Tag: vinylfinds
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Albert Collins, Robert Cray, Johnny Copeland: Showdown!, 1986 on Alligator Records.
Albert Collins, Robert Cray, Johnny Copeland: Showdown!, 1986 on Alligator Records. One of Alligator Records’ most successful releases.
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Raydio, Raydio, 1978 on Arista.
Raydio, Raydio, 1978 on Arista. Self-titled debut for the band fronted by Ray Parker Jr. of “Ghostbusters” fame (I ain’t afraid of no ghost!) You can find “Is this a love thing” on YouTube- I’d have gone with the parenthetical subtitle “(or is this just a sex thing)” but maybe too risqué in 1978? Some…
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Leo Kottke, Mudlark, 1971 on Capitol Records.
Leo Kottke, Mudlark, 1971 on Capitol Records. Kottke’s first LP on Capitol, fourth full length
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Oscar Peterson Trio, Put On A Happy Face, 1966 on Verve.
Oscar Peterson Trio, Put On A Happy Face, 1966 on Verve. My favorite incarnation with Ed Thigpen and Ray Brown – one of four LPs of music recorded at the London House in Chicago in 1961.
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Frank Sinatra, Come Fly With Me, 1958 on Capitol.
Frank Sinatra, Come Fly With Me, 1958 on Capitol. My copy is an early 70s reissue – Sinatra’s first collaboration with Billy May (arranger and conductor). A little 50s era product placement for TWA?
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Sigur Rós, Ágætis Byrjun, 1999 on Smekkleysa.
Sigur Rós, Ágætis Byrjun, 1999 on Smekkleysa. Originally released in Iceland in 1999, in Europe in 2000, and in the US in 2001. My copy is the Vinyl Me, Please reissue 2022. Title translates to “A Good Beginning” – it was their breakthrough second album. Maybe my favorite “post rock” album
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The Robert Cray Band, False Accusations, 1985 on Hightone Records.
The Robert Cray Band, False Accusations, 1985 on Hightone Records. Third studio LP and the second on Hightone (after Bad Influence) – before signing to Mercury.
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Hooters, Amore, 1983 on Antenna Records.
Hooters, Amore, 1983 on Antenna Records. If you know The Hooters, it’s likely from “All You Zombies,” or “And We Danced” which were on heavy MTV rotation in the early eighties. This was their debut LP on an independent Philadelphia label – with original bassist Rob Miller, who died before their major label debut Nervous…
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Leon Redbone, Champagne Charlie, 1978 on Warner Bros.
Leon Redbone, Champagne Charlie, 1978 on Warner Bros. Redbone’s third studio LP, with great takes on “Big Bad Bill (Is Sweet William Now),” “Please Don’t Talk About Me When I’m Gone,” and “If Soneone Would Only Love Me”
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Simon and Garfunkel, Bridge Over Troubled Water, 1970 on Columbia.
Simon and Garfunkel, Bridge Over Troubled Water, 1970 on Columbia. Such a beautiful album end to end, from the opening title track through Song For the Asking. Fifth & final original Simon & Garfunkel studio LP
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Duke Ellington, In My Solitude, 1969 on Harmony.
Duke Ellington, In My Solitude, 1969 on Harmony. Compilation on Columbia’s “budget” label from the late 60s
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Let’s Active, Afoot, 1983 on I.R.S. Records.
Let’s Active, Afoot, 1983 on I.R.S. Records. Mitch Easter may be more famous for his production work with R.E.M. and others, but Let’s Active was also a great band. Their first gig was opening for R.E.M. at the 688 Club in Atlanta in 1981
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Joan Armatrading, Show Some Emotion, 1977 on A&M.
Joan Armatrading, Show Some Emotion, 1977 on A&M. Her fourth full length LP and third on A&M. Produced by Glyn Johns
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Blood, Sweat and Tears; Blood, Sweat and Tears 3, 1970 on Columbia.
Blood, Sweat and Tears; Blood, Sweat and Tears 3, 1970 on Columbia. Lucretia McEvil, Sympathy for the Devil – second album of the David Clayton-Thomas era
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Oscar Petetron Trio & Clark Terry, Oscar Peterson Plus One, 1964 on Mercury.
Oscar Peterson Trio & Clark Terry, Oscar Peterson Plus One, 1964 on Mercury. I’m a huge fan of the Trio in the Peterson, Ray Brown, Ed Thigpen configuration but the addition of Clark Terry on this LP is wonderful. I was less familiar with Terry, but he was in bands with both Count Basie and…
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Sarah Vaughan, After Hours with Sarah Vaughan, 1955 on Columbia.
Sarah Vaughan, After Hours with Sarah Vaughan, 1955 on Columbia. Mono pressing on “six-eye” Columbia labels – Some time between 1956 and 1962. Recorded between 1949 and 1952. Beautiful version of “Black Coffee”


