Tag: 1960s
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Ray Barretto, Acid, 1968 on Fania
Barretto played with Charlie Parker, José Curbelo and (for four years) Tito Puente. His debut on Fania records, it’s a great boogaloo recording bringing latin jazz to rhythm & blues. “Deeper Shade of Soul” was sampled by Urban Dance Squad on their debut single back in 1990. My copy is the 2023 Vinyl Me Please…
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Koerner Ray & Glover, The Return of Koerner Ray & Glover, 1965 on Elektra
“Spider” John Koerner, Dave “Snaker” Ray, and Tony “Little Sun” Glover were a Minneapolis blues/folk trio who met at the University of Minnesota and played frequently in Dinkytown and the West Bank. This was their third release on Elektra and the the last before a seven year gap – capturing their early folk/blues approach. Produced…
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The Mar-Keys / Booker T. and the MGs, Back to Back, 1967 on Stax
The Mar-Keys were the backing band on lots of early Stax records, and had personnel overlap with what became the MGs & The Memphis Horns. Deanie Parker’s liner notes say “Booker T. & The MG’s . . . is the rhythm section of The Mar-Keys.” This album was recorded live on a Stax/Volt tour in…
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Ray Charles, Ray Charles in Person, 1960 on Atlantic
Recorded live May 28th, 1959 at the WAOK fifth anniversary celebration, Herndon Stadium in Atlanta. Recorded from the audience, reportedly from a single microphone 100 feet from the stage. First time, according to sleeve notes from Zenas Sears, that “What I’d Say” and “Tell the Truth” were played in Atlanta. My copy is the Vinyl…
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Eric Von Schmidt, Eric Sings Von Schmidt, 1965 on Prestige
I first heard of Eric Von Schmidt via Bob Dylan’s “Baby Let Me Follow You Down” which begins with the intro: I first heard this from Ric von Schmidt. He lives in Cambridge / Ric is a blues guitarplayer. I met him one day on / The green pastures of the Harvard University As someone…
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John Mayall, Blues from Laurel Canyon, 1968 on London Records
Released on Decca in the UK and London Records in the US, this was Mayall’s first LP after the breakup of the Bluesbreakers and his last on Decca before moving to Polydor. Mayall wasn’t yet living in the US when this was released – this was recorded at the Decca Studios in West Hampstead, London.…
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Jeff Beck, Truth, 1968 on Epic
This was Beck’s solo debut, following after time in the Yardbirds, and features Ron Wood, pre-Faces Rod Stewart, Keith Moon (credited as “You Know Who”) and Mick Waller as well as John Paul Jones on Hammond Organ on one track. I came to Jeff Beck late – I knew his work in the Yardbirds but…
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The Rolling Stones, Flowers, 1967 on London Records
This was the second compilation album for the Stones, collecting some studio cuts that had not been released (or released but not on the US versions of albums). My copy, via Vinyl Destination in Lowell MA, has definitely seen better days The black tape seam repair was the work of a previous owner. Nonetheless it…
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The Dave Brubeck Quartet, Time Further Out – Miro Reflections, 1961 on Columbia
While movie science fiction fans celebrate May 4th as Star Wars Day (“May the 4th be with you”), jazz heads know it as Dave Brubeck Day, 5/4 time being the signature of Time Out. Lesser known is that there were three more albums following: Time Further Out, Countown – Time In Outer Space, and Time…
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Ella Fitzgerald, Misty Blue, 1968 on Capitol
My copy is a pressing on Pickwick/33, “by arrangement with Capitol Records” – not sure what year. (45 Worlds says 1971). These reissues only have 9 tracks where the original Capitol release had 11 – omitted are “I Taught Him Everything He Knows” and “Turn The World Around (The Other Way).” As the liner notes…
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Donovan, Catch the Wind, 1965 on Hickory
Donovan’s debut, this LP was titled “What’s Bin Did And What’s Bin Hid” in the UK (and it seems like everywhere outside the US), but “Catch The Wind” in the US . It came out a bit later here and the single was already on the charts, so they wanted the LP title to match.…
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Nico, Chelsea Girl, 1967 on Verve
This album originally came out in ’67 as Nico’s solo debut, in the same year as the release of The Velvet Underground and Nico on which she sang three songs. I absolutely love these versions of Jackson Browne’s “These Days” and Bob Dylan’s “I’ll Keep It With Mine” My copy is a 2017 reissue by…
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Desmond Dekker, The Israelites, 1969 on Pyramid
The title track was top 10 both in the UK and in the US in 1969, making Dekker one of the most visible early stars of reggae outside Jamaica. My copy is a 2016 mono reissue through BMG, reproducing the Pyramid label from the 1969 UK release. Via Reykjavik Record Shop in Iceland.
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The Zombies, Begin Here, 1965 on Decca
My copy is a later reissue (2013) on Repertoire Records, half-speed mastered at Abbey Road Studios from HD 24 bit audio – the original was on Decca in the UK . Wonderful to hear their on Muddy Waters’ “I Got My Mojo Working” and Ellas McDaniel’s “Road Runner” – great quality pressing. My copy via…
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John Mayall with Eric Clapton, Blues Breakers, 1966 on London Records
This was the debut studio album for Mayall and the Bluesbreakers but credited to John Mayall with Eric Clapton. The band here includes Mayall, Clapton, John McVie, Hughie Flint, Johnny Almond, Alan Skidmore, and Dennis Healey. London Records was the US distributor for UK label Decca. Clapton left to form Cream with Ginger Baker and…
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Jack Elliott, Ramblin’ Jack Elliott, 1961 on Prestige International
One of the few duplicates I hang onto, as I have a repressing (Hard Travelin’) but this is the Vinyl Me Please reissue (as part of VMP Country) which looks and sounds great.
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John Coltrane, Sun Ship, 1971 on Impulse!
Recorded in August of 1965 at RCA Victor studios in NYC, and released (posthumously) in 1971. Jimmy Garrison (bass), Elvin Jones (drums), and McCoy Tyner (piano) with Coltrane. All song s written by Coltrane. Produced (“Prepared for release”) by Alice Coltrane and Ed Michel. Engineered by Bob Simpson (not Rudy Gelder like the other quartet…
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Otis Redding, The Immortal Otis Redding, 1968 on ATCO
The second of a number of posthumous releases that came after Redding died in December 1967 – recordings made during the spring, summer and fall of 1967. Atlantic owned the rights to Redding’s catalog and all unreleased masters, so issued these albums under the ATCO label in the US. Personnel not credited on the release,…