Tag: 1970s
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Oscar Peterson & Dizzy Gillespie, 1975 on Pablo
Pablo records, with a logo and name inspired by Picasso, was started by Norman Granz (who also produced this record) in the early seventies. There’s a ton of great Pablo jazz records—I generally pick them up whenever I see them. Recorded in 1974 in London, this release brings together two greats but it is not…
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John Prine, Sweet Revenge, 1973 on Atlantic
Prine is one of my favorite songwriters of all time. This was his third full-length, and third on Atlantic. Produced by Arif Mardin, it was mostly recorded in Nashville, with one track (“Dear Abby”) recorded live at SUNY New Paltz. Musicians include Steve Goodman and many of the folks who played on Prine’s debut album.…
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Lucinda Williams, Ramblin’ On My Mind, 1979 on Folkways
Attributed to “Lucinda” mono-nymically, this was Williams’ debut solo album, released in 1979 on Folkways (which became Smithsonian Folkways in 1987). She’s accompanied by John Grimaudo on 6-string guitar (she plays 12-string and sings), and the album was produced by Tom Royals, an attorney for whom this is the only producing credit – he was…
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The Damned, Machine Gun Etiquette, 1979 on Chiswick
This was the third studio album from Dave Vanian, Captain Sensible, Rat Scabies, and (new bassist) Algy Ward, collectively known as The Damned. Includes a cover of “Looking at You” by the MC5, as well as “Love Song” and “I Just Can’t Be Happy Today.” I believe this was only available as an import in…
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Willie Nelson, Phases and Stages, 1974 on Atlantic
This was Nelson’s 17th studio album and second (and last) of the Atlantic era, following Shotgun Willie, produced by Jerry Wexler and recorded at Muscle Shoals in Alabama. As the listening notes explain, while Nelson disclaimed the autobiographical elements of the record, “when you make . . . the most devastating divorce record of all…
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Randy Newman, Sail Away, 1972 on Reprise
Randy Newman’s third studio LP, including the title track and “You Can Leave Your Hat On” which became a big hit for Joe Cocker in the 80s. Quality of songwriting you expect from early Newman, including “God’s Song (That’s Why I Love Mankind).” Musicians include Ry Cooder on guitar, and Earl Palmer, Gene Parsons, and…
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ZZ Top, ZZ Top’s First Album, 1971 on London / Warner Bros
Originally issued in the US on London Records (the American imprint of Decca) in 1971, ZZ Top‘s First Album was reissued by Warner Bros in 1978, likely based on the success of Tres Hombres, Fandango, and Tejas – their 1979 Degüello would be their first new album on Warner Bros. The original LP was not…
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Billy Joe Shaver, Old Five and Dimers Like Me, 1973 on Monument
This was Shaver’s debut album, produced by Kris Kristofferson. I know Shaver more through tributes (2022’s Live Forever) and other famous artists recording his songs more than I knew him. “Live Forever,” the song, was covered by Robert Duvall in the film Crazy Heart but was also done by the Highwaymen. This is the kind…
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David Bromberg, My Own House, 1978 on Fantasy
Bromberg’s 9th album as a solo artist, from 1978 – his first on Fantasy after three great Columbia records in the seventies. Bromberg is one of my favorite musicians I feel doesn’t get enough attention. Fewer guest stars here than some of his other albums, but still excellent music from Bromberg, including a number of…
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Supertramp, Breakfast in America, 1979 on A&M.
Though I imagine it’s the one Supertramp album most folks could name, this was their sixth LP. It’s got “The Logical Song” “Goodbye Stranger” and “Take the Long Way Home” – all Billboard Top 100 singles. Love the iconic cover with the twin towers of the World Trade Center and Kate Murtagh in statue-of-liberty-as-waitress pose.…
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Herbie Hancock, Sextant, 1973 on Columbia
1973’s Sextant was the last LP with the so-called Mwandishi-era sextet: Bennie Maupin, Eddie Henderson, Julian Priester, Buster Williams, and Billy Hart. It was also his debut on Columbia after Blue Note and Warner Bros. Columbia would also release Head Hunters later the same year. Great, funky collection – side 2 is one track, the…
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Labelle, Nightbirds, 1974 on Epic
Labelle were a trio including Patti LaBelle, Nona Hendryx, and Sarah Dash, and grew out of Patti Labelle and the Bluebells. They are the original “Lady Marmalade” power trio – and this was their best-selling album. Allen Toussaint produced and The Meters supplement (replace?) Labelle’s usual band. My copy is the January 2024 Vinyl Me…
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Bessie Smith, Any Woman’s Blues, 1970 on Columbia
This is was the second in a series of five 2xLP releases on Columbia in 1970-1972 that covered Smith’s recordings for the label. These recordings were made between September 1923 and March 1930, all recorded in New York. Piano by Fletcher Henderson, Clarence Williams, Irving Johns, James Price Johnson, and Jimmy Jones. Other musicians include…
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Nick Lowe, Labour of Lust, 1979 on Columbia
Second album released under the Nick Lowe name, recorded with the same personnel from Rockpile and in the same year as Dave Edmunds’ Repeat When Necessary. The US and UK versions have different track list – this is the US version, including “American Squirm” as track A4. This has “Cruel To Be Kind” which became…
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Tom Waits, Closing Time, 1973 on Asylum
Tom Waits’ debut album, after David Geffen met him performing at the Troubadour in West Hollywood. Amazing how fully-formed Waits is here, kicking off his debut album with “Ol’ 55” and “I Hope That I Don’t Fall In Love With You” – all originals. Tom Waits always feels to me like he could have come…
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Nick Lowe, Pure Pop for Now People, 1978 on Columbia
Issued as Jesus of Cool in the UK and elsewhere, but as Pure Pop for Now People in the US and Canada. this was NIck Lowe’s solo debut. The track list also differs between the North American and European releases. Yep Rock put out an expanded reissue in the US in 2008 under the name…
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Specials, Specials, 1979 on Two-Tone
Ska greats The Specials (later renamed The Special AKA) in their debut full length on Coventry label Two-Tone, started by Jerry Dammers (of the Specials). The Specials included Terry Hall, Neville Staple, Dammers, Lynval Golding, Roddy Radiation, Horace Panter, John Bradbury, Dick Cuthell and Rico Rodriguez. This album was produced by Elvis Costello, and features…
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Willie Nelson, Willie Nelson and Family, 1971 on RCA Victor
Nelson’s 12th studio album, while he was still at RCA Records, before moving to Atlantic. Some covers – “I’m So Lonesome I Could Cry,” “Sunday Mornin’ Coming Down,” “Fire and Rain,” and “Today I Started Loving You Again” – as well as some Nelson originals like “I Can Cry Again” and “That’s Why I Love…