Tag: vinylfinds
-
Neil Young with Crazy Horse, Toast, 2022 on Reprise
Back in the early part of the new millennium, Neil Young and Crazy Horse recorded a bunch of songs at Toast, a recording studio at 1340 Mission St. in San Francisco (pictured on the cover). The songs they recorded got shelved and not released until 2022. Volume 8 in the Neil Young Archive’s Special Release…
-
The Decemberists, Castaways and Cutouts, 2002 on Hush / Jealous Butcher
The last in a series of records I was happy to pick up from the merch table at the Decemberists show in Boston earlier this year. Originally released in 2002 on Hush Records, then reissued in 2003 by Kill Rock Stars, then released on vinyl in 2005 by Jealous Butcher. My copy is a later…
-
Midnight Oil; 10, 9, 8, 7, 6, 5, 4, 3, 2, 1; 1982 on Columbia
The fourth full-length from Midnight Oil, released in 1982 on Columbia in the US and CBS in the UK and Australia. The album reached #3 on the Australian charts and 178 on the Billboard charts in the US. Having found Midnight Oil via Deisel and Dust I came back to this record but love “Power…
-
Neil Young, Decade, 1977 on Reprise
It’s amazing to me that all of this music was before 1977. I came to Neil Young’s music well into the 1980s and while I knew some of the legacy (Buffalo Springfield, CSN&Y and combinations thereof) I didn’t know just how many great songs he’d put out in the first decade of his career. This…
-
Justin Townes Earle, Single Mothers & Absent Fathers, 2022 on Vagrant Records
Combination of two previously released Justin Townes Earle LPs: 2014’s Single Mothers and 2015’s Absent Fathers, issued as a 2xLP release in celebration of Vagrant’s 25th Anniversary on yellow/black splatter vinyl. Putting these two together isn’t crazy, of course – the recording sessions were originally intended to be a double album but turned into two…
-
Phantom, Rocker & Slick; Phantom, Rocker & Slick, 1985 on EMI America
Self-titled debut album for Phantom, Rocker & Slick (I’ll forgive them for the lack of an oxford comma) from 1985. Slim Jim Phantom (drums) and Lee Rocker (vocals, bass) had been part of Stray Cats. They were joined by Earl Slick who had replaced Mick Ronson on the Diamond Dogs tour and played on Young…
-
Gram Parsons, GP, 1973 on Reprise
It’s hard to overstate the importance of Gram Parsons’ two solo albums: GP and (posthumously) Grievous Angel. This was his solo debut though he is joined by Emmylou Harris (with whom he was touring) on two duets. It was recorded Sept-Oct on 1972 and produced by Ric Grech from Blind Faith. My copy (via Reykjavik…
-
Mose Allison, Live 1978, 2022 on Liberation Hall
Although this was recorded (at the Showboat Lounge in Silver Spring Maryland) in 1978, it was unreleased until 2022 when it was put out as a Record Store Day release. Allison is accompanied by Tom Rutley on bass and Jerry Ganelli on drums. As the liner notes put it: Most of the material is fairly…
-
The Decemberists, Her Majesty, 2003 on Kill Rock Stars & Jealous Butcher
This was the first Decemberists album on Kill Rock Stars, after Castaways and Cutouts came out on Hush Records. Recorded at Jackpot! and Type Foundry in Portland OR and produced by The Decemberists, Adam Selzer, and Larry Crane. Only Colin Meloy could get away with lyrics like this: The bosun calls upon the quay /…
-
Coleman Hawkins, Sirius, 1974 on Pablo
Recorded by Val Valentin December 1966 but released posthumously in 1974 (Hawkins died in 1969). Produced by Norman Granz, with liner notes by Benny Green: This is the album which none of us ever wanted to hear, the last milestone on that long fascinating road which stretches back to the day in 1922 when, as…
-
St. Paul & The Broken Bones, Angels in Science Fiction, 2023 on ATO Records
This is the fifth full length album from Alabama’s St. Paul & The Broken Bones, and their second on ATO. Beautiful packing with a lovely lyrics booklet. It’s also a great record, with its origins reportedly in letters Paul Janeway wrote to his (at the time) not yet born child. It’s the kind of album,…
-
Leonard Cohen, Songs From The Road, 2010 on Columbia
Leonard Cohen’s output is nothing short of spectacular, across studio albums and live recordings. These songs were recorded on tour in 2008 and 2009 when he was in his mid-seventies. The liner notes catalogue in detail why each performance was selected from across a lengthy tour. He sounds great, as does the band. In Europe…
-
Mazzy Star, So Tonight That I Might See, 1993 on Capitol
Mazzy Star grew out of an earlier band called Opal – David Roback and Hope Sandoval actually performed as Opal before renaming themselves to Mazzy Star. (Yes, like most people, I thought Mazzy Star was the lead singer’s name but it is not – she’s Hope Sandoval). Roback was also a founder of Rain Parade…
-
The Romantics, The Romantics, 1980 on Nemperor / Epic
“What I like about you, you hold me tight / tell me I’m the only one / wanna come over tonight” The Romantics were a Detroit power-pop / new wave band formed in the late 70s: Wally Palmer, Rich Cole, Mike Skill, and Jimmy Marinos. “That’s What I Like About You” made a top 50…
-
Michael Franks, The Art of Tea, 1975 on Reprise
Franks is an interesting figure – from my pov very over looked these days, but quite successful at the time. He was the center of the so-called “Quiet Storm” movement – jazz influenced, sooth vocals – sort of adjacent to Yacht Rock but with a more R&B / smooth jazz base. (There was a “Quiet…
-
Syd Straw, Surprise, 1989 on Virgin
Syd Straw’s career started as a backup singer for Pat Benatar, and fronting Golden Palaminos on a couple of their albums. This was her solo debut, with MIchael Stipe (of R.E.M.) joining on “Future 40s” and other guests like Ry Cooder, Van Dyke Parks, Richard Thompson, Anton Fier, Bernie Worrell, Marc Ribot, Peter Holsapple, Dan…
-
Duke Ellington, The Intimate Ellington, 1977 on Pablo Records
Recorded in NYC between 1969 and 1971, with a variety of players. Includes “Moon Maiden” with just Ellington singing and accompanying himself on Celeste, and also some great renditions of “I Got It Bad (And That Ain’t Good)” and “Sophisticated Lady” but also some less well known songs. Pablo Records was Norman Granz’s label created…
-
The Beatles, Revolver, 1966 on Parlophone / Capitol
Classic Beatles LP as they started shifting toward innovative studio techniques, took more drugs, and got more experimental – continuing the shift that started on Rubber Soul with tracks like “Tomorrow Never Knows”: Turn off you mind / relax and float downstream / it is not dying / it is not dying Artwork by Klaus…