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Midnight Oil, Diesel and Dust, 1987 on CBS / Columbia

Peter Garrett, Rob Hirst, Jim Moginie, and Martin Rotsey are the core of Midnight Oil, the politically earnest band from down under. This was their sixth full length (the band started all the way back in the 70s and released their self-titled debut in 1978), but it was their breakout album in the US, with “Beds Are Burning.”

Dr. John, Desitively Bonnaroo, 1974 on ATCO

Dr. John’s seventh solo LP, Desitively Bonnaroo is the source of the name for the Bonnaroo music festival. It was produced by Allen Toussaint, who is also credited…

Leo Kottke, Ice Water, 1974 on Capitol

Although he was born in Georgia, I think of Kottke as another Minneapolis folkie. He’s one of the folks who, when I find an album I don’t have,…

David Bowie, The Rise and Fall of Ziggy Stardust and the Spiders from Mars, 1972 on RCA Victor

I came to this album indirectly and backwards – from the Bauhaus cover (“Ziggy played guitar, jamming good with Weird and Gilley, and the Spiders from Mars”). But…

Pink Floyd, Animals, 1977 on Columbia

What a fantastic album – from the opening note to the closing. I came to Pink Floyd later – not discovering their albums in the sequence they came…

David Bowie, Aladdin Sane, 1973 on RCA Victor

Bowie’s sixth studio album, this was the followup to Ziggy Stardust and the Spiders from Mars. It features Mick Ronson, Trevor Bolder, and Woody Woodmansey (aka the Spiders…

Bob Dylan / The Band, Before the Flood, 1974 on Asylum

This was the first released live album by Dylan, though of course since then many earlier live recordings have been released. After this came out Dylan went back…

Bob Dylan, Self Portrait, 1970 on Columbia

Another of the “difficult” Dylan albums, which he later himself said was something of a joke, designed to relieve some of the pressure he felt from the sixties…

Dylan, Dylan, 1973 on Columbia

This was the album Columbia famously released without Dylan’s authorization after he signed with Asylum Records. (He would release Planet Waves and Before the Flood on Asylum before…

R.E.M., Dead Letter Office, 1987 on IRS Records

Divded into a “Post” side and a “Script” side, this was one of my favorite R.E.M. releases of the 80s, with the unofficial subtitle from the rear cover:…

Modern English, After the Snow, 1982 on Sire

This was Modern English’s second album, following Mesh & Lace, and had the massive hit “I Melt With You” which I think was so iconic in the early…

Various Artists, Footloose: Original Soundtrack of the Paramount Motion Picture, 1984 on Columbia

So in 1984 I’d have thought myself too cool for the Footloose soundtrack: Kenny Logins and Deniece Williams? But I also would have secretly loved it (as I…

INXS, Listen Like Thieves, 1985 on Atlantic

This was INXS’ fifth studio album, but had their first US breakthrough hit with “What You Need.” Recorded at Rhinoceros in Sydney and produced by Chris Thomas. Includes…

Dead or Alive, Youthquake, 1985 on Epic

Dead or Alive sometimes get put in the one hit wonder category, based on the massive success of “You Spin Me Round” but this is really a great…

R.E.M., Green, 1988 on Warner Bros.

R.E.M.’s sixth studio album, which came out my freshman year of college – I believe the last time I saw them live was on the Green tour at…

R.E.M., reckoning, 1984 on IRS

R.E.M.’s second full length LP (following Murmur – Chronic Town was just an EP) and the best album titled Reckoning to come out in the 80s (the second…

Eddie Harris & Les McCann, Second Movement, 1971 on Atlantic

Follow-up to the massively successful Swiss Movement (“Compared to What”), recorded at Atlantic Studios. Harris and McCann are joined by Cornell Dupree, James Rowser, Donald Dean, and Bernard…

Bronski Beat, Truthdate Doubledare, 1986 on MCA Records

This was Bronski Beat’s second full lengthy, after the mega success of The Age of Consent – and the first after Jimmy Somerville departed (to form the Communards)….

R.E.M., Document, 1987 on IRS Records

Their last full-length on IRS before making the jump to Warner Bros, capping really a perfect run from 1982 (Chronic Town) to 1987. The “No. 5” on the…

Spandau Ballet, True, 1983 on Chrysalis

Spandau Ballet’s third album and major breakout – with Steve Norman on Sax adding to the New Romantic sound. The title single was unavoidable in the early 80s,…