Tag: vinylfinds
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Simon & Garfunkel, The Concert In Central Park, 1982 on Warner Bros
One of the best live albums from one of my favorite duos. Good variety of tempos and tunes, enough stage banter to feel live but no so much that you feel the need to skip ahead. Wikipedia correctly recognizes it as “the” concert in central park – recorded in front of a half million people…
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Jeff Beck, Blow By Blow, 1975 on Epic
Jeff Beck is a guitarists’ guitarist – constantly named by other greats as one of the greatest but not given quite the same public acclaim. This 1975 album – orchestrated, arranged, and produced by George Martin – has two Stevie Wonder songs (“Case We’ve Ended As Lovers” and “Thelonious”), a Beatles cover (“She’s a Woman”)…
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Abbey Lincoln, Abbey is Blue, 1960 on Riverside
I first discovered Abbey Lincoln via Vinyl Me Please’s reissue of It’s Magic from 1958, in the VMP Classics Series. This album was a followup to that, her fourth full-length album and the third on Riverside. Musicians here include Stanley Turrentine, his broth Tommy Turrentine (on trumpet), Max Roach (to whom Lincoln was later married),…
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Sonny Clark, Cool Struttin’, 1958 on Blue Note
Fantastic late 50s “hard bop” jazz record, with Clark joined by Art Farmer (trumpet), Jackie McLean (alto sax), Paul Chambers (bass), and Philly Joe Jones on drums. Recorded by Rudy Van Gelder, liner notes by Nat Hentoff. This should be in everyone’s vinyl collection whether you think of yourself as a Jazz fan or not.…
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Sinéad O’Connor, The Lion and the Cobra, 1987 on Chrysalis / Ensign
This was Sinéad’s debut album and is still just astonishingly great. The spoken word intro in gaelic by Enya before “Never Get Old” is Psalm 91: For He will give His angels charge over thee, To keep thee in all thy ways. They shall bear thee upon their hands, Lest thou dash thy foot against…
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Traffic, Welcome to the Canteen, 1971 on United Artists
As a result of some contractual disputes, this is credited on the labels and cover directly to Steve Winwood, Jim Capaldi, Dave Mason, Chris Wood, Rick Grech, “Reebop” Kwaku Baah, and Jim Gordon, with no mention of “Traffic” though the rear cover and labels include the Traffic logo. Recorded live at Fairfield Hall in Croydon…
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Ella Fitzgerald and Duke Ellington, Ella at Duke’s Place, 1966 on Verve
The album is divided between “The Pretty, The Lovely, The Tender, The Hold-Me-Close Side” and “The Finger-Snapping, Head-Shaking, Toe-Tapping, Go-For-Yourself Side.” Recorded by Val Valentin and produced by Norman Granz (those are his black & white photos), this is Verve at its mid-60s best. In addition to Ellington and Fitzgerald, personnel included Louis Bellson on…
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Art Farmer, Portrait of Art Farmer, 1958 on Stereo Records
“Stereo Records” was a jazz label made by Contemporary Records in 1958 to push records made with the new-fangled stereo technology: Stereophonic two-channel disc recording utilizing Westrex 45-45 “StereoDisc” cutting system. To be reproduced only with stereophonic cartridge. Warning: use of conventional monaural cartridge without sufficient vertical compliance may well result in damage to this…
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Michelle Shocked, The Texas Campfire Tapes, 1986 on Mercury / Cooking Vinyl
This was the debut album for Michelle Shocked, purportedly recorded by Cooking Vinyl founder Pete Lawrence on a Sony Walkman at an unplanned performance at the Kerrville Folk Festival in Texas. Shocked herself has called it a “bootleg” and says it was released without her permission: My music career began as the Bootleg Poster Child.…
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Joe Jackson, I’m the Man, 1979 on A&M
I knew Joe Jackson’s music from the early 80s – he was pretty hard to avoid on mainstream radio at that point – but I don’t think I really appreciated his unique talent until I was a bit older. This was his sophomore album, following 1978’s Look Sharp – and included the title track as…
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Joe Henderson, Mode for Joe, 1966 on Blue Note
This was Henderson’s fifth studio album (as a band leader), joined by: Lee Morgan (trumpet), Chris Fuller (trombone), Bobby Hutcherson (vibes), Cedar Walton (piano), Ron Carter (bass), and Joe Chambers (drums). Recorded by Rudy Van Gelder. Really wonderful Blue Note 60s jazz. My copy is a 2024 reissue in the Blue Note Classic Vinyl Series…
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Milt Jackson, Ballads & Blues, 1956 on Atlantic
Jackson’s most well know as the vibraphonist in the Modern Jazz Quartet but he also collaborated and recorded with many other bop musicians. Here he is joined by Lucky Thomson (sax), John Lewis (piano), Skeeter Best (guitar), Oscar Pettiford (bass), Kenny Clarke (drums), Barney Kessel (guitar), Percy Heath (bass), Lawrence Marable (drums), and Barry Gailbraith…
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Coleman Hawkins and His Orchestra, Hollywood Stampede, 1972 on Capitol
Seventies reissue – volume 5 in the Capitol Jazz Classics series – with songs taken from sessions in February and March of 1945. Players joining Hawkins on these tracks include Howard McGhee (trumpet), Sir Charles Thompson (piano), Allan Reuss (guitar), Oscar Pettiford (bass), Denzil Best (drums), Vic Dickenson (trombone), John Simmons (bass). Great classic jazz…
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Various Artists, The Endless Coloured Ways: The Songs of Nick Drake, 2023 on Chrysalis
Tribute album full of covers of Nick Drake songs, by modern artists including: Fontaines D.C., David Gray, John Parish & Aldous Harding, Ben Harper, Joe Henry & Meshell Ndegeocello, Liz Phair, and John Grant (among many others). This pressing also includes a one-sided 7″ single of Nick Drake himself covering Dylan’s “Tomorrow is a Long…
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Depeche Mode, Some Great Reward, 1984 on Sire
I’ve not shared many Depeche Mode records here, mostly because I’m sharing new additions to my collection and I don’t find many DM records I don’t already have, but also because my collection is very 80s heavy, and I’m trying to rotate through decades. That said, I have been a massive Depeche Mode fan from…
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Commodores, All the Great Hits, 1982 on Motown
Wonderful collection of Commodores songs – their second compilation of hits, with many more to follow. “Lady.” “Sail On,” “Brick House,” “Easy,” and “Three Times a Lady” are each worth the price of admission. Solid find as I don’t have any of their original records from the 70s or 80s. My copy, via Bull Moose…
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James Taylor, One Man Dog, 1972 on Warner Bros.
This was Taylor’s fourth studio album, with “Don’t Let Me Be Lonely Tonight.” 18 tracks means lots of short bits / interludes, some of which can feel a bit unfinished but overall I like the effect. Performers include Carly Simon and Carole King on backing vocals, Danny Kortchmar, Leland Sklar, Russ Kunkel, and John McLaughlin…
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Herbie Hancock, Empyrean Isles, 1964 on Blue Note
Early jazz Herbie Hancock – this was his fourth studio LP for Blue Note, backed by Freddie Hubbard on cornet, Ron Carter on bass, and Anthony Williams on drums. Recorded on June 17th, 1964 at Rudy Van Gelder’s studio in Englewood Cliffs, NJ. The most well known track here is “Cantaloupe Island” which became something…