Tag: 1970s
-
Steely Dan, Katy Lied, 1975 on ABC Records
Walter Becker and Donald Fagen on the fourth full length studio album from Steely Dan. This was the first album after the departure of Skunk Baxter and Jim Hodder and the shift into studio albums with session musicians. (One of the session musicians here is Michael MacDonald providing backing vocals.) Apparently Becker and Fagen were…
-
Joe Cocker, Mad Dogs and Englishmen, 1970 on A&M
Technically the soundtrack to the live movie of the same name, a sprawling live set with a tremendous band including (led by?) Leon Russell, across rock, soul and R&B. If you can only have one Joe Cocker album this probably ought to be it. Great renditions of “Cry Me A River,” “Bird on a Wire,”…
-
David Bowie, Young Americans, 1975 on RCA Victor
Mid-Seventies Bowie, with guests like Earl Slick, John Lennon, David Sanborn, abd Luther Vandross (who also did the vocal arrangements). Bowie called this “Plastic Soul” and he recorded in Philadelphia and New York. My copy via Todd’s Farm Flea Market in Rowley MA – as I gradually complete the full Bowie catalog up to 2016.
-
Squeeze, Cool for Cats, 1979 on A&M
Second album from the late 70s power-pop version of Squeeze (aka UK Squeeze) with Jools Holland joining Chris Difford and Glenn Tilbrook. The “UK Squeeze” name was ropped for later releases in the US, but was still used in Australia up through Cosi Fan Tutti Frutti. This album includes the title track as well as…
-
The South Side Movement, The South Side Movement, 1973 on Wand.
Debut album from The South Side Movement (sometimes written as The Southside Movement) from Chicago. They put out only three albums, one on Wand records and two on 20th Century. My copy is the Vinyl Me Please exclusive pressing for the 50th anniversary in 2023, on brown vinyl, mastered at Sonic Vision by Mike Milchner…
-
Otis Redding / The Jimi Hendrix Experience – Historic Performances Recorded at the Monterey International Festival, 1970 on Reprise
Perhaps the most unusual split record in my collection, pairing Jimi Hendrix and Otis Redding. Both are live performances captured at Monterey Pop in 1967, and both have since been expanded in more comprehensive releases dedicated to each performer. The Jimi Hendrix Experience (with Hendrix, Mitch Mitchell, and Noel Redding) had not yet performed in…
-
David Bromberg, Wanted Dead or Alive, 1974 on Columbia
I’m a huge David Bromberg fan – he’s an under-appreciated player in the universe of bluegrass/blues/folk/jazz. This was his third LP. One side was recorded with Jerry Garcia, Phil Lesh, Keith Godchaux and Bill Kreutzmann (of the Grateful Dead) and the other side was recorded live. The opener “The Holdup” was cowritten with George Harrison,…
-
Clarence “Gatemouth” Brown, San Antonio Ballbuster, 1974 on Red Lightnin’
Although it was originally released in 1974 on Red Lightnin’, my copy is a reissue from 1979 on Charly Records. Red Lightnin‘ is a blues label started in 1968; Charly a reissue label started in 1975; both are UK labels. Not sure how this ended up in Mel’s Record Shop in Amesbury MA, but that’s…
-
Thelonious Monk, The Complete Genius, 1976 on Blue Note
Though this compilation was released in 1976 – part of The Blue Note Re-Issue Series – it actually collects sides he recorded for Blue Note in 1947, 1948, 1951, and 1952. Note: This album contains the complete Monk on Blue Note with the exception of his appearance as a sideman on two of his compositions…
-
Neil Young, Decade, 1977 on Reprise
It’s amazing to me that all of this music was before 1977. I came to Neil Young’s music well into the 1980s and while I knew some of the legacy (Buffalo Springfield, CSN&Y and combinations thereof) I didn’t know just how many great songs he’d put out in the first decade of his career. This…
-
Gram Parsons, GP, 1973 on Reprise
It’s hard to overstate the importance of Gram Parsons’ two solo albums: GP and (posthumously) Grievous Angel. This was his solo debut though he is joined by Emmylou Harris (with whom he was touring) on two duets. It was recorded Sept-Oct on 1972 and produced by Ric Grech from Blind Faith. My copy (via Reykjavik…
-
Coleman Hawkins, Sirius, 1974 on Pablo
Recorded by Val Valentin December 1966 but released posthumously in 1974 (Hawkins died in 1969). Produced by Norman Granz, with liner notes by Benny Green: This is the album which none of us ever wanted to hear, the last milestone on that long fascinating road which stretches back to the day in 1922 when, as…
-
Michael Franks, The Art of Tea, 1975 on Reprise
Franks is an interesting figure – from my pov very over looked these days, but quite successful at the time. He was the center of the so-called “Quiet Storm” movement – jazz influenced, sooth vocals – sort of adjacent to Yacht Rock but with a more R&B / smooth jazz base. (There was a “Quiet…
-
Duke Ellington, The Intimate Ellington, 1977 on Pablo Records
Recorded in NYC between 1969 and 1971, with a variety of players. Includes “Moon Maiden” with just Ellington singing and accompanying himself on Celeste, and also some great renditions of “I Got It Bad (And That Ain’t Good)” and “Sophisticated Lady” but also some less well known songs. Pablo Records was Norman Granz’s label created…
-
Paul Collins’ Beat, The Beat, 1979 on CBS / Columbia
Paul Collins’ Beat was originally just called “The Beat” (as is evident in the artwork) but was renamed Paul Collins’ Beat to avoid confusion with that other “The Beat” (itself renamed to The English Beat in the US). Collins’ legacy includes the Nerves and the Plimsouls, both with Peter Case. Columbia could not use the…
-
Butterfield Blues Band, Live, 1970 on Elektra
Paul Butterfield and band (sometimes labelled as The Paul Butterfield Blues Band, here just last name) live at the Troubador in Los Angeles, produced by Todd Rundgren, engineered by Rundgren and Ray Thompson. Great live blues album – Chicago Blues with a horn section and more jazz foundations mixed in. The lineup here does not…
-
The Clash, Give ‘Em Enough Rope, 1978 on CBS / Epic
The follow up to the self-titled debut, and the first with Topper Headon on drums. It was actually the first Clash album released in the US – the debut album did not get a US release until 1979. “English Civil War” is a reworking of “Johnny Comes Marching Home” – the rest are all written…
-
Kris Kristofferson, The Silver Tongued Devil and I, 1971 on Monument
This was Kristofferson’s second album, following what was originally released as Kristofferson but later retitled Me and Bobby McGee to capitalize on the hit version released on Janis Joplin’s Pearl. This was a more commercially successful release, including one of my favorite Kristofferson songs “Lovin’ Her Was Easier (than Anything I’ll Ever Do Again).” It’s…