Tag: 1970s
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The Police, Outlandos D’Amour, 1978 on A&M
Outlandos D’Amour was the debut album by The Police, released on A&M in 1978. You’ll find cover variations with red, yellow, and green lettering – I don’t think there’s any logic to that, just variety. Love this whole album from the jump: “Next To You” / “So Lonely” / Roxanne” And “Hole in My Life”…
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Junior Walker and the All-Stars, Anthology, 1974 on Motown
While many folks only know Walker and the All-Stars via their first and biggest hit, “Shotgun,” this 2xLP release collects recordings from 1965-1973 – good way to get to know more of their catalog. Motown issued a whole series of Anthology releases in the mid-seventies – mostly 2xLP releases of collections from their best selling…
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Edgar Winter’s White Trash, Roadwork, 1972 on Epic
Double LP, recorded live at three venues: The Apollo Theater and the Academy of Music in NYC, and the Whiskey a Go Go in LA. The band here includes Edgar Winter, Johnny Winter (a “special appearance”), Rick Derringer, Jon Smith, Randy Hobbs, Jerry Lacroix, Bobby Ramirez, and Mike McClellan. Great 17 minute version of “Tobacco…
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David Porter, . . . Into A Real Thing, 1971 on Enterprise
Porter was the staff songwriter for Stax – this was his second full length LP issued under his name, following up Gritty, Groovy, & Gettin’ It. Enterprise was a sub-label of Stax, which also released the early Isaac Hayes solo albums. (Apparently label president Al Bell was a Star Trek fan). Wonderful early 70s Stax/Volt…
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Rufus & Chaka, Masterjam, 1979 on MCA
This was the eighth album by Rufus and their fifth with Chaka Khan. (They were Rufus, Rufus Featuring Chaka Khan, and Rufus & Chaka Khan in various releases). Produced by Quincy Jones, it’s great late seventies funk/soul and went platinum, led by the single “Do You Love What You Feel.” Rufus released their seventh album…
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McCoy Tyner, Trident, 1975 on Milestone
Tyner (who plays harpsichord and celeste as well as piano) is joined here by Ron Carter (bass) and Elvin Jones (drums), and the album was produced by Orrin Keepnews. It was his eighth LP for Milestone after recording on Blue Note and Impulse! throughought the 60s. (Elvin Jones worked with Tyner in the John Coltrane…
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Hound Dog Taylor and the House Rockers, Natural Boogie, 1974 on Alligator Records
Second record from Hound Dog Taylor and his band, originally issued as AL 4704. The band her includes Ted Harvey on drums and Brewer Phillips on 2nd guitar, with Hound Dog Taylor on lead guitar and vocals. (Their debut LP had been the first release on newly-formed Alligator in 1971). Great electrified Chicago blues. Unfortunately…
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Sly & The Family Stone, There’s A Riot Going On, 1971 on Epic
Fifth studio LP from Sly and the Family Stone, recorded in 1970 and 1971. Includes “Family Affair” and the title track. Generally gets cited as a kind of turning point for the bad into darker and more experimental direction – more drum machines, more overdubbing, with Sly playing most (all?) of the album’s instrumentation. Whatever…
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The Allman Brothers Band, Eat a Peach, 1972 on Capricorn
Third studio album from the Allman Brothers Band, with a mixture of live and studio recordings, including some from the Fillmore East performances in 1971. Released after Duane Allman died in a motorcycle crash in Macon Georgia. The extended “Mountain Jam” is spread across two sides, B and D. The song “One Way Out” is…
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Joe Jackson, Look Sharp!, 1979 on A&M
Joe Jackson’s debut full length, with “Is She Really Going Out With Him?,” “Fools In Love,” and “Sunday Papers.” Love this iconic cover photo by Brian Griffin. Recorded at Eden Studios in London, with the band including Graham Maby, Dave Houghton, and Gary Sanford – produced by David Kershenbaum. My copy is a promotional pressing…
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Paul McCartney and Wings, Band on the Run, 1973 on Apple Records
The third Wings album, this time credited to Paul McCartney & Wings. Includes the title track, plus “Jet” and “Let Me Roll It.” This lineup includes Denny Laine, and Linda McCartney (as you see on the labels) but also Ginger Baker and Remi Kabaka on percussion, and Howie Casey on Saxophone. My copy is a…
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Jeff Beck, Blow By Blow, 1975 on Epic
Jeff Beck is a guitarists’ guitarist – constantly named by other greats as one of the greatest but not given quite the same public acclaim. This 1975 album – orchestrated, arranged, and produced by George Martin – has two Stevie Wonder songs (“Case We’ve Ended As Lovers” and “Thelonious”), a Beatles cover (“She’s a Woman”)…
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Traffic, Welcome to the Canteen, 1971 on United Artists
As a result of some contractual disputes, this is credited on the labels and cover directly to Steve Winwood, Jim Capaldi, Dave Mason, Chris Wood, Rick Grech, “Reebop” Kwaku Baah, and Jim Gordon, with no mention of “Traffic” though the rear cover and labels include the Traffic logo. Recorded live at Fairfield Hall in Croydon…
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Joe Jackson, I’m the Man, 1979 on A&M
I knew Joe Jackson’s music from the early 80s – he was pretty hard to avoid on mainstream radio at that point – but I don’t think I really appreciated his unique talent until I was a bit older. This was his sophomore album, following 1978’s Look Sharp – and included the title track as…
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Waylon Jennings, The Taker / Tulsa, 1971 on RCA/Victor
Love this early 70s Waylon Jennings. It’s only 30 minutes long but has great takes on some Kris Kristofferson tunes like “Lovin’ Her Was Easier (Than Anything I’ll Ever Do Again)” and “Sunday Mornin’ Comin’ Down.” It was recorded at RCA “Nashville Sound’ studio and in LA, and produced by Danny Davis and Ronny Light.…
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James Taylor, One Man Dog, 1972 on Warner Bros.
This was Taylor’s fourth studio album, with “Don’t Let Me Be Lonely Tonight.” 18 tracks means lots of short bits / interludes, some of which can feel a bit unfinished but overall I like the effect. Performers include Carly Simon and Carole King on backing vocals, Danny Kortchmar, Leland Sklar, Russ Kunkel, and John McLaughlin…
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Eagles, The Long Run, 1979 on Asylum
Fun fact: even though virtually everyone calls them The Eagles, it’s really just Eagles. (There was already some soul band called The Eagles). This was their sixth (and penultimate) studio album, their final one for Asylum records, and the first with Timothy Schmidt on bass (replacing Randy Meisner). They wouldn’t release another studio album until…

