aerosmith, self-titled, 1973 on Columbia. Required vinyl in the Boston rock canon. Original red Columbia labels, likely a Pittman pressing

  • The Stooges, Self-Titled, 1969 on Elektra.

    The Stooges, Self-Titled, 1969 on Elektra.

    The Stooges, Self-Titled, 1969 on Elektra. My copy is the 2020 Vinyl Me, Please reissue of the John Cale Mix. I’ve really taken to these mixes and this sequence (different tack order than I was used to).

  • Lomond Campbell, Black River Promise, 2016 on Triassic Tusk

    Lomond Campbell, Black River Promise, 2016 on Triassic Tusk

    Lomond Campbell, Black River Promise, 2016 on Triassic Tusk It has since been issued by Heavenly Recordings Lomond Campbell aka Ziggy Campbell was part of Edinburgh art collective FOUND who created “a moody, egotistical robot musician called Cybraphon whose musical style changed according to how many people were talking about it online” and won a…

  • Now This Is Music, 1984 on EMI out of the Netherlands.

    Now This Is Music, 1984 on EMI out of the Netherlands.

    Now This Is Music, 1984 on EMI out of the Netherlands. First in a series of Dutch copilations which appeared between 1984 and 1989 – basically the Dutch version of “Now That’s What I Call Music” Great time capsule, with U2, Duran Duran, Queen, UB 40, but also Malcolm McLaren, Flying Pickets, Blue Nile and…

  • Bonnie Raitt, self-titled, 1971 on Warner Brothers.

    Bonnie Raitt, self-titled, 1971 on Warner Brothers.

    Bonnie Raitt, self-titled, 1971 on Warner Brothers. Raitt’s debut album, recorded at an old summer camp on Enchanted Island in Lake Minnetonka Mine’s a later repressing based on the labels – 1973 to 1978 sometime. Fantastic beginning to a career still going strong Via Dyno Records in Newburyport, MA

  • Paul Desmond & Gerry Mulligan, Two of a Mind, 1962 on RCA Victor.

    Paul Desmond & Gerry Mulligan, Two of a Mind, 1962 on RCA Victor.

    Paul Desmond & Gerry Mulligan, Two of a Mind, 1962 on RCA Victor. Mine’s actually the 2016 reissue by Org Music, which is a Pallas pressing and sounds wonderful. My favorite record so far via VNYL – from last month’s vibe

  • Snide Rhythms, self-titled, 2012 on The Bonjour Branch.

    Snide Rhythms, self-titled, 2012 on The Bonjour Branch.

    Snide Rhythms, self-titled, 2012 on The Bonjour Branch. Picked this up at Paradise Palms in Edinburgh late last year, mostly just because of the cover. What a great find – they get called art rock, post-rock, post-punk meets electro – I just dig it, whatever it is.

  • Patterson Hood, Killers and Stars, 2004 on New West

    Patterson Hood, Killers and Stars, 2004 on New West

    Patterson Hood, Killers and Stars, 2004 on New West Originally recorded in 2001 and released in 2004; released on vinyl in 2014. Picked this up before the holidays last year direct from New West – so now the album including “Belinda Carlisle Diet” and “Cat Power” sits on the shelf with vinyl from Belinda Carlisle…

  • Fleetwood Mac, self-titled, 1975 on Reprise.

    Fleetwood Mac, self-titled, 1975 on Reprise.

    Fleetwood Mac, self-titled, 1975 on Reprise. Mine’s a 1977 pressing – sound is great. This is their second self-titled, and the first with Lindsey Buckingham and Stevie Nicks (making a strong debut with Rhiannon and Landslide). Via Listen Up Music in Natick, MA.